Ahhhh... Another progger with an appreciation for techno stuff. Love when prog guys delve into other styles, one gets to hear a different genre with prog colorings... This track

A kinda upbeat song I wrote, thanks for listening 💜

sense of time (look inside)

Taken from my latest album 'End Theory. Check it out here...

https://open.spotify.com/album/4MpN87AfIi4t0ASrmoSzYd?si=qXaTiD4jQGSRZfZxMFFLTQ

and here...

https://crestofthesyndicate.bandcamp.com/album/end-theory

Lightpillar

And Beyond...

Planetarium





My Invisible Song

I dream in camellia, whitely I’m feeling you
Soft as a shadow – the dark of my bones
I dream in magenta – the places we went to
Travelled so widely to gather up stones

As the ribbons that bind us, the love that we shared
Untangles, unravels, we’re drifting apart
A palpable breaking, a grunt of despair
Cast adrift in the dreaming, bitter, bitter-beat heart...

I sing my invisible song
I dream my invisible dreams
I reach through the thickening breath-taking silence
and I sing my invisible song...

I call you, I’m laughing now, 
Watch as the colours leap – joyful and vividly painting the essence of 
All I have wished for, the whole of the dreaming I
Call you I Call -  you are walking    away...
.
.
.
.
Written, sung, played and mixed up by Emma... :-)

Silver Shadows

Invisible Song

My Invisible Song...

Germans (reworked & remixed)

Written in B maj.

Built with Jon Meyer's Feathered Flute, Soundpaint's Alto Flute, Orchestraltools Xiao, 8Dio's Insolidus Choir and Spitfire Audio's Appassionata Strings and Union Chapel Organ.

Image by Eberhard Grossgasteiger from pexel.com.

Midwinter Musings

„Feine Linien“

Dies ist eine weitere Fortsetung meiner Musikreihe in loser Folge :
Anthologie „Nacht Musik“
Fragile einsame Selbstgespräche, zerbrechliche Zwiegespräche.

Die Nacht ist der Übergang in eine andere Zeitdimension.
Wir empfinden durchaus eine gewisse Entschleunigung. 
Auf unseren Nachtweg suchen wir manchmal schon nach Orientierungspunkten und sind dankbar für noch so kleine unscheinbare Wegmarkierungen. 
Es sind die feinen Linien auf Gehwegen und Straßen die uns führen. Am Tage im Alltag beachten wir diese kaum. Wir nehmen sie als völlig selbstverständlich unbewusst war.
Aber in der Nacht bekommen diese unscheinbaren Linien „Weg und Straßenmarkierungen“ eine ganz neue Bedeutung als Wegweiser durch unsere Nacht. 
Ok, manche sind breiter aber kommen mir nie protzig daher. Es sind für mich immer noch feine Linien.
Wir schenken diesen Linien plötzlich unsere Aufmerksamkeit. 
Jetzt fallen Sie uns auf und sind irgendwie doch ganz dankbar das diese Linien da sind. 

Uns allen einen sicheren Weg durch die Nacht.

Vielen Dank für Eure geschätzte Aufmerksamkeit.
SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Musik :  Björn Cloppenburg  *Alle Rechte vorbehalten
Foto	:     Björn Cloppenburg
Es wurden für dieses Projekt virtuelle Instrumente der folgenden Firmen verwendet: 
https://www.spitfireaudio.com    Spitfire Audio 
Hans Zimmer Piano


"Fine Lines"

This is another continuation of my music series in loose succession:
Anthology "Night Music"
Fragile lonely soliloquies, fragile dialogues.

The night is the transition to another dimension of time.
We definitely feel a certain deceleration.
On our night walk we sometimes look for landmarks and are grateful for even the smallest inconspicuous waymarks.
It's the fine lines on sidewalks and streets that guide us. During the day in everyday life we hardly notice them. We take them for granted unconsciously.
But at night, those inconspicuous lines of “path and road markings” take on a whole new meaning as signposts through our night.
Ok, some are wider but never seem pretentious to me. It's still fine lines for me.
We suddenly pay attention to these lines.
Now they catch our eye and are somehow very grateful that these lines are there.

All of us a safe way through the night.

Thank you for your valued attention.
SOUND CLOUD: https://soundcloud.com/cloppenburg-music

Music : Björn Cloppenburg *All rights reserved
Photo: Björn Cloppenburg
Virtual instruments from the following companies were used for this project:
https://www.spitfireaudio.com Spitfire Audio
Hans Zimmer Piano

Fine Lines

compo, chant, guitare : F. a
Arrangements : Bribinvoile
👍

Thérèse et Joshua - F. a + Brinbinvoile

Image by Johannes Plenio from pixabay.com

Watch the video at:
  https://www.youtube.com/watch?v=PZFfPXfZ5NY&feature=youtu.be

The Glass Forest

"Music in the soul can be heard by the universe": Lao Tzu 老子
"Music gives Soul to the Universe...": Plato

According to the ChatBot, and who am I to argue, Dee Zee’s music style is a blend of classical and electronic elements, which creates a unique and original sound. He writes, plays, and records all the tracks himself, using various instruments and software. He is inspired by artists like Philip Glass, Steve Reich, and Brian Eno.
Some of the features of his music style are:
•	He uses repetitive patterns and motifs, which create a hypnotic and rhythmic effect. He also experiments with different time signatures and polyrhythms, which add complexity and diversity to his music.
•	He incorporates ambient sounds and textures, which create a rich and atmospheric sound. He also uses effects and filters, such as reverb, delay, distortion, and glitch, which add depth and dimension to his music.
•	He explores different moods and emotions, which range from dark and mysterious to bright and cheerful. He also uses contrast and dynamics, which create tension and release in his music.
•	He combines acoustic and electronic sounds, which create a balance and harmony in his music. He plays various instruments, such as piano, guitar, violin, and drums, and also uses synthesizers, samplers, and drum machines.
Dee Zee’s music resonates with those who appreciate a fusion of classical sensibilities and electronic innovation. 

According to me I’m an independent musician, writing and recording instrumental electronic progressive rock on Roland synthesiser workstations, although the original ideas for tracks often come from iPad soft synths (I use the Animoog and Jordantron) or the piano [not the piano so much due to arthritis in both hands - at least the keyboard has lighter action].  

After playing piano from a very young age I played keyboards in the London pub rock group deEssen.  My original influences were probably Caravan, Camel, Ultravox, Jean Michel Jarre, Tangerine Dream, Pink Floyd and The Doors, with a sprinkling of Yes, Genesis, King Crimson, ELP, PFM, Greenslade, Deep Purple, Mike Oldfield, Vangelis…  These days, when I’m not listening to you on SoundCloud I listen to Iamthemorning, The Resonance Association, Ozric Tentacles, Joe Satriani, IQ, Threshold, Steven Wilson, Lacuna Coil, Liquid Tension Experiment, The Flower Kings, Spock’s Beard, Led Bib, Thank You Scientist, Big Big Train, Eloy, Magenta, Wobbler, Frost*, Simon Phillips, Jean-Luc Ponty, Renaissance …

Keep uploading great music and keep smiling!

The Glass Forest

Dee Zee

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