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The infinitely mysterious yet irrefutably heralded underworld musical entity known to its devout cult following as THE RUINS OF BEVERAST will unveil its massive fourth LP late this Summer; an album which vows to prove itself as one of the most ambitious and unrestrained releases under the cape of black metal to see release all year.

The solo project of one Meilenwald, the infamously devastating drummer and one of the chief songwriters for now defunct legion Nagelfar, in addition to drummer for Truppensturm, Abusus, Verdunkeln and more, THE RUINS OF BEVERAST originated in 2003, and with each release has pummeled underground audiences with an epic, wholly original style of massive, mesmerizing, and malicious black metal artistry. With an incredible tact for keeping his hymns continually entertaining, each of TROB’s full-length releases boast well over an hour of exceptionally high-quality blackened craft with not a moment of filler and each album showing more progression than the previous, not only musically, but artistically and conceptually. The art of 2004’s debut Unlock The Shrine was taken to even darker and cryptic levels with the 2006 follow-up Rain Upon The Impure, and with the release 2009’s grand Foulest Semen Of A Sheltered Elite the word “epic” should have been wiped out of the dictionary, the album showcasing Meilenwald’s most intriguing tunes to date. Until Now.

After a four-year wait, and celebrating the act’s ten-year mark in 2013, the newest works from THE RUINS OF BEVERAST are nearing public availability with the pending release of Blood Vaults -- The Blazing Gospel Of Heinrich Kramer (Cryptae Sanguinum -- Evangelium Flagrans Henrici Institoris).
As always, every element of the new album’s precision percussion, axemanship and synth-laden atmospheres over its nine winding movements was fully conceived and executed by Meilenwald, the man’s brutal creativity coming devastatingly alive through a whirling barrage of through nearly an hour and twenty minutes of his most flooring and entrancing material yet.  The LP’s striking cover art by Axell Hermann (Asphynx, Grave, Samael, Sodom) boldly portrays the religious depravity and brilliant decay of the album’s lyrical tone.

Blood Vaults -- The Blazing Gospel Of Heinrich Kramer (Cryptae Sanguinum -- Evangelium Flagrans Henrici Institoris will be made available to the public in September via CD digibook, gatefold 2xLP, a lavish 2xLP pressing and digital once again through the act’s direct cooperation with the cult label Ván Records (Nagelfar, The Devil’s Blood, Urfaust, Year of the Goat) as with the three previous TROB LP’s.

https://www.facebook.com/pages/The-Ruins-Of-Beverast/116265971848680
http://www.van-records.de
https://www.facebook.com/vanrecs


01 The Ruins Of Beverast Blood Vaults I Apologia

Taken from the album "Last Patrol" 

http://shop.napalmrecords.com/monstermagnet

MONSTER MAGNET - Mindless Ones

In Solitude "A Buried Sun" from the album "Sister"

In Solitude "A Buried Sun"

On their latest full-length, Engineering The Void, Swedish death metal militia, SOREPTION, vomit forth a a multi-layered symphony of surgically accurate riff sequences, maniacal pace fluctuations, plenty of head-jarring rhythms and sprawling intervals of quietude, the six-plus minute opus is an all-consuming lesson in flawlessly assembled brutality.

Engineering The Void was recorded by Tommy Rehn from symphonic black metal collective Angtoria at Ninetone Studios and serves as the follow-up to SOREPTION’s debut full-length, Deterioration Of Minds. Applauded by Underrated Reviews for its, “superior sense of rhythm and razor-sharp precision that will appeal to fans of bands such as Cannibal Corpse, Suffocation, Dying Fetus and The Faceless,” the record reaped critical accolades both Statside and abroad. Noted No Clean Singing, “lots of bands are cranking our modern, technical death metal, attempting to out-do each other (and their forebearers like Necrophagist and Decapitated) with ever more intense instrumental pyrotechnics. Most of them fail at what they’re attempting, or at least fail to create anything you’d want to hear more than once. But SOREPTION have managed to tread this path successfully, not only through the precision of their playing but through the competence of their song-writing.  The music has got grooves and compulsive rhythms — and those way-cool contrasting guitar leads. It just makes you want to get up and fucking mosh and headbang and break shit!,” while Ultimate Guitar opined, “If there was one band…which had to be picked as the representative for what tech death is turning into, this would be it…” Added Metal Observer, “…this album kicked my balls hard on the first listen, completely tore them off during the second, made clam chowder soup with them on its third play-through, and threw said scolding chowder in my face during the fourth. Suffice to say, this album was quite the tasty shock.”

SOREPTION will unleash Engineering The Void to the masses this February 18, 2014 followed by a reissue of Deterioration Of Minds, both via Unique Leader Records.

“The new SOREPTION album is going to rip faces. I mean hot damn! Those riffs! The Swedes in SOREPTION are up there with Obscura, Gorod and Psycroptic at the upper echelon of the crowded tech-death pack, no doubt. Can’t wait to headbang furiously to this the minute it comes out!” – MetalSucks

http://www.facebook.com/soreption
http://www.uniqueleader.com
http://www.facebook.com/uniqueleaderrecords

SOREPTION - "Engineering The Void" (featuring guest vocals by Trevor Strnad)

Saint Pepsi - Private Caller

Pearl (Album Version)

SAINT PEPSI - Better

A Message To Tina Belcher	

a message to tina belcher feat. Fifty Grand

Order from Relapse: http://bit.ly/royalthunder
Order from iTunes: http://geni.us/CrookedDoorsDLX
Order from BandCamp: http://royalthunder.bandcamp.com

Available now on CD/2xLP/Digital via Relapse Records.

Official links:
http://www.facebook.com/royalthundermusic
http://twitter.com/royalthunderatl
http://instagram.com/royalthunder
http://royalthunder.bandcamp.com/

http://www.Relapse.com
http://relapserecords.bandcamp.com/
http://www.facebook.com/relapserecords

Royal Thunder - Ear On The Fool

Here’s a cover of my favourite Felt song that I recorded sometime in Toronto in late 2011 right before leaving on my first trip to Europe with HAPPY TRENDY.

The World Is As Soft As Lace (Felt cover)

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Frostfire

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Joe Ghost x Crossnaders - Frostfire

Band: UNLEASHED
Album: Dawn Of The Nine
Out on: April 24 (EU), April 27 (UK), May 5 (US).

BUY THE ALBUM HERE

UNLEASHED - Where Is Your God Now

Taken from the upcoming new album "Rivals"! 

Pre-order at http://shop.napalmrecords.com/coalchamber

COAL CHAMBER - Rivals

Order the issue of Decibel with this HORRENDOUS flexi here: https://store.decibelmagazine.com/collections/back-issues/products/may-2016-139

Horrendous "Sentenced" (dB065)

Order the Decibel issue containing this KHEMMIS flexi disc here: https://store.decibelmagazine.com/collections/back-issues/products/july-2017-153

Khemmis "Empty Throne" (dB079)

The Soft Moon // It Ends

Kill Lloyd Opus, Awesome Problems EP

DOWNLOAD FOR FREE HERE: http://goo.gl/f2PpR


all sounds by CLOUDEATER | www.cloudeatermusic.com
engineered, mixed and mastered by John Davis | www.thebunkerstudio.com
Original art by Khomatech | www.khomatech.com



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Idiot March

The hottest magazines, books, flexi discs and tours and festivals in metal.

Khemmis "Empty Throne" (dB079)

Decibel Magazine