There was a beautiful dessert sat placed atop the kitchen table, awaiting the diners to return to the room and embrace it with awe and might. A magma pie of the tallest order, a delicious treat which would leave them full for many days to come in the future. The room was dimly lit by candles and the environment rustic and humble, this was not a zealous feast but a polite meal. The baroque castle had become their home, a pretty kingdom with a wise old story. 

Wrong Water is the alias of St Petersburg based musician Eugenii Fadeev. He has previously released on the Glaswegian label 12th Isle and has received praise for his take on eclectic electronics. Now he turns his attention towards Kiev based label Muscut, an imprint to watch.

Dozen

PREMIERE: Wrong Water - Magma-Pie [Muscut]

Edit series of outsider punk for brave idiots, who don`t value their reputation.
Part I : Unfriendly first meeting.
https://mynameisolta.bandcamp.com/

Unknown - My Name Is Mud (Ólta Karawane Edit)

Preview of Mark Gergis new tape Early-Century Sound Recordings.

Featuring locational recordings, radio and TV intercepts, cassette excerpts, environments and street music all expertly all expertly meshed up into a vivid sound journey from places that were (and might) never be again.

More info at www.discrepant.net

Mark Gergis -  Early- Century Sound Recordings (Morocco tape excerpt)

This recording features exotica styled music made by non-exotica artists from around the globe. 

Embrace the surface noise, cracks, pops & ticks!

#011 'zamba' vinyl-selection by decipher

Laure Boer combines the expected and the unexpected. As much music as ritual, performance as spell, Boer fittingly describes her sound as ‘witchtronic’. Out of sonic abstraction emerges a system of beat, chirrup and hum, then from nowhere a voice, singing or reciting in her native French. Coming from a musical family (her mother and father were opera singer and choir director, respectively), she directs her instruments–a sprawling table full of small wooden utensils, clattering metallic objects, and stringed artefacts–to perform, pushing them into strange shapes, odd contortions, and sometimes startling beauty. Boer also works extensively in the visual arts, and has collaborated with, among others, visual and performance artist Yan Gi Cheng, musicians such as Benjamin Geyer, Igor Titenko’s Radio Vostok, and San Diego’s SKRAPEZ, with whom she released a split 8” in late 2018. Recently the Musicboard Berlin granted Laure Boer for a two-month-residency in Manila hosted by WSK, in cooperation with CTM Festival and the Goethe-Institut.
http://laureboer.com/

Laure Boer - Allons Au Bois

Out on August 7th, 2020. Available at https://shop.tapeterecords.com/new/conrad-schnitzler-frank-bretschneider-construct.html

About the Con-Struct series
Conrad Schnitzler liked to embark on daily excursions through the sonic diversity of his synthesizers. Finding exceptional sounds with great regularity, he preserved them for use in combination with each other in subsequent live performances. He thus amassed a vast sound archive of his discoveries over time. When the m=min- imal label in Berlin reissued two Conrad Schnitzler al- bums at the outset of the 2010 decade, label honcho Jens Strüver was granted access to this audio library.
Strüver came up with the idea of con-structing new compositions, not remixes, from the archived material. On completion of the first Con-Struct album, he decided to develop the concept into a series, with different electronic musicians invited into Schnitzler’s unique world of sound.

Bretschneider on his Con-Structions
I read the name Conrad Schnitzler for the first time in the arti- cle about Tangerine Dream in the Rowohlt Rock Lexicon from 1973 (back then, at 17 in the GDR, an indispensable guide). The first time I heard his music was only in 1980, when his wave track “Auf dem Schwarzen Kanal” was played on the ra- dio, an RCA 12“ Super Sound Single in disco remix. Then the man was gone and stayed under the radar again, in spite of his almost inflationary number of releases. Maybe his mate- rial was too obscure or his approach too radical to be noticed by the general public. It wasn‘t until 1988 that I heard from Schnitzler again, a tape on Jörg Thomasius‘ East Berlin Kröten Kassetten label. And again almost 10 years later his Plate Lunch CDs “Rot” and “00/106”. But it was all too rough and raw for me, both in terms of sound and organization, kind of mechanically and not really cool. Only after I heard Wolfgang Seidel at the NBI around 2002 with one of his tape concerts, I came slowly closer.
Schnitzler‘s early role as co-founder of two influential bands is one reason for the ongoing reception. Another is his con- sequence as an artist. “I‘m not interested in having publicity or a public feedback” he declared in an 1996 interview. It remains an open question whether one has to completely refuse to do so. But I was always fascinated by this almost extinct way of being an artist in its full independence. Just as I feel connected, as a self- taught person and as someone who prefers to look forward instead of looking back: “I don‘t want nostalgia.” After all it was Jens Strüver who inspired me to work with Conrad Schnitzer‘s material.
I had the idea of flowing music in which patterns develop, shift, dissolve and finally reorganize. A modular system seemed the most suitable to connect Schnitzler‘s world with my own by triggering and modulating his sounds via a sampling module and supplementing them with my own. Perhaps I have not always succeeded in merging both worlds congenially, sometimes they orbit, sometimes they collide, but they never stand still. As Conrad Schnitzler says in his „Context“ manifesto: “The sounds don‘t come to stay.”

Buy CD/LP

BB349 Conrad Schnitzler & Frank Bretschneider – Con-Struct (Album Preview)

Track #1 from debut album "A Courteous Invitation To An Uninhabited Anabatic Prism"

Vinyl and digital pre-order: https://decolonizeyourmind.bandcamp.com

https://decolonizeyourmind.net

A Courteous Invitation To An Uninhabited Anabatic Prism

Mike The Headless Chicken

Playlist and other information available at: https://www.freeformfreakout.com/fffoxy-podcast-167/

FFFoxy Podcast #167

Track #4 from debut album "A Courteous Invitation To An Uninhabited Anabatic Prism"

Vinyl and digital pre-order: http://decolonizeyourmind.bandcamp.com

http://decolonizeyourmind.net

Stupid Fucking White Man

https://www.retreatradio.net/inkonsequent

tracklist:
Lena Platonos - Γκάλοπ (Gallop)
Croatian Amor & Scandinavian Star - Prose
Charles Webster - The Spell (Burial Mix)
Simon Fisher Turner - Slight Smile
oqbqbo - Night Perfume
Mari - Counterplay
Sade - War of the Hearts
Azymuth - Zé e Paraná
Duma - Pembe 666
Yakub - FREEDOM
Susumo Yokota - GEKKOH
Doxa Sinistra - The Other Stranger
X & Yde - Dares Soar
Martin Rev - Salve
Pastor T.L. Barrett and the Youth for Christ Choir - Nobody Knows
ciervo - jakarta

Inkonsequent #19 w/ Oscar Kangro (07/11/20)

Supergenius #2 - Spéciale René Danger Pacifique Atlantique Remixes

https://decolonizeyourmind.net/

an open society of musicians founded in 2018 by @Gosheven presenting the inexhaustible treasures of non-standard tuning systems and decolonizing our listening habits

Booking: tibor@keysermusic.com

2025/
14 Feburary @ MENT Festival, Ljubljana, SI
28 March @ Dürer Kert, Budapest, HU Fb event
3 July @ Kolorádó Festival, Nagykovácsi, HU
15 Aug @ Barlang, Szentendre, HU
30 Aug @ Inota Festival, Várpalota, HU
30 Oct @ Opus Jazz Club, Budapest, HU
21 Nov @ Palazzo Permanens, Budapest, HU
28 Nov @ Sargfabrik, Vienna, AT

2024/
22 March @ Opus Jazz Club, Budapest, HU
12 April @ Budapest Ritmo - Akvarium, Budapest HU
27 April @ Santsat Festival, Budapest, HU
7 June @ Tilos Maraton, Dürer Kert, Budapest, HU
29 June @ Barlang, Szentendre, HU
4 July @ Kolorado Festival, Nagykovácsi, HU
13 July @ Pohoda Festival, Trencin, SK - CANCELLED
17 July @ Gombaszög Summer Camp, Gombaszög, SK - CANCELLED
3 Oct @ Turbina, Budapest, HU
15 Nov @ ORA Jazzfestival, Nagyvarad, RO
29 Dec @ Trafo, Budapest, HU
 
2023/
11 March @ Magyar Zene Háza - Album release show, Budapest, HU
15 June @ T3 Bratislava, SK
16 June @ Szentendre Barlang, HU
1 July @ Kolorado Festival, HU
10 Aug @ Malomfesztivál, Orom, RS
1 September @ Székesfehérvár, HU
20 October @ Turbina, Budapest, HU https://www.facebook.com/events/3521023538151218

2022/
5 January @ BMC, HU
29 June @ Fusion Festival, Larz, DE
2 July @ Kolorado Festival, HU
8 July @ Tű Fokán Fesztivál, Garáb, HU
10 July @ Szabadkikötő, Pécs, HU
23 Sept @ Újbuda Jazz Fest, A38, HU

2021/
30 Jun @ BMC Opus Jazz Club, HU
2 Jul @ Azure, Nagymaros, HU
24 Jul @ Colour Meeting, CZ 
27 Jul @ Kapolcs, HU
12 Aug @ Kolorado, HU
14 Aug @ Malomfesztivál, Orom, RS
27 Aug @ Ubik, HU
29 Sept @ Trafo, HU 
9 Oct @ Donaufestival, Krems, AT 
30 Oct @ Kyiv Biennal, UA https://kyivbiennial.org/en
20 Nov @ Explore The North Festival, Leeuwarden, NL - CANCELLED
10 Dec @ Grand Café Szeged, HU
2022/ 5 January @ BMC, HU

2020/
29 August @ Kolorado Festival, HU
24 April @ Fono, Budapest, HU

2019/
22 November @ Lumen, Budapest, HU
19 October @ CAFe Budapest Akvarium, HU
23 September @ Pontoon Monday Session, Budapest, HU
7 August @ Samsara Festival, Siofok, HU
11 April @ Societe Budapest, HU

2018/
19 December @ Lumen, Budapest, HU

Balint Szabo aka @Gosheven - guitar, electronics
Aron Porteleki @portelekiaron - drums
Andras Halmos @andrashalmos - drums
Erno Hock - bass
Marcell Gyanyi @marcellgyanyi - bass
Mate Pozsar @pozsarmate - keyboards
Daniel Vaczi - glissonic
Gergo Kovats @gergokovats
Janos Aved @janosaved - saxophone
Dori Gyorfi - vocal, gamelan instruments
Agi Gyorfi - gamelan instruments

other projects: @Gosheven, @12z

Mike The Headless Chicken

Decolonize Your Mind Society

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