wonderful Debbie, have enjoyed listening to your Winnie the Pooh suite....

the kids use to love Winnie the Poo, they are all grown up and have kids of their own now who love Honey not too sure about Winnie :-)))Brilliant playing Debra

These are wonderful Debra and bursting with charm and character.  They deserve being animated too.

In Celebration of the 140th Anniversary of Winnie the Pooh

Adapted from "The Many Adventures of Winnie-the-Pooh" 1977 Disney Film
Songs written by Robert and Richard Sherman

Winnie the Pooh Suite for Piano : Celebrating 140 Years of Pooh Bear

Chapter in which we meet the lovable Winnie the Pooh, otherwise known as Pooh-Bear.

Adapted from "The Many Adventures of Winnie-the-Pooh" 1977 Disney Film
Songs written by Robert and Richard Sherman

Winnie The Pooh Theme

Chapter in which Pooh Bear poses as a Little Black Raincloud in order to fool     the bees!

Adapted from "The Many Adventures of Winnie-the-Pooh" 1977 Disney Film
Songs written by Robert and Richard Sherman

I'm Just a Little Black Raincloud

Chapter in which the Heffalumps & Woozles make their appearance

Adapted from "The Many Adventures of Winnie-the-Pooh" 1977 Disney Film
Songs written by Robert and Richard Sherman

Heffalumps And Woozles

Finale in which Pooh Bear finally escapes from Rabbit's Doorway.

Adapted from "The Many Adventures of Winnie-the-Pooh" 1977 Disney Film
Songs written by Robert and Richard Sherman

Winnie The Pooh Finale

Two short improvisations for this track....

LAST DRINK CLUB.

The Tumultuous Journey of the Reflection of Purple Hangings on the Soft Blue Sea...
Le Voyage Tumultueux du Reflet des Tentures Pourpres sur la Douce Mer Bleue...

Title 1 - 179
Title 2 - 089
Title 3 - 090
Title 4 - 091
Title 5 - 093
Title 6 - 190
Title 7 - 219 - Background atmosphere linked
Track duration - 16m.30.255s

Recording sessions from 08/12/2013 07/01/2024.
 track MOOG Modular V2 (vst Arturia),
 track vst Element of Surprise,
 track vst DSK Darkness Theory,
 track vst DoubleSx XXL V1,
 track Spark (vst Arturia),
 track vst KristalReverb,
 track vst Element of Surprise,
 track The Darker Blues,
 track vst Addictive Drums,
 track vst Purple2,
 track Prophet V2 (vst Arturia),
 track BeatBurner VSTi,
 track guitare Yamaha,
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
- #Ambient #Movies #Experimental 
________________________________________________________________________
❤️🕊️🙏

The Tumultuous Journey of the Reflection of Purple Hangings on the Soft Blue Sea...

This is one of those songs, you just had to get off your chest! All of you creatives will understand that. Its not the hippest or the coolest song , even the music  is understated and the production is lacking, but the words are where the heart is .

Thank you for all of your wonderful plays playlists and shares, very much appreciated!


(c)  Vocalatti ASCAP

Deep Blue

White Flower

https://soundcloud.com/paploviante-and-friends/why-open-collaboration-offer
... my interpretation of Paul's superb back track. "Why" - in my humble opinion there's always answers ... but hardly anybody cares ...... poverty, injustice - nothing is without reason ...
Paploviante: Bass, Composing, Arrangement, Mix and Mastering // joerxworx: Alto Sax
image: AI creation by TheDigitalArtist from pixabay

Why // by Paploviante // Sax remix

Cycling

Block them all.

Yamaha saxophone
Korg N264 workstation
FL studio keyboards

The Deceitful

Cast of Characters:
one man verity show – @one-man-verity-show – Scotty – melodic guitar, lyrics, vocals
cgmaness-- @user-419254289-15129531 – Chris – guitar intro
J.J. Terrell– @j-j-terrell –electric piano, synth  
TexMex Shaman– @texmex-shaman –Stephen – guitar solo and e-bow guitar
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums
Llanpsych– @llanpsych –Tez– textural guitar, mix, and production
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –five-string fretless bass guitar, original seed
The Eclectic Collective – composition

This song began with Josh coming up with the fonky-ass bass line and sharing it with everyone else. First up to bat was Ken, of course, who really matched the idea I had for the bass perfectly and gave it some flavor, too. Once we had a rhythm section solidified, Tez jumped in with the Kruangbin inspired arpeggios, and really gave the whole thing the flavor that it ended up with. Scotty followed soon after with his melodic/rhythmic leads that match his awesome vocal melodies. Next up was Stephen, who laid in the fiery solo towards the end, as well as some really trippy e-bowed guitar throughout. Then JJ came along and lit it up with his electric piano and synth. Finally, Chris came forward and added the distinct, exciting guitar intro. 
  Of course, we needed someone to produce and mix it, so we asked Tez to handle this one, which he did with his usual high wizardly magic. It is very gratifying to all of us to have Chris back in the mix on this one, as well as some upcoming releases, as well. This was the first time any of us has collaborated with Scotty, and we are thrilled that we finally got a chance. He's a creative, driven, and very agreeable musical partner, who's willing to work with us until we all get it right. We all hope this is just the first of many with him involved. We hope you enjoy listening to this as much as we enjoyed making it. 
Original lyrics by Scotty:

Can't afford no fucking mortgage. 
And I can't pay no fucking rent.
I would rather you probe me 
than get fucked by our government
who attempts to control me 
and put nonsense in my head.
Who would rather see me
livin' in debt or end up dead.
Come and take me away.
Beam me into space.
Fly me to a planet
where there exists no hate or greed.

Take me to Utopia.
Teach me all your ways.
Save me from dystopia.
It's time to turn the page.
Something better must exist
out there beyond the stars,
where everyone can love and live,
unlike what's become of ours

Utopia - The Eclectic Collective with One Man Verity Show

The Trial
A Pico-Operetta for our Times

International Cast:

Lady Humanity - Oddrun Eikli - Norway, vocals and lyric on the last song; @oddrun-eikli
Lord Mammon - Peter - England, All poetic lyrics in the operetta, except the last song; soundcloud.com/user-264930040/tracks
The Judge - David Dunham - USA, nylon-string guitar in the song for Lady Humanity's defense; @david dunhamuser589535203
Music & Production - Seagull - Sweden, compilation, mixing, sound effects, and acoustic guitars in last song; @farout-music-studio

Here you can download all poetic lyrics: www.dropbox.com/scl/fi/37k203an5c…5u74dp2i&e=1&dl=0

Synopsis

Following unprecedented worldwide growth in human conflict, an emergency plenary session of the United Nations was convened late in 2023, tasked with finding new approaches to defuse global tension and ease conciliation. Recognizing the abject failure of extant UN jurisdictions and powers, and in a radical restructuring of the international legal and security framework, that session established a new UN institution to sit alongside the International Court of Criminal Justice. The International Court of Moral Justice was formally incorporated into the UN Constitution on 1 January 2024.

The foundations of this infant organization and those of the UN itself were shaken when it was revealed that the inaugural case to be heard by the ICMJ was to be a private prosecution brought by greed (Lord Mammon) against the defendant, mankind’s innate sense of humanity personified by Lady Humanity

In papers lodged with the court, the protagonist, Lord Mammon has asserted that the fundamental basis for human misery, the creation of discontent, thence envy and hence conflict, is to be found exclusively in false moral goodness and self-righteousness borne of a misplaced sense of benevolence. The human race survived and thrived, he states, not by moving at the pace of the slowest, or sharing resources with the weakest, but by taking and keeping, for the self alone, much more than is needed for basic subsistence, this being the singular route to strength, individual contentment and thus tolerance of others.

In reply, a broken and demoralized Lady Humanity has been compelled to present her own defense after failing to secure funding for a legal team to counter the advocates ranged in front of Lord Mammon. The case for the defense rests solely on the premise that good comes from within and cannot be created from nothing. So whilst she may try to bolster the moral cause in her work, she increasingly finds that the human souls she sees have no humanity in them whatsoever for her to strengthen, nothing to work with and as such, concedes that she has failed, but denounces the notion that it was for want of trying. Devoid of resources, supporters and allies of any kind she single handedly has held the fort against the self-perpetuating, self-reinforcing massed ranks of Mammon.

The Lord Chief Justice of the ICMJ along with his bench of associate judiciary adjourn proceedings to consider their findings and in the final act, return to deliver their verdict.

The Trial - A Pico Operetta for Our Times

Hope (For one, two, tree guitars)

Best described as eclectic, my style is a soothing mix mirroring my personality: mostly mellow with the occasional outburst. Although I have a background in classical piano I have always loved to create and improvise.  Since early childhood I have been trying to duplicate on the piano what I hear in my head.  Now I see how formal studies and improvisation fit together perfectly. I hope to always keep growing and learning, reflecting the beauty of Christ in all my endeavors. Thank you for your kind listening.

Winnie The Pooh Finale

Debra Buesking

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