"Nepenthe" – A Cure for Sadness
Dive into the world of Nepenthe, a powerful and uplifting electro track that feels like it was pulled straight from a video game. Let its driving beats and soaring melodies transport you to a realm where sorrow fades, hope reignites, and every note becomes a step toward a brighter tomorrow. Experience the ultimate antidote to grief—pure sonic euphoria. 💜

Spark Solutions

Nepenthe

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‘ONE MoRE TRiP (ft. IAMDevante’)’ is a HUGE, genre-defying, track, combining atmospheric hip-hop, with alternative dance. 

Driven by an incredible, passionate vocal, from the ever-profound; IAMDevante', this unique and multidimensional production, takes us on ONE MoRE TRiP down memory lane… and conveys a commanding message of introspective self-discovery… acceptance… and empowerment…


Check out and follow the mythical, multi-talented, IAMDevante' :

https://on.soundcloud.com/VM5JYlbEyKuHDwH8mI

https://www.instagram.com/iam.devante_?igsh=MThycTYwb3p2dDY4dg==

@iam.devante_

ONE MoRE TRiP (ft. IAMDevante’)

🔥 Oblique Pressure isn’t a ballad — it’s a charge.
At 160 BPM, driven by raw stereo guitar riffs, heavy synth bass, and a tense rhythm, this track dives into pure energy — a collision of sharp rock and electrified pulse.

The lyrics echo a fractured world where memory fades, voices distort, and the line between human and machine starts to blur. It’s a spiral of noise, broken circuits, and relentless oblique pressure.

🎧 A track for those who crave intensity, chaos, and release.

Oblique Pressure

Oblique Pressure - KRT Production

In My Own Lane

Nice! (Hyperspeed)

Better Than Him ft. BODEN

DEMO.100925.BR0K3N.exe

Deep vocals laidback upbeat ambiance from Larry Mac, with Classical guitar lines and some big thoughts

Nothing but forever

I think this is the one where I used a classic soul progression. The packaging at the start that imitates a DJ scratch rhythm came when I accidentally touched a mi goreng pack of noodles around the mic and it fit so I used that. The stop start is influenced by ‘I Try’ by Macy Grey. Then a trademark 4 layers of cello for the chorus. It’s 4 layers cos that’s how I get the cellos to have enough power that I want. First time doing a vocal ’staccato’ sort of chorus like ‘Work Song’ by Hozier which is my fave Hozier song cos’ maybe I’ve overplayed ‘Take Me to Church.’ At the end a brief bit of funk. I remember trying something more complex but the classic James Brown sort of funky riff worked better so I used that.  The second verse is influenced by the production of ‘Hold On’ by Bishop Briggs with the claps. Then, a neopolitan chord for the bridge.  The last chorus has the 2nd chord flattened like ‘Imperfect For you’.  Also a harmonic minor scale being played by the synth lead which reminded me a bit of Just Like You Imagined by NIN. So we’re not lyrically referencing 300 anymore but musically referencing it. The horns are a new addition which I did just based on … what I thought might sound good. The verses/bridge are new but the chorus is from last year. Oh yeah I did reference FNM's Ricochet for the bridge. King for a Day is Spiderman's fave FNM record. Should just hired as a consultant when their biographies are due. Correcting people like, "nah it was a sunny day when that event happened." Yes, the weather is important. Details are important.

Speaking of mi goreng which I discovered in my 1 year of boarding school in Australia. “I do hope my overpriced education doesn’t offend you.” I remember looking at it and thinking it was strange that it had no broth. Then, tasting it and going “ this is amazing.” It’s wonderful how an Indonesian noodle brand has gained popularity in Australia. Other than that, I do miss the meat pies and Shapes (they are a good snack). It was also at boarding school that I discovered Meri lewa which was played once a week by the PNG boys.

Give Me Release

Kilmonger

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collabs + feature = dbyssj@gmail.com

Kilmonger

DED LIB