Lyrics:
I’ve got a feeling and it’s burning inside of me
I’ve got these demons but you know they can’t hide from me
I’ve got some friends but I don’t think they’d die for me
Said fuck ‘em all and now nobody gets high with me

I can’t get out of bed
Probably better off dead
But Lucifer Loves You
And He loves Himself too
Oh hail the Dark Lord

I worshipped God but I don’t think He’s friends with me
I went to his church ya know it didn’t seem heavenly
I told congregations, “it all ends with me”
I posted about it: everyone just unfriended me

How long in this hell
Only time will tell
But Lucifer Loves You
And He Loves Himself too!
Oh hail the dark lord!
Oh hail the dark lord!
Oh hail the dark lord!
You Gotta Hail The Dark Lord!

Guitar & Vocals: Johnny Schuenemane
Bass: Raul Vinueza
Drums & Vocals: Guillermo "Gidget" Guzman
Mixing & Mastering: Guillermo "Gidget" Guzman
Recording & Producing: Guillermo "Gidget" Guzman
Additional Recording: Tyler Mansmith

Lucy Loves You

shoelace$ (prod. Esaú)

Gaby Moreno - Cucurrucucu Paloma

Justin White's Album

Hate (Final)

stop sign turns green

Tryna get your crush to move on to you and away from their ex

Lyrics by Denara Watson

Produced by Jazz Zah

Mixed by Danny Robles

See - Me - Demo

iWood ten8eighteen (prod. Esaú)

never cared

it's not going to hit other streaming platforms until juneteenth, but i don't want to wait that long anymore to get it out there in some form. this song is for every black body that has gone overlooked.

"this world doesn't deserve us"

i wrote this piece last december in the aftermath of frustrating debates, the launch of operation relentless pursuit, and continued egregious behavior from the chicago police department. its message, however, is far from limited to any one event.

as i said before, the song is for every black body that has gone overlooked - those who were wrongfully taken from us before their time, those whose impacts on culture and society went unrecognized for far too long, those who do the kind of good in their communities that isn't divisive enough to be considered newsworthy. this song is for the countless people who were taken from their homes to be enslaved. this song is for Greenwood District, the Black Wall Street. this song is for Joseph Bologne, Chevalier de Saint-Georges - the black composer mozart envied. this song is for Sister Rosetta Thorpe - the black woman who essentially invented rock and roll, the real reason we use distortion on guitars today. this song is for Laquan McDonald, Trayvon Martin, Eric Garner, Breonna Taylor, Sandra Bland, Tamir Rice, Emmett Till, Kendra James, Natasha McKenna, Ahmaud Arbery, George Floyd, and decidedly too many others.

this song is for those who have stood up in protest from long before any of us were born to the current moment. we are better, we are more, than what this world has told us we are worth. we will fight police brutality and all other forms of bureaucratic brutality - as well as media bias and the perceived "lesser-than" framework the entire world has been systemically predisposed to. the world as it is now, as it has been, does not deserve to have taken what we've given it and have it be reappropriated and reframed to make us look like villains. this world has no right to try, over and over again, to crush such souls as ours. we are not lesser-than, and we will change this world into one that does not assume who we are or take us for granted. but until then, this world doesn't deserve us.

this world doesn't deserve us

When I was about fourteen, I heard HARD for the first time. I was amazed by what I heard. I thought, “holy shit, this is one of the most inventive songs I have ever heard in my life... and it’s made by a GIRL?!?! WOAH, I want to make music as cool as this!” Ever since then, she had a subtle but ever present influence on me as a musician and producer.

When I was about eighteen in college and in one of the worst depressive episodes of my life, SOPHIE had just released “It’s Okay To Cry,” simultaneously coming out to the public. As a very baby trans who was struggling heavily, the song and video were so meaningful to me. I think I listened to that song literally at least five or ten times a day, some days a lot more than that. When I was deciding on a name, I was even seriously considering choosing Sophie. I eventually settled on naming my future dog Sophie, which I still plan on doing.

One of the most creative forces in music and fashion, as well as one of my greatest influences and inspirations as a musician and as a woman, has been fucking taken away from us all before she even turned thirty-five.

It seems hard to be moved by much these days what with how bad things have been, but when I heard the news yesterday, I was devastated. So much so that I briefly considered quitting music. 

I ultimately decided against it, and resolved to work on music harder than ever before; I chose to start by recording covers for a tribute EP. I figured she would have wanted me to keep going anyway.

Inna lillah wa inna ilayhi raaji'uun. 

Rest in power to a true queen of music. All the love and support to her friends and family. We hope to see your soul visit us again in thirty-nine days. 

Or next week. 

Whichever works best for you. 

Hopefully, if I’m lucky enough to get into jannah, you’ll be there to greet me, and I can tell you how much your music means to me as we walk along the floating rivers.

    ⁃    Sydney Léonie Pritchard

Blessed Homecoming, Miss SOPHIE

it's okay to cry (cover demo)

Kwirabura Intwari, I manage and lead a band named Dcolonization with my pals David Alvarez, Joshua Gonzalez, and Alexis Herrera. Our goal is the liberation of people through music (Or maybe that's just my goal) anyways feel free to contact us and I hope you like the music.