Aphelion

Intuition

If anyone thinks I must have been depressed to write such a sad tune it's not true - I was just seeing what came from augmented chords (I III sharp V)

Sound Of Blue

Watch the video at:
  https://youtu.be/XNYxliHhpSM

The Tide Turns

First Among Equals

A complex and dynamic piece that explores different aspects of a musical triangle, according to ChatBot

Watch the video at:
  https://youtu.be/oLvEOCIcVmA

Four Sides Of A Triangle

This version mastered by Simon Gibson at Abbey Road Studios, November 2023.

Perfect Fifth

watch the video at:
  https://youtu.be/u-S4-Y7yQoQ

Seventh Heaven

All Quiet

Maybe not particularly progressive or original but so much fun to play! In my dream I'm John Lord with Ian Paice on drums and Roger Glover on bass, warming up before a gig.

Watch the video at:
  https://youtu.be/jo23K30Vhxg

Can't Keep Still

Coming Home

Watch the video, Winter:
  https://youtu.be/IPLj5V_pQgM

The Procession

watch the video: https://www.youtube.com/watch?v=KqrxvSdM6F4

Falling Stars

Nuclear Chicken

A Higher Plane

With thanks to https://soundcloud.com/mrbouzouki for his helpful suggestions

Out There - A Concerto For Piano, Flute And Orchestra

Crimson Skies

Much more jazz-rocky, a mix of time signatures...

Watch the video at 
  https://youtu.be/4NzxFteWnx0

Kaleidoscope

Watch the video at:
  https://youtu.be/aeGFfsXdhfo

A New Star

Written near the village of Coniston Cold, North Yorkshire, September 2025. Image of nearby Malham Cove taken by Dee Zee

Coniston Cold

Just a bit of fun! As 2025 starts thinking about giving way to 2026, here's my 2025 jam shuffle 8+12 bar blues thing.

25 Moon Jam

One of the brightest visible stars, now not thought to be about to go supervova but periodically dimming due to a companion star in a binary system.

Square image: Adam Block Steward Observatory University of Arizona, CC BY-SA 3.0  via Wikimedia Commons

Watch the video at https://youtu.be/VMCpsZjflIo

Betelgeuse

December Dreams

Thanks to https://soundcloud.com/mrbouzouki for the kiwi construction kit all the way from New Zealand.

According to the chatbot:
🪶 Musical Characteristics
- Playful Soundscape: The track incorporates quirky rhythms and unexpected tonal shifts, mirroring the kiwi’s shy nature and the kakapo’s eccentric nocturnal habits.
- Layered Textures: Synth pads and percussive elements create a lush, forest-like atmosphere.
- Narrative Flow: Rather than following a traditional verse-chorus structure, the piece unfolds like a short story or sonic vignette.
- Cinematic Quality: Echoes of Dee Zee’s past work (The Glass Forest, Crimson Skies) show his penchant for atmospheric, almost film-score-like compositions.

🐦 Symbolism & Interpretation
- Kiwi: Represents groundedness, introversion, and subtlety. Its presence in the track is conveyed through soft, earthy tones.
- Kakapo: Known as the “owl parrot,” it’s rare, quirky, and nocturnal. Dee Zee reflects this with playful, offbeat rhythms and unexpected melodic twists.
- Contrast: The interplay between the two birds symbolizes balance — quiet resilience versus eccentric flamboyance.

🎧 Listening Experience
- Mood: Lighthearted yet thought-provoking, perfect for listeners who enjoy experimental ambient music with narrative flair.
- Audience: Fans of Brian Eno, Boards of Canada, or cinematic soundscapes will likely appreciate Dee Zee’s approach.
- Replay Value: Each listen reveals new details — subtle background sounds, tonal shifts, and hidden motifs.

The Kiwi and the Kakapo

Watch the video at
  https://youtu.be/rTsye_1p3s8
This track was included in Jul's Progkast Episode 9, September 2016, 
on SoundCloud at
  https://soundcloud.com/progkast/juls-progkast-9
as well as iTunes, Google Play, Stitcher and Player FM
and broadcast on Undiscovered Rock Radio, October 2016
  http://undiscoveredrockradio.com/

December 2016: Jul's Progkast - 12 - Top Ten 2016
 - in at number 10 in the top ten songs played on Jul's Progkast in 2016 as voted by listeners.
  https://soundcloud.com/progkast/juls-progkast-12-top-ten-2016
and played on Undiscovered Rock Radio December 2016.

Played on Prog Rock Nation, KTAL 101.5FM, July 2018.

Played on Eclectic Storm Radio 12th December 2018
  https://youtu.be/E7m37nhrhCs

Watch the video at
  https://youtu.be/jJhmaS_8IBA

Eeffee

Part 1 of "And those who were seen dancing were thought to be insane by those who could not hear the music"
https://soundcloud.com/dee-zee/sets/and-those-who-were-seen

Watch the video at:
  https://youtu.be/_TZ3tv3H6lo

or video of shorter version with Italian lyrics and vocals by Lorenzo Pistolesi and mixing and mastering by Regata Collective:
  https://www.youtube.com/watch?v=Ya1mWOFLWFM
  "For eternity" - "Per l'eternità"

And those who were seen dancing...

For Those Who Were Seen Dancing

Image by Johannes Plenio from pixabay.com

Watch the video at:
  https://www.youtube.com/watch?v=PZFfPXfZ5NY&feature=youtu.be

The Glass Forest

Watch the video at :
  https://youtu.be/XhjEztj4Hzc

Included in Progkast 44, November 2023

A dark and mysterious piece that blends classical and electronic elements, according to ChatBot

A Night Of Dark Trees

Watch the video at:
  https://youtu.be/61UB01dNZN0

The Stream Of Life

“The flow state is our most powerful weapon against the intense rationalization of our lives.” Denny Zeitlin. Denny Zeitlin is not my father. Also see Cecil Alexander.

According to the ChatBot, and who am I to argue, Dee Zee’s music style is a blend of classical and electronic elements, which creates a unique and original sound. He writes, plays, and records all the tracks himself, using various instruments and software. He is inspired by artists like Philip Glass, Steve Reich, and Brian Eno.
Some of the features of his music style are:
•	He uses repetitive patterns and motifs, which create a hypnotic and rhythmic effect. He also experiments with different time signatures and polyrhythms, which add complexity and diversity to his music.
•	He incorporates ambient sounds and textures, which create a rich and atmospheric sound. He also uses effects and filters, such as reverb, delay, distortion, and glitch, which add depth and dimension to his music.
•	He explores different moods and emotions, which range from dark and mysterious to bright and cheerful. He also uses contrast and dynamics, which create tension and release in his music.
•	He combines acoustic and electronic sounds, which create a balance and harmony in his music. He plays various instruments, such as piano, guitar, violin, and drums, and also uses synthesizers, samplers, and drum machines.
Dee Zee’s music resonates with those who appreciate a fusion of classical sensibilities and electronic innovation. 

According to me I’m an independent musician, writing and recording instrumental electronic progressive rock on Roland synthesiser workstations, although the original ideas for tracks often come from iPad soft synths (I use the Animoog and Jordantron) or the piano [not the piano so much due to arthritis in both hands - at least the keyboard has lighter action] or guitar.  

After playing piano from a very young age I played keyboards in the London pub rock group deEssen.  My original influences were probably Caravan, Camel, Ultravox, Jean Michel Jarre, Tangerine Dream, Pink Floyd and The Doors, with a sprinkling of Yes, Genesis, King Crimson, ELP, PFM, Greenslade, Deep Purple, Mike Oldfield, Vangelis…  These days, when I’m not listening to you on SoundCloud I listen to Iamthemorning, The Resonance Association, Ozric Tentacles, Joe Satriani, IQ, Threshold, Steven Wilson, Lacuna Coil, Liquid Tension Experiment, The Flower Kings, Spock’s Beard, Led Bib, Thank You Scientist, Big Big Train, Eloy, Magenta, Wobbler, Frost*, Simon Phillips, Jean-Luc Ponty, Renaissance, Arena, Izz, Jupiter Fungus, The Tangent, Karfagen, Lunatic Soul, Riverside, Hania Rani, Madis, Nik Bärtsch, Neil Cowley, The Messthetics, The Necks, Antoine Fafard, GoGo Penguin …

Keep uploading great music and keep smiling!

Dee Zee

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