This is so touching and soulful... A genuinely beautiful composition and dedication, Debra!

Miracles happen every day. Despair simply does not exist. Composition and piano playing are absolutely sublime!

I thought I knew this wonderful piece by Franz Schubert... But anyway, I think it's great that you're honouring the hard life of SonniQuick, whose tracks I've heard are really beautiful. Thank you for reminding me to check her out again. Thank you for that and for this soulful piece, which is going straight onto my Feel It playlist!🙏🏻🤓

A lovely and delightful adaptation .... With quite exceptional keyboard work.

Daily Drops

'In A Moment' is a smooth jazz piece and just reflects my mood at the time of writing.

Dont Smudge The Ink

In A Moment

Happy Anniversary to my One and Only Love <3 <3  

I would like to thank Alan Hamilton @almal-4: for his generosity in mastering this track for me and answering all my Cubase questions!  Sincere thanks to you, Alan.  If you have not discovered Alan's superb jazz fusion let me encourage you to visit his profile and start listening.

"I'm Getting Sentimental Over You" is a 1932 song first released by the Tommy Dorsey Orchestra.  It is one of my all time favorites to play.  It seems to be a perfect template for all manner of styles.

Gettin' Sentimental Over You

The idea for this song came to me randomly while driving down some backroad a few years back, and I recorded the initial idea spur of the moment. For whatever reason, the rather morbid theme came out in the process and I just went with it. Nat is a daring soul and surprisingly encouraged that we record it and with her considerable help we fashioned this recording. Notable is that Nat has taken on the ability to add some beautiful pedal steel guitar throughout the song using her well established keyboard skills and this first run at it was very satisfying. Let us know what you think!

Craig Durgy: vocals, guitar
Nat Daniels: vocals, piano, pedal steel, bass, percussion
All music written and performed by Daniels & Durgy
Produced by Nat Daniels of Gentle Rain Records 
©2025 Daniels & Durgy

Lyrics:
It took me a while to believe it
If you’re stuck in a bad place, you leave it
And I was that place, that she had to erase
A place that suited me just fine

Then one day I put away my rosy glasses
As I waited for her to come back home.
But watching dust settle, 
On the couch and the kettle
I could see it was me, that made her have to leave
Me to build this coffin home of mine

Yes, I’m building a coffin to live in
Surrounded by forests of green
‘Cause if I ever knew love, 
I guess that I threw love
Away with the girl of my dreams

Well, it don’t feel like living, without her
Though the sun still shines brightly through the pines 
I can tell I have a pulse, 
But my heart has tested false 
If only I’d seen the warning signs

It’s the simple things that seem so complicated
Thought I knew what I should do, to make it 
But then the ship that sails, 
Leaves you pounding coffin nails
Now it’s, twenty-four seven, this coffin that I live in
With all the “could have beens” that it confines

I’m just building a coffin to live in
Surrounded by forests of green. 
‘Cause if I ever knew love, 
I guess that I threw love
Away with the girl of my dreams

Pounding away, day after day
Waiting for the girl of my dreams
Someday, she’ll be back

A Coffin To Live In

Tajo Maijo Love

I originally composed Strange Metronome while following a metronome — and it felt strange… Later, I discovered that my recording software (Logic Pro) could detect the tempo of my playing without a metronome. What a liberation! But I kept the original title… 
J’ai d’abord composé Strange Metronome en suivant un métronome, avec un résultat étrange… Puis j’ai découvert que mon appli d’enregistrement (Logic Pro) pouvait détecter le tempo de mon jeu de piano sans métronome. Enfin libre ! Mais j’ai gardé le titre d’origine…

Strange Metronome

July 1st, 2025 & we wish you a Happy Summer! Thank you for listening & supporting indie artists.
Lyrics & Vocal Melody by Kate Stanton
Music Production by Thomas Mierkiewicz @user-297959700 Lemonbrew 7/1/2025

There’s a monster beneath the bed
And it runs and it comes right out of my head

“You are weak" — so take a week
I could never tell...
'Til I walked straight out of that bed
Took my time, some words were said
Follow me, follow me

[Verse 2]
There’s a wonder beneath the skin
It’s wild, & it slips right out of my hands

“Come to me, while you are weak”
I’ll never tell...
'Til I walked straight out of that hell
It took some time, minced words as well
Ba dah dee eh, bah da de…dum

Dumb!

Chorus

Bah da da da da da dah dum

There’s a way, there’s a way
You can help everyone

Right in the heat of the sun
In the heat of the sun
There’s a lie where the pulse says it rises and falls

Right through the heat of the sun
Yeah, the heat of the sun...

Verse 3

There’s a silence beneath the scream

And it hums like a thread through every dream

“You are me” — it whispered deep

I could never tell...

'Til I met it under the bed

Spoke its name in words unsaid

Sing with me, sing with me


Heat of the Sun

Cast of characters:
Jack Karasek — beats and seed idea
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–beats
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Roland Phantom workstation
Llanpsych–@llanpsych –Tez– electric guitar
Tea R. Sea @tea_are_sea -- Terry – Synthesizer
TexMex Shaman–@texmex-shaman –Stephen– mix, master, and production
This song began with Ken's oldest son, Jack, who laid down the basic rhythmic beat. Ken took over after that with the rest of the beats, though. Jack just graduated high school last week, and he's into hip hop and trap music, so he wanted to share some of it with his musician father, who is very proud of him.
  Tez was first up on this one, which surprised me when I went back and checked the workflow. He added the perfectly placed guitar hits throughout. Josh was next up, using his synth to add the falling bass line. Last, but not least, Terry came aboard, adding the moody, melodic, high register synth.
  When it was all finished, we asked out resident pro mixer, Stephen, to mix it for us. 
  This song was in its current form for about the past eight months. It was originally part of a series of vehicles Eclectic Collective composed for The Mysterious Decibel. He got caught up in life, though, and had to abandon the project. So, we sat on it, asking all the rappers we know if they'd be interested in having a go with it, but no one bit. So, with Jack's recent graduation, Ken revived it as a celebratory song for his son. It could still use some vocals, too, so think of this as an open invitation to anyone who want to do the honors. 
  We hope you enjoy listening to this as much as we enjoyed making it. 
  Oh, and just a side note for all of our friends who follow along with us, we won't be releasing a song this coming Friday, the 4th, but will have  new one for you, the following Friday, the 11th. Thank you for keeping up with us!

Throwing Rocks (Eclectic Collective)

Is there any season as young as summertime? Is there any feeling as great as youth? Is there anything more worth protecting than a summer as we know it from our youth?

lyrics, music and production by ©Hans-Michael Albers – vocal performance by suno 4.5
video: https://www.youtube.com/watch?v=jFUzxoum-PQ

Still
This fragrance 
Like only
Summer air

Cloudless
Weightless
Wonderland
Life-size

Everything can be
Simply
Everywhere 
Sunshine

Warm light
A perfect world 
Sky high
Blue tent

Nobody knows
Or do they?
Whether and how
Long it will last?

Everyone sees
What happens
Everyone has
Got it

Never again like this
Never again like this
Everything is over
And over

Always young
Best time
All's well
Lightness

Popsicles
Convertible
Soul laughs
Just like that

Can do anything
Free choice
Tomorrow is
Doesn't matter

Nobody knows
Or do they?
Whether and how
Long it will last?

Everyone sees
What happens
Everyone has
Got it

Never again like this
Never again free
Everything is over
And over

No more good
Sun glow
Heat red
Hot death

Dry field
Desert world
Summerland 
Burnt down

Summerland 
burnt down

Translated with DeepL.com (free version)


Sommerland abgebrannt

A reworking of Träumerei, "Kinderszenen" No. 7, Scenes from Childhood , in dedication to Sonni Quick who is bravely fighting ALS.  My prayers are with you, Sonni.  Sonni has dedicated her life to the art of improvisation and helping others along the way.  I hope you will avail yourself of her beautiful music.  @sonni-quick

Sincere thanks to David Dunham for his faithful help in mastering my tracks.
@david-dunhamuser589535203

Robert's Dream : Träumerei revisited and dedicated to Sonni Quick

We are Glitchy dot Phong !!! https://soundcloud.com/user-434699157?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Glitchy dot Phong - From Home 25

The third track from my EP CHEMICAL is SCARY TRUTH. 135 BPM. 9m39s. The longest track in this EP. But this is the most psychedelic and rave-like, so this is perfect for listening to while swaying back and forth. In short, this can be used as a good BGM. CHEMICAL Link in Bio!

SCARY TRUTH

My anti-AI rant song ... I wrote this shortly after a friend of mine proudly told me how she'd created a song using AI which she had fed a sample of her voice. This gal doesn't sing. She sent me the YouTube link to the song and obviously wanted my feedback.

That artificiale
You call a song
Bit and bytes pretending
That thing made by machine so perfectly
Much more than your bidding
I won't buy it
Just because you can.

Just because we can
Don't mean that we should
Just let's dig all the way down
Those things can't eat
Need no sleep
Have no cares at all

Don't tell me you're proud
And make a gake fool of ypurself
Things to do your bidding
I hope you made that clear
Take all from the past
For a future rearrange
Let the things make everything
Fake the only name
That's fair

Just because we can
Don't mean that we should
Just let's dig all the way down
Those things can't eat
Need no sleep
Have no cares at all

Digging a grave
For the human made
the work of our hearts
The work of our minds
Digging a grave
For the emanescent
Voices of ourselves

Digging a Grave

Lyrics:

I was king of the world, walked the land so free
Mountains bowed to me, no danger to see
But I felt the winds change, heard the sky break wide
A fireball’s coming, there’s nowhere to hide

The ground shakes beneath my feet
The air's grown stale, yet bittersweet
And I can see the end, it’s written in flames
Nothing we built will ever remain

I called the comet just a spark
A flicker meant to light the dark
I said that God would let us be
That fire was never meant for me
We crowned the beast and closed one eye
Then dared the world to split the sky
But soon the leopards bare their teeth
And tear the lies from underneath

We carved our thrones from wax and pride
Then struck the sparks we couldn’t hide
Laughed at crows that lined the wires
Mocked the smoke before the fires

The fireball splits the skies
To advertise my lies
are just maggots and flies

Now I see the end 
is written in flames
Nothing we built will ever remain

First came silence, fear and dread
The world shuddered and mourned the dead
Crows took flight with silver cries
To peck the rot and eat the flies

Then came the dawn, with truth ablaze
Children yelled through smoke and haze
Science grew roots, the wise made rain
And broke the world out from my chain

They scrawled my name on walls of shame
Unmasked the lies that fed my name
My echo burned, my shadow banned
No idols left, no thieving hand

I fed the lies until they screamed
I kiss the storm I make-believed
The old wax throne, just melt and bone
Ground to dust by minds full grown

The fireballs coming
I made it so
Truth is not a democratic show
It is a force of nature though
It doesn’t ask
It only shows

Fireball

Mahan Mahan is responible for the orchestration and mix(coverart)
TexMex Shaman on electric guitar and Mastering(coverart)
the poem and voice by stonerjazz(coverart)
 
the nature of their being by jeff gardiner 

 ponder and ponder if you wanna
speculations bout meanings and measures and structure
of time and the present
and yet it remains completely unknown
made no dent in the fabric
of monstrous illusion
collusion of unseen forces
nibbling away with whispers
while meekly we, perish, never knowing
what we're feeding
believers believing bleeding rivers of remorse
and of course, the horses don;t ponder for a moment
the nature of their being--

The Nature of their Being-with TexMex Shaman and Mahan💀Mahan

What was that man dreaming of, the one who played the saxophone the other night? When he finally wakes up, we’ll ask him – though it’s unlikely he’ll ever reply. And if by any chance he were willing to answer, he might say: "Nothing that I can remember, because nothing ever happens in my dreams."

This is the second in a series of eight easy, acoustic, rather short, and deliberately inconclusive tracks, assembled by combining new ideas with reworked older material, adding parts and sounds along the way. 

Part 1 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-1-night
Part 3 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-3-noon
Part 4 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-4-late-afternoon
Part 5 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-5-night-again

Composed by Michele Ansani (2025) (a partial remake of this: https://soundcloud.com/michele-ansani/johans-aceleration-check-the-description).
Female vocals courtesy of Function Loops.
Ambient and radio sound effects sourced from Pixabay.
Posted on SoundCloud: August 2, 2025.

In case nothing happens - part 2 (dawn)*

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Best described as eclectic, my style is a soothing mix mirroring my personality: mostly mellow with the occasional outburst. Although I have a background in classical piano I have always loved to create and improvise.  Since early childhood I have been trying to duplicate on the piano what I hear in my head.  Now I see how formal studies and improvisation fit together perfectly. I hope to always keep growing and learning, reflecting the beauty of Christ in all my endeavors. Thank you for your kind listening.

Robert's Dream : Träumerei revisited and dedicated to Sonni Quick

Debra Buesking

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