Forms - 1

Released December 11, 2022
https://scalq.bandcamp.com/album/5055360

N0Cmnh.P

A male European nightjar delivers his strange motor like song from one of his favorite song post before moving to the next one, ending his trill by a joyful wing clap.

Lyon countryside, late spring.
2023-06-10, 22h

Lom Usi Pro, Sony PCM M10

Recorded by Grégoire Chauvot & Mélia Roger

Illustration : John Gerrard Keulemans, Public domain, via Wikimedia Commons

European nightjar, Song and wing clap - Mélia Roger & Grégoire Chauvot

From album Jaro /Spring/ Bandcamp 2023
https://tomassenkyrik.bandcamp.com/album/jaro

Notes to this recording:
Last April, I went to a floodplain forest in southern Moravia to capture a bombina bombina at one of the wetlands. No sooner had I settled down on the shore than the bombina bombina starts to call. My son fell asleep in his bicycle seat, it was beautifully quiet, no wind, no people, so ideal conditions. I quickly connected the equipment and started recording. After pressing the record button, I heard a small sport plane approaching me in my headphones. It circled over the wetland and then over the floodplain forest continuously for twenty minutes, yes really twenty minutes. It alternately receded and approached. I cursed quietly and preferably away from the microphones, so luckily my comments are not heard on the recording. The next day I downloaded the recording to my computer and was determined to delete it. But I listened to the recording. Something happened that I didn't expect. From the first seconds, the picture seemed to me as a compositional unit. The hum of the aircraft engine entered the recording with gradually increasing volume and began to create a harmony in the lower frequency band to the call of the bombina bombina. Since then, I listen to nature sounds and the sound environment differently. During the recording session, I took a photo of the location and my son sleeping on the bike. I decided to use it as the cover image for the whole album Jaro because it reminds me of the day I started listening a little "different"

Bombina bombina and a small sport plane

Night Listening means sitting, through the night, in a chosen location, as still and quiet as possible, often for many hours, absorbed in purely listening, while recording. This is an excerpt from a recent Night Listening. It involves three Brushtail Possums, and one Red Fox. The responses of the Possums to the barking of the Fox are very interesting. (Don't start with the volume raised to more than 50 to 60 per cent: some of the fox barks are quite close and loud.)

Recorded on the land of the Kaurna people.

2023.12.28 Night Listening. Night Forest. Red Fox and Brushtail Possums. Early Summer.

Voici un des sons surprenants que j’ai pu enregistrer au cours du voyage en Patagonie en novembre 2023 avec Fernand Deroussen. 
Attention à utiliser un dispositif d'écoute permettant de bien restituer les sons graves !

En arrivant dans la vallée de Chingue, au sud-est de El Calafate, nous avions l’impression qu’il y avait des travaux dans un chalet, comme des coups de marteau. 
Alors que je cherchais à enregistrer un oiseau, j’ai pu entendre distinctement un son sourd, répétitif à quelques mètres de moi et ce son provenait du sol ! Il y avait des trous dans le sol, caractéristiques d’un micromammifère. En croisant plusieurs sources d’informations, j’ai alors pu déterminer qu’il s’agissait du Tuco tuco de Magellan (Ctenomys magellanicus). 

Déjà, Charles Robert Darwin dans son récit du voyage du Beagle entre 1826 et 1836 écrivait à propos de cette espèce : « Au R. Negro, dans le nord de la Patagonie, il y a un animal qui a les mêmes habitudes et probablement des espèces très proches, mais que je n'ai jamais vu. Son bruit est différent de celui de l'espèce Maldonado [Ctenomys brasiliensis] ; il n'est répété que deux fois au lieu de trois ou quatre, et il est plus distinct et plus sonore : lorsqu'on l'entend de loin, il ressemble tellement au bruit que l'on fait en coupant un petit arbre avec une hache, que j'ai parfois eu des doutes à son sujet » (Jaksic 2023).

Le capitaine du Beagle, Robert Fitz-Roy, rapporte que "ce nom indien [tucu-tucu], prononcé de manière gutturale, exprime le curieux son produit par ces créatures lorsqu'elles sont sous terre,  un bruit qui ressemble un peu au coup d'un marteau éloigné » (Jaksic 2023).  Le son peut être entendu à au moins 10-15 mètres du terrier (Francescoli 1999).
Les Ctenomys sont des rongeurs vivant dans le sol. Soixante-neuf espèces ont été décrites, toutes présentent en Amérique du Sud (Zache et al. 2021). 
Malheureusement, le répertoire acoustique de ces espèces a été peu étudié. La plupart des données ont été obtenues en laboratoire et les rares études sur des espèces dans leur milieu naturel ne portent que sur les sons audibles en dehors des galeries souterraines. Les vocalisations des Ctenomys n’ont été étudiées que chez trois espèces. Ces espèces peuvent aussi produire des sons non vocaux produits par des vibrations de leur corps ou des claquements de dents (Zache et al. 2021). 
Dans cet enregistrement, il s’agit d’une émission vocale, de type séquentiel. L’animal ouvre la bouche, lève la tête et contracte son corps pour produire les sons (Francescoli 1999). Dans une étude sur deux autres espèces de Ctenomys, Zaché et son équipe ont pu mettre en évidence 5 types de vocalisation différents (Zache et al. 2021). 
Il est probable qu'il s'agisse ici d'un cri d'alarme en présence d'intrus. Mais sachant que les vocalisations de cette espèce n’ont pas fait l’objet d’études à ce jour, il est difficile d’en connaître réellement la signification (Jaksic, comm. pers 2023).

Cette espèce n'est pas menacée (LC (Llobet et al. 2023)). 

Bibliographie :
FRANCESCOLI, Gabriel, 1999. A preliminary report on the acoustic communication in Uruguayan Ctenomys (Rodentia, Octodontidae): basic sounds types. Bioacoustics-the International Journal of Animal Sound and Its Recording - BIOACOUSTICS. 1 janvier 1999. Vol. 10, pp. 203‑218. 
JAKSIC, Fabian, 2023. Historical and current knowledge of the Magellanic tuco-tuco Ctenomys magellanicus in Patagonia and Tierra del Fuego, South America. Revista Chilena de Historia Natural. 11 septembre 2023. Vol. 96. 
LLOBET, Toni, VELIKOV, Ilian, SOGORB, Lluís, PEACOCK, Faansie, JUTGLAR, Francesc, MASCARELL, Àlex et MARTÍ & JES, Blanca, 2023. All the Mammals of the World. Barcelona : Lynx Edicions. ISBN 978-84-16728-66-4. 
ZACHE, Keila, SILVEIRA, Lucas, FRANCESCOLI, Gabriel et FREITAS, Thales, 2021. Description of the sound diversity of two species of tuco-tucos ( Ctenomys torquatus and Ctenomys lami ) in natural environment. 
Photo cc by Sebastián Saiter V

Ctenomys magellanicus - Tuco Tuco De Magellan

This work is intended as a meditative companion-piece to an earlier work, https://soundcloud.com/hearingbeings/20211024-night-music-spring, and follows a similar structure. However, it was recorded in an entirely different location (thirty-six kilometres away).

In this piece, the auditory journey of approach towards the distant source has more intervals, and is more gradual, than in the earlier work. Listening to what may be heard along the way is as important as arrival. On this occasion, there is only one Eastern Banjo Frog in the midst of a plenitude of Spotted Marsh Frogs, along with some Brown Tree Frogs and Common Eastern Froglets.

Other than balancing gain levels, the sequence of recordings constituting this work (made during one night at one location) has not been filtered or processed in any way (with the exception only of the final two minutes).

Fixing the volume from the outset to a fairly low level, e.g., around 40 per cent, and certainly not more than 50 per cent, is recommended. What is distant and quiet will gradually become nearer and louder.

Recorded on the land of the Peramangk people.

The track image is a modification of an original photo of an Eastern Banjo Fog (Limnodynastes dumerlii) taken by by Fir0002/Flagstaffotos and made available under a CC BY-NC licence.

@Bandcamp

2023.12.23 Night Dreaming. One Final Banjo Frog. Early Summer.

Extract from the longform piece of MOLJEBKA PVLSE's new album "Topography of Frequency and Time" , out on Drone Records 02.2024 in the SYM series (SYM_06)

The term "Topography" means the study of the forms and features of land surfaces., the physical appearance of natural attributes in a certain area... MATHIAS JOSEFSON aka MOLJEBKA PVLSE has adopted this notion to characterize this long form multiple-layer drone ambient expanse, a continuous flow of sound that can lead you into different aural regions...like the recent "Sacrificed Phloem (Zannec Line)" by LOPEZ/MENCHE (SYM:04) this one-tracker (exactly 70 minutes long) guides through you various stages.. after a massive beginning there's a very mellow / harmonic middle part, the aural topography of sound changes again towards the ending...a continuous "transfer" into non-ordinary states of mood & consciousness...
Mathias Josefson shares his thoughts on the album: " 'Topography of Frequency and Time' is an expedition through expansive sonic landscapes that stretch beyond our daily awareness. It serves as an open invitation to transcend the visual confines of physical space, encouraging a deep dive into the unexplored realms of sound and time. This album seeks to chart the uncharted territories of our auditory experience, intricately mapping the intersections of three-dimensional space within the frequency and time domains."
MOLJEKBA PVLSE, based in Stockholm and Hamburg, has accompanied Drone Records for a long time, with releases on 7" and 10" vinyl. Active since 1999, the project has evolved from more minimal droning soundscapes on to complex multi-layered atmospheric conglomerations of acoustic and electronic sounds, field recordings and found sounds, feat. various guest musicians.

retail order:  https://www.dronerecords.de/album.view.html?album=22014

MoljebkaPvlse - TopographyOfFrequencyAndTime (excerpt)

Beatrice, Artie and Abby discuss this week’s news that the CDC is planning to drop its covid isolation guidelines, and how the proposed change is emblematic of the Biden administration’s long running practice of undoing pandemic policies as a form of labor disciple.

Transcript: https://www.deathpanel.net/transcripts/cdc-says-back-to-work

Find our book Health Communism here: www.versobooks.com/books/4081-health-communism

Find Jules' new book, A Short History of Trans Misogyny, here:
https://www.versobooks.com/products/3054-a-short-history-of-trans-misogyny

Death Panel merch here (patrons get a discount code): www.deathpanel.net/merch

As always, support Death Panel at www.patreon.com/deathpanelpod

Note: In this episode, Artie mentions an old episode, from January 2022, that shares the same title with this episode (“CDC Says Back to Work”). We decided to use that title again, for this episode, because it felt appropriate. You can find the old episode here https://www.patreon.com/posts/60691090

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Death Panel 493 CDC Says: Back to Work (02/15/24)

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CDC Says: Back to Work (02/15/24)

Cold nights and warmer sunny days causes stress on thick lake ice. As the ice freezes and melts on a daily basis, periodic cracking and pinging sounds can be heard, sometimes quite dramatically. This track is edited from an all night recording made at a lake in south Estonia, a "greatest cracks" if you will, from more than 6 hours of material.

Cracking Lake Ice

Beatrice speaks with Vicky Osterweil about the events we’re encouraged to forget, repress, and reinterpret in order to abet genocide, carcerality, or abandonment to a pandemic, and the power of refusing to forget.

Transcript forthcoming.

Read Vicky's essay, "Remembering As an Act of Revolt," here:
https://all-cats-are-beautiful.ghost.io/a-list-of-things-we-have-been-told-to-forget/

And find her book, In Defense of Looting, here:
https://www.hachettebookgroup.com/titles/vicky-osterweil/in-defense-of-looting/9781645036678/?lens=bold-type-books

Find our book Health Communism here: www.versobooks.com/books/4081-health-communism

Find Jules' new book, A Short History of Trans Misogyny, here:
https://www.versobooks.com/products/3054-a-short-history-of-trans-misogyny

Death Panel merch here (patrons get a discount code): www.deathpanel.net/merch

As always, support Death Panel at www.patreon.com/deathpanelpod

Death Panel 501 Refusing to Forget w/ Vicky Osterweil (03/21/24)

Refusing to Forget w/ Vicky Osterweil (03/21/24)

Politics, culture, and public policy from the left. Stay alive another week.

w/ Beatrice Adler-Bolton, Artie Vierkant, Phil Rocco, Jules Gill-Peterson, and Abby Cartus. 

https://www.patreon.com/deathpanelpod

CDC Says: Back to Work (02/15/24)

Death Panel

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