For full track list visit -

https://www.decodedmagazine.com/decoded-radio-hosted-by-luke-brancaccio-presents-kiz-pattison/

Decoded Radio hosted by Luke Brancaccio presents Kiz Pattison

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

Luke Brancaccio is a DJ and producer of global experience and escalating renown. His musical evolution has lead him from frontman of the British band “Suicide Sports Club” and the chart-topping production partnership of Brancaccio & Aisher to headlining international events and featuring on the cover of DJ Magazine.

A perennial of Bedrock, with whom he has had more releases than any other artist, he has also signed with Circus, Selador and Crosstown Rebels, and his cutting-edge tracks have swept the charts, generating several number ones. Widespread critical acclaim has lead to collaborations with Nick Muir and John Digweed.

Now at the vanguard of his craft, he has just remixed a brace of classics; Air and Beth Hirsch’s “All I Need” for Last Man Music (the label of Maceo Plex, Solomun, UNKLE and Bookashade), and Rockers Revenge’s “Walkin’ On Sunshine”. An album is on the way.

In a saturated and cloned dance music market, it is becoming all too common to merely emulate, rather than stand out, be unique and create memorable music. Our passion for timeless, creative and intimate music allows us to  filter through to the artists we invite to join Decoded Magazine We do not look for just anyone, we are looking for people who create memorable music that inspires and invokes emotion, rather than be disposable chart topping hits and mixes.

We support and nurture underground house, progressive, techno, deep house, minimal, breaks, electronic, drum and bass music.

We live in a world of mass media consumerism, yet never tell a story. Never in the history of mankind, has so much information been available, yet our voices are never heard. Decoded Magazine aims to deliver thought provoking, intelligent journalistic articles that affect the generations who are passionate about electronic music, fashion, lifestyle, industry news, interviews, travel, food and breaking new emerging talent beyond the dance floor. We provide ethical, provoking and humorous content to a global audience.

We are a collective of professional marketing managers, print & web designers, recording artists, journalists, label owners, DJs, social media marketers, event promoters, music publishers and more. It is a labour of love for us, it is a passion that runs deep, a feeling of taking back control of an industry we love and so heavily invest in with our own personal lives. We are not grandstanding, we are not thinking we are going to change the world overnight, but we do hope that we can slowly be a game changer in what people listen to, explore or experience.