Beautiful delicate use of the grace notes, that's so good!

Debra’s touch is absolutely spectacular — sensitive, precise, and full of soul.
A quiet journey inward, delicate yet deep. Perfect for getting lost… and maybe, finding yourself again. 😍 Reposted

la musique du coeur est le coeur de la musique! thank's Debra!!!

Your wandering, no doubt aimless, with this common thread is a complete success. (I hope this adorable little ball of fur isn't causing too much damage.)

Beautifully performed Debbie (and the sound production quality is great David!)

Ideal voices and much beloved
Of those who died, of those who are
Now lost for us like the very dead;
Sometimes within a dream they speak
Or in the ticking brain a thought revives them.

I am thinking back to the time when for the four of us, the known world hardly existed; days became simply the spaces between dreams, spaces between the shifting floors of time, of acting, of living out the topical… a tide of meaningless affairs nosing along the dead level of things, entering no climate, leading us nowhere, demanding of us nothing save the impossible— that we should be. 

Justine would say that we had been trapped in the projection of a will too powerful and too deliberate to be human— the gravitational field which Alexandria threw down about those it had chosen...

from Justine in the Alexandria Quartet, Lawrence Durrell

written & produced by naldo & guillaume
orchestration by guillaume

hear more of guillaume's music here: soundcloud.com/guillaumelecompositeur/tracks
.....

Justine In Alexandria

My latest composition with vocals, piano, bass, percussion, erhu and synths. 
Mastered by my lovely Sander. 😊❤️🎶❤️

Not A Moment Too Soon

'Never Too Late' is an easy listening Jazz Fusion Track

Dont Smudge The Ink

Never Too Late

Produccion,bateria y teclados San Kajati(desde Valencia)todo lo demas yo.
Los peores sueños
                 Am-Em-Dm-Am

No voy a ir 
Dónde no puedo 
Por ahí pueden venir 
Los peores sueños 
Pensaba en vos 
Mirando de nuevo 
El juego, el color 
El otro veneno 
Las luces veo al fin 
Alumbran el piso 
Cuando vienen a mí 
Se vuelven pasillos 
Perdido en un laberinto 
Cerca del río 
Me pongo a caminar 
La salida persigo...

LOS PEORES SUEÑOS-Christian

Dilemma

Reminiscence – The Gentle Return
Sometimes the heaviest moments are the quiet ones.
When a single piano speaks louder than any voice,
not with words, but with the aching stillness left behind.

Reminiscence is the sound of looking back,
of revisiting the empty chair, the quiet room,
the laughter that once filled it – now just an echo.
It’s not a cry for comfort, but a slow exhale of memory.

This piece doesn’t try to escape the sorrow.
It walks beside it – unafraid, tender, honest.
Because some things cannot be forgotten.
They live on in sound, in silence, in the spaces between the notes.

Performed entirely on the Bechstein  –
a grand piano from EastWest, known for its haunting intimacy.
Its velvety resonance and delicate detail bring life to the sadness,
like a whispered goodbye that lingers in the air.
Every nuance was shaped by human hands – with reverence, with grief.

Part of the album Tides of Melancholy.
No AI. No shortcuts. Just soul, sorrow, and sincerity.

Composed, played, and felt by myself –
for all those who carry someone in their heart but can no longer hold them.
Thank you for listening – and for making space for this gentle return.


Reminiscence – Die leise Rückkehr
Manchmal sind es die stillsten Augenblicke, die am schwersten wiegen.
Wenn ein einziges Piano lauter spricht als jede Stimme –
nicht mit Worten, sondern mit dem Schmerz,
den nur die Abwesenheit kennt.

Reminiscence ist ein Blick zurück.
Zu dem leeren Stuhl. Dem stillen Raum.
Dem Lachen, das einmal darin lebte –
nun nur noch Erinnerung, verhallt im Nichts.
Dieses Stück sucht keinen Trost.
Es atmet die Trauer – langsam, behutsam, aufrichtig.

Denn manche Verluste verblassen nicht.
Sie bleiben – in einem Klang, in der Stille,
in dem, was zwischen den Tönen unausgesprochen bleibt.

Eingespielt auf dem Bechstein Sus Rep Lite DYN –
ein Konzertflügel aus der EastWest-Piano-Serie,
geschätzt für seine emotionale Tiefe und intime Klangcharakteristik.
Sein samtiger Ton und seine fragile Präsenz
verleihen dem Schmerz eine Stimme,
wie ein leiser Abschied, der in der Luft stehen bleibt.
Jede Note wurde mit Sorgfalt und Gefühl geformt – von echten Händen.

Teil des Albums Tides of Melancholy.
Keine KI. Kein Trick. Nur Seele. Nur Trauer. Nur Wahrheit.

Komponiert, gespielt und empfunden von mir –
für all jene, die jemanden im Herzen tragen, den sie nicht mehr in den Armen halten können.
Danke fürs Zuhören – und dafür, dieser leisen Rückkehr einen Platz zu geben.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Reminiscence

Composed and performed by „HIN UND WIDER“ (Gunther Benedict – drums, Othmar Eichinger – tenor sax, Axl Hansal – guitar, Christoph Musil – bass, Mario Palaschke – keyboards).

Pancake Groove

we can get distracted by flashing lights,spectacular presentations,glitz and glamor ...It is important to seek out things/people/leaders with real qualities not false promises and slick pandering
lyrics

giant rosebush blood red bright
lilac tree deep purple delight
spectacular to see for sure
but what interests me the more
are the tiny flowers that you see
growing in the grass singly
not loud not bold not flashy not sassy
It doesn't take much to make them happy

flashy dresser latest styles
manicured nails and botox  smile
glitters in the dim daylight
attracting many to his site
but what I want, what I seek
is not someone that just throws off heat
but instead is simply warm inside
who doesn't need glitz and glitter
to be satisfied

like a moth drawn to a light
we often seek the cheap delight
and gather around in mindless worship
of something that it truly worthless
so when you choose a light to follow
be sure its source is not bare and hollow

choose wisely

It may be obvious that this piece has its roots in Beethoven's "Moonlight Sonata" Op. 27 No. 2.  My first iterations were much closer to the original but I have now wandered far afield.  Sincere thanks to you for listening.  I'm honored.

*If I am slower to respond lately it should be noted I have a new puppy.  I am hoping he won't eat my house and pianos.

Sincere thanks to my good friend and frequent collaborator David Dunham for mastering my track @david-dunhamuser589535203

Introspection

Thursday

The Night of July 7th

Best described as eclectic, my style is a soothing mix mirroring my personality: mostly mellow with the occasional outburst. Although I have a background in classical piano I have always loved to create and improvise.  Since early childhood I have been trying to duplicate on the piano what I hear in my head.  Now I see how formal studies and improvisation fit together perfectly. I hope to always keep growing and learning, reflecting the beauty of Christ in all my endeavors. Thank you for your kind listening.

Introspection

Debra Buesking

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