definitely has that old school prog vibe, great work

A terrific slice of old school Prog, Dave. Excellent work, chap.

and still it rolls on. Love the changes in this one

Some really elegant transitions throughout and really cool music. And, as usual, excellent playing.

This is actually a remix of the song “Where We Want To Be” which I shared about four years ago when I first joined Soundcloud.   “Winter's Road” was in fact the original title when the song was written.  So I decided to fall back to that with this remix.   See what you think.

Thanks so much for stopping by.

[Credits]
Music / Vocals / Arrangement / Programming / Keyboards – Michael C. Lynn
Lyrics – Ron Carnell
Electric Guitar Solo (Intro & Ending) – Dave Cleveland @Band_in_a_Box
Piano Solo - John Jarvis @Band_in_a_Box

[LYRICS]
I cannot speak for all who stem
Long road less traveled as their way,
Nor question choices made by them
In days long past or nights long dim
By words they spoke and did not say.

(Chorus)
All roads lead to where we go
Where we go is where we have been,
So home’s just a word we know,
For where we want to be again.

From North to South, then back again,
I followed birds like all the rest
Escaping nature's snowy den
On roads I've seen and places been,
Forsaking roads that traveled West.

Repeat Chorus

For even home, it seems to me,
Is still a choice we all must face
From day to day and endlessly,
To choose if home is gonna to be
Another road or just a place.

Repeat Chorus

© Myst Songs 2018 / 2023

Winter's Road

In the play "El cóndor pasa", Frank is a character born in an indigenous family, but with blonde hair like the foreigners that exploit him and his peers, a detail that deeply troubles him. In some way, he represents the people of my country, all of us descendants of colonizers and colonized. A shared history of suffering, that's what connect us, and yet, we keep finding ways to discriminate, segregate, despise, humiliate, ignore, kill, and hate on each other.

†ॐ

Composición basada en el "Yaraví de Frank (Pobre alma prisionera)" perteneciente a la zarzuela "El cóndor pasa", del compositor peruano, Daniel Alomía Robles (1887-1940).

Variación sobre un tema de Daniel Alomía Robles

I composed it in the image of the hot police.
（熱い 警察をイメージして作曲しました）

thank you for listening！
good luck to you！👍👍

DAW: Cubase pro 12

hot Police

Second Sight

Demo idea- Can't quite seem to nail the vocals...

TIDAL

Original track - https://youtu.be/RJNkiXMyhEU
Eddy Jones - Vox & Lyrics
@eddy-jones-3
open.spotify.com/artist/1XXt1fquh…Sg_QSgX6hsg&nd=1
MOSNAR DET - Remixing, Drum Programming
Special thanks to Eddy for working with us on this project! check out his stuff!

Loop Diggers - Eddy Jones Challenge - Untitled

Y-Hot Grease

Sixty - One

So this is an extended remix of my own track 'Ninetails'. 

Ninetails was pretty much an interlude from the album of the same name. Check the album out on all platforms (I think)

Ninetails

Ninetails Reprise (FRST SNRS RMX)

Jaws Of A Scorched Earth (Version 2)

Written and recorded by Gregg Kemske, the song captures the emotional pain when abandoned in life by everyone.  The song also features dramatic cover art by Hanna Kemske.

Left for the Birds

Left For The Birds

“The flow state is our most powerful weapon against the intense rationalization of our lives.” Denny Zeitlin. Denny Zeitlin is not my father. Also see Cecil Alexander.

According to the ChatBot, and who am I to argue, Dee Zee’s music style is a blend of classical and electronic elements, which creates a unique and original sound. He writes, plays, and records all the tracks himself, using various instruments and software. He is inspired by artists like Philip Glass, Steve Reich, and Brian Eno.
Some of the features of his music style are:
•	He uses repetitive patterns and motifs, which create a hypnotic and rhythmic effect. He also experiments with different time signatures and polyrhythms, which add complexity and diversity to his music.
•	He incorporates ambient sounds and textures, which create a rich and atmospheric sound. He also uses effects and filters, such as reverb, delay, distortion, and glitch, which add depth and dimension to his music.
•	He explores different moods and emotions, which range from dark and mysterious to bright and cheerful. He also uses contrast and dynamics, which create tension and release in his music.
•	He combines acoustic and electronic sounds, which create a balance and harmony in his music. He plays various instruments, such as piano, guitar, violin, and drums, and also uses synthesizers, samplers, and drum machines.
Dee Zee’s music resonates with those who appreciate a fusion of classical sensibilities and electronic innovation. 

According to me I’m an independent musician, writing and recording instrumental electronic progressive rock on Roland synthesiser workstations, although the original ideas for tracks often come from iPad soft synths (I use the Animoog and Jordantron) or the piano [not the piano so much due to arthritis in both hands - at least the keyboard has lighter action] or guitar.  

After playing piano from a very young age I played keyboards in the London pub rock group deEssen.  My original influences were probably Caravan, Camel, Ultravox, Jean Michel Jarre, Tangerine Dream, Pink Floyd and The Doors, with a sprinkling of Yes, Genesis, King Crimson, ELP, PFM, Greenslade, Deep Purple, Mike Oldfield, Vangelis…  These days, when I’m not listening to you on SoundCloud I listen to Iamthemorning, The Resonance Association, Ozric Tentacles, Joe Satriani, IQ, Threshold, Steven Wilson, Lacuna Coil, Liquid Tension Experiment, The Flower Kings, Spock’s Beard, Led Bib, Thank You Scientist, Big Big Train, Eloy, Magenta, Wobbler, Frost*, Simon Phillips, Jean-Luc Ponty, Renaissance, Arena, Izz, Jupiter Fungus, The Tangent, Karfagen, Lunatic Soul, Riverside, Hania Rani, Madis, Nik Bärtsch, Neil Cowley, The Messthetics, The Necks, Antoine Fafard, GoGo Penguin …

Keep uploading great music and keep smiling!

Second Sight

Dee Zee

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