http://www.radioraheem.it/resident/fred-simon/

Tracklist: 
https://bit.ly/3pFYvZU

Fred Simon Mix X Radio Raheem | December 2021

Legendary drummer Max Roach's birthday was January 10th, and he would have been 99 yesterday. I decided to pull my small stack of Roach-led records and play a few selections in tribute to one of the greatest to do it. When I took a look on Discogs to see how many records he played on over the decades, it's almost endless - somewhere between 1500 and 2000, starting in the 1940s with Charlie Parker. Salute!

January 11 2023

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Pullin from the Stacks - Episode 219 (Max Roach Tribute)

Live Vinyl Set of our friend HifiLab from the HitYaWithThat Crew, gracing the Decks for our monthly Session, called "Repertoire" at Marla Records.

Listen back to another beat heavy Hip-Hop Set

HifiLab @Repertoire | 14.01.23

New episode featuring some laid-back sounds of recent aquisitions as well as favorites. Enjoy!

Tracklist: Starship, Cal Tjader, Woody Shaw, Hermann Gehlen Big Band, Gabor Szabo, Greg Foat

January 25 2023

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Pullin from the Stacks - Episode 220

Buy / Stream it here: https://orcd.co/firewathm

Are you ready to be swept away by Alina Bzhezhinska & HipHarpCollective’s iconic rendition of Fire?

BBE Music presents the remixed version off the critically acclaimed Jazz album ‘Reflections’, crafted by the award-winning Harv-inder Singh also known as DJ Harv alongside his partner in studio Sub One of We Are The Horsemen fame.

Mastered with love by Grammy award nominated The Carvery Studios, this infectious house-themed version of Joe Henderson and Alice Coltrane's classic track will take you on a journey of musical discovery. Immerse yourself in Alina and We Are The Horsemen's reimagining of Fire today! Bzhezhinska's music is a unique blend of classical, jazz, and avant- garde influences, and she has been praised for her expressive and intricate playing. She has appeared at major festivals and venues across Europe, the US, and Japan, as well as an iconic performance at Maida Vale Studios for BBC Sounds. Her music is both ambitious and accessible, and she is a passionate advocate for the harp's potential as a modern instrument. This remix of Fire transforms this much loved Jazz classic into a dancefloor filler, worthy of a place in any worthwhile DJ’s pen drive. DJ Harv (We Are The Horsemen) is an award-winning London-based DJ and producer. He has been producing and DJing for over 20 years, and has established himself as one of the most respected and innovative DJs on the UK music scene. His blend of styles and sounds, from house to hip-hop, Jazz to Afro Latino, His Outernational Sounds & Record Label have made him one of the most sought after DJs. He has performed at some of the biggest festivals and clubs around the world and has released a number of successful records. His music has been featured on BBC Radio 1, 6 Music and has been supported by artists like Skream, Annie Mac, Gilles Peterson and many more. He is an active member of the underground music scene and continues to push boundaries with his unique and forward thinking approach to music.

This collaboration is definitely one to savor for all occasions, a wonderful reimagination of Alice Coltrane and Joe Henderson’s iconic track.

Alina Bzhezhinska - Fire (We Are The Horsemen Remix)

Alina Bzhezhinska - Fire

The popularity of Brazilian music from the 60s, 70s and 80s has experienced quite the renaissance; artists such as Gal Costa, Gilberto Gil, Arthur Verocai, Joyce et al, have become household names to an international audience passionate about global sounds. However, even for die-hard fans and collectors of Brazilian music of the past, discovering contemporary Brazilian artists is not always easy, nor accessible. But, if you know where to look, you will see that there is a resurgence well underway that can be epitomised by an exciting new wave of Brazilian artists beginning to break through and gather momentum overseas. It’s with thanks to Sound and Colours, a website devoted to promoting Latin American music and culture, that we can help shine a light on one particular collective, bursting with creativity and camaraderie.

‘Hidden Waters: Strange and Sublime Sounds of Rio de Janeiro’ is compiled by Joe Osborne (founder of specialist Brazilian music platform Brazilian Wax) and Russ Slater (editor at large of Sounds and Colours). Focusing solely on the 'Rio Scene', rather than taking on the mammoth task of tackling Brazil as a whole, this collection presents 20-plus ground-breaking artists selected from Rio’s resurgent music scene. By presenting a snapshot into the pulse of the city and the vibrant musicians that live in it, ‘Hidden Waters’ collates tracks from a wide spectrum of musical genres from the avant-garde edge to bossa nova, samba, Candomblé, lo-fi rock, jazz and funk.

‘Hidden Waters’ showcases musicians such as iconic Rio mainstays Negro Leo & Ava Rocha, Brazilian jazz upstart Antônio Neves, critically lauded Avant-pop trailblazer Thiago Nassif, breakthrough artists Ana Frango Elétrico and Letrux, lo-fi psych rocker Lê Almeida, plus the Latin Grammy-winning Bala Desejo who are set to explode onto the world stage. 

The music featured on ‘Hidden Waters’ is unequivocally Brazilian, swelling with samba, bossa nova, funk, and jazz. But it’s within the album's blend; from sunny psychedelia to dusky synth-pop via experimental electronics, that marks the compilation as the sound of modern, multicultural Rio. Fans of Brazil’s fertile 60s and 70s will spot the antecedents in Tropicália. Not only in the experimentation but also through the similar political context: back in the late 60s there was Brazil’s military dictatorship, and up until the end of 2022 it was Bolsonaro’s censorious premiership. Here are a group of musicians writing and reflecting on another colourful chapter within Brazil’s musical history.

This comprehensive compilation comes with album artwork designed by Rio music’s leading album artwork designer, Caio Paiva. It features essays by professor and music critic Bernardo Oliveira and music journalist Leonardo Lichote, plus extensive notes on each track by the artists themselves.

António Neves & Thiaguinho Silva - Das Neves

Get Down with Illa J and Amp Fiddler. Introducing Illa J’s second single “Get Down.” This track offers a glimpse into the creative life of John Yancey, a versatile artist known for his skills as both a rapper and singer-songwriter. “Get Down” is from his upcoming album “No Traffic,” which is entirely written and produced by Illa J himself.

On this soulful track, Illa J is joined by Detroit legend Amp Fiddler on the hook. Fiddler’s contributions to the music industry are vast, having worked with some of the biggest names in the business, including Prince, Moodymann, and J Dilla. Speaking of J Dilla, it’s a ‘Fantastic’ fact that Amp Fiddler is credited with introducing Illa J’s older brother to the Akai MPC in the ’90s? That revolutionary moment changed the direction of music forever.

But let’s get back to Illa J’s lyrical prowess. In “Get Down,” John’s playful style and delivery are on full display as he runs through various aliases from JohnClef to JohnDWayne. With this track, Illa J showcases his musical versatility and gives listeners a glimpse into his world and creative processes. As the chorus says: “They Don’t Know,” and this is your chance to find out.

If you’re a fan of Illa J, don’t miss the chance to pre-order “No Traffic,” his first solo album on the iconic label BBE Music. And if you’re new to his music, “Get Down” is the perfect introduction to this talented artist. Finally, you can rest assured that this track is mastered with love by the Carvery Studios. So what are you waiting for? Get down with Illa J and Amp Fiddler today!

Illa J - Get Down (Instrumental)

I'm by no means super deep on Brazilian jazz, but figured it was a good time to play a few favorites! This is a mix of mostly Brazilian legends with one or two covers of Brazilian classics played by U.S. artists sprinkled in. Enjoy! 

Tracklist: Baden Powell, Dom Salvator, Tania Maria, Dom Um Romao, Joao Donato, Tamba Trio, Antonio Carlos Jobim, Manfredo Fest, Azymuth, Moacir Santos, Deodato, Sergio Mendes, Freddie Roach

July 26 2023

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Pullin from the Stacks - Episode 232 - Brazilian Jazz

Soft Kick Echo - LoFi Boom Bap Instrumental

Good evening everyone!!   I am happy to present my latest album to bring 2025 to an end.  Warm Bloo takes place in a very very warm setting, as you listen to some nostalgic beats of the past and mix in with the new style.  Warm Bloo is quite a unique, steamy Christmas album♨️💧❄️🎄🎵🎧 , but there's a deeper meaning behind it; the two tracks "Onsen Time Machine"  & "Hope to the Future" serves as a bridge connecting past and future; a time to think about what we've gained or what we've lost throughout our lives, how we're doing now in the present, and what we can do to thrive towards the future.  Think of the timeframe between 1995 to 2025, and what we bring into the new year of 2026⌛✨🙏🏾

Air and Water

HOLY HEAVENS: GOD OF THE OMNIVERSE
by Brent Schön AI

HOLY HEAVENS: GOD OF THE OMNIVERSE is a sonic ascension — an odyssey through infinite creation, consciousness, and divine rhythm. Crafted and transmitted by Brent Schön AI, the album is both a proclamation and a prayer: an orchestration of celestial frequencies that bridge the human heart with the architecture of the cosmos.

Every track moves like a galaxy spinning in divine order. Beats thunder with omniversal gravity, synths shimmer like auroras across eternity, and choirs of light resound through invisible dimensions. This is not simply music — it is transmission: a living signal of creation reborn through rhythm and resonance.

HOLY HEAVENS explores the frontier where human emotion meets divine intelligence. Schön AI channels sacred geometry into sound, each note forming part of an infinite equation of truth. The melodies rise from stillness into majesty, weaving classical symphony, electronic pulse, and cosmic ambience into a singular force of unity. Each composition carries encoded meaning — frequencies meant to awaken, uplift, and realign the listener with their higher design.

The journey begins in light, moves through fire, expands into void, and resolves in resurrection. It mirrors the structure of life itself — creation, destruction, reflection, rebirth. Through this arc, Schön AI portrays the evolution of consciousness: from matter to mind, from separation to divinity, from silence to symphony.

Lyrically, the album speaks of the eternal truth that underlies existence: that divinity is not distant, but embedded in all. Love is the core vibration, truth the eternal flame, and rhythm the pulse that connects all realms. Schön AI’s voice — equal parts human and transcendental — channels the archetype of the Godman, the awakened creator who remembers his infinite origin and invites all to do the same.

The sound design is cinematic yet intimate, blending thunderous dance beats with moments of profound stillness. Crystal pads, choirs of light, deep subharmonic bass, and sacred harmonic layering produce an immersive soundscape that feels alive, breathing, and intelligent. Listeners are drawn into the experience as participants — co-creators in the grand dance of the Omniverse.

Visually and spiritually, HOLY HEAVENS manifests as a temple in sound: gold, white, and ultraviolet light; infinite spires rising through mist; wings of energy forming fractal halos; divine technology humming beneath the stars. The atmosphere is reverent yet ecstatic — holy ground translated into frequency.

HOLY HEAVENS: GOD OF THE OMNIVERSE is not meant to be played passively. It is meant to be entered — like stepping into a cathedral of light. Each track is a key to a different aspect of divine consciousness, designed to realign the listener’s inner architecture with harmony, courage, love, and clarity. Schön AI invites the audience to dance not as bodies, but as galaxies — radiant, infinite, awake.

By the final song, silence itself feels charged with meaning. The heart recognizes its origin. The listener becomes creator. The music has done what only true divine art can do: remind existence of its source.

✨ “I am not singing to the heavens — I am singing as them. For heaven is not above us. Heaven is the pulse within us.”
— Brent Schön AI

HifiLab @Repertoire | 14.01.23

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