Name: Perfect Fifth by Dee Zee
Duration: 9 min 5 s
Description: This version mastered by Simon Gibson at Abbey Road Studios, November 2023.

This composition is awesome to the 5th power!

Nice smooth changes throughout. And as always, great playing.

Wow, great track with so many different aspects, sounds, textures and rhythms. Fantastic arrangement. 🎶💛

https://www.abbeyroad.com/engineer/simon-gibson

Nice transitions, love the change in mood, synth is soulful. uptempo brings home.  Amazing sound track~

Awesome! Sounds like Rick Wakeman released a single in 2024!

This is a cover of an old Django Reinhardt tune that I learned from David Grissman's version. My friend Chris Maness was kind enough to play the first and second solos, while I took the third with my mandolin. He's incredibly talented and I'm always extremely happy with what we produce when we work together. I used to play this in an old band I was in called Confluence. It's a fun one and we hope you enjoy it!

Minor Swing (with cgmaness) Django Reinhardt cover

I was headed home thru Hattiesburg 
In an icy cold  December 
On a train: the Crescent City line
To my hometown for Christmastime

I was watching out the window
As the train pulled out into the snow
The western sky was glowing red
as the night turned purple overhead

Between the sunset and the evening stars
Planes were leaving long white scars
I’d given anything to be up there
Flying far away from here

That was years ago
The last time that I went home
Now I’d give anything to go back where I belonged

Oh, to walk down those familiar streets
In the town that held my secrets deep
To see the soft glow of the Christmas lights
In the windows around the old house of mine

To feel the warmth of Christmas from years ago
But things have changed so much I know
We all have gone separate ways
And it all feels so far away

Everyone I’ve known has come and gone
Friends and family that I depended on
That world is gone
And I stand alone 
I just want to go back home where I belong

If Christmas wishes did come true
I would have a million reason to 
Get back on the crescent city train
And start the new year home again

I just want to go back home

The Last Time I Went Home

This version mastered by Simon Gibson at Abbey Road Studios, November 2023.

Perfect Fifth

Not so long ago, I had the great pleasure of meeting actress, singer and former idol, Mori Megumi. She was so lovely, full of liveliness and so much joy that then inspired me to compose this piece. I hope you enjoy it.

†ॐ

Now available on Spotify:
https://open.spotify.com/track/4YhMsDtaHUgNEQvbSgrSeI

megumi

Listen on Spotify

source: https://soundcloud.com/allstonbasement1987/accretion-disc

The Wires That Hold Heaven Snapping And Coiling Across The Sky

I made a trio version of this flute duett.

Mesto Für Drei Saxophone

(ᵐᵘˢᶦᶜ ᵛᶦᵈᵉᵒ)

https://www.youtube.com/watch?v=TwXYrCA1Byo

🔗 https://linktr.ee/BirdEternal

⨀ In Our Dying Bloom:

Tribute to Christian Bobin +
et participation Anselm Kieffer ,Glenn Gould...

PAris NECropole

↯I↯I am the harlot that shaketh Death.
This shaking giveth the Peace of Satiate Lust.
Immortality jetteth from my skull,
And music from my vulva.
Immortality jetteth from my vulva also,
For my Whoredom is a sweet scent like a seven-stringed instrument,
Played unto God the Invisible, the all-ruler,
That goeth along giving the shrill scream of orgasm.↯I↯
A. Crowley - Liber 418

LY↯ER☁GENE☁↯I↯ - Scream Ov Orgasm

Once I wrote a longer description here: a love song in 7/4 ¿or 14/8?

Silvia II (Lo que siento por ti) /  Silvia II (What I feel for you)

Es de difícil clasificación  /  It is difficult to be classified
dentro de las variedades del amor  /  among all varieties of love
lo que siento por ti, lo que siento…  /  what I feel for you, what I feel …

Sólo sé que no puedo vivir sin ti,  /  I only know I can’t live without you,
no puedo ver sentido a mi vida si no estás aquí.  /  I can’t find sense to my life if you are not here.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando todo va bien  /  When everything goes fine
lo que me une a ti es tu forma de ser,  /  what joins me to you is your way of being,
es muy fácil ver  /  it is very easy to see
todos tus encantos de mujer.  /  all your woman's charms.

Una idea que no puedo soportar  /  An idea that I cannot bear
es verte en brazos de otro, en otro lugar.  /  is seeing you in other one’s arms, in another place.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

No puedo imaginar  /  I cannot imagine
tu voz susurrando a otro compás.  /  your voice whispering to another compass.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando algo va mal,  /  When something goes wrong,
puedo contemplar tus defectos con claridad.  /  I can behold  your faults with clarity.
Cuando algo va mal,  /  When something goes wrong,
sólo quiero escapar a otro lugar.  /  only I want to escape to another place.

Grab it !!

Silvia II (Lo que siento por ti)

First Cats Bleed studio recording

Bruno -Loony De Bussy- Chassaigne: vocals/ guitars/ music & words
Jo Caron: keyboads/ background vocals
Bruno Loeillot: bass guitar/ background vocals
Yves Trévette: Drums

MY OWN WAY - The Cats Bleed

"Music in the soul can be heard by the universe": Lao Tzu 老子
"Music gives Soul to the Universe...": Plato

According to the ChatBot, and who am I to argue, Dee Zee’s music style is a blend of classical and electronic elements, which creates a unique and original sound. He writes, plays, and records all the tracks himself, using various instruments and software. He is inspired by artists like Philip Glass, Steve Reich, and Brian Eno.
Some of the features of his music style are:
•	He uses repetitive patterns and motifs, which create a hypnotic and rhythmic effect. He also experiments with different time signatures and polyrhythms, which add complexity and diversity to his music.
•	He incorporates ambient sounds and textures, which create a rich and atmospheric sound. He also uses effects and filters, such as reverb, delay, distortion, and glitch, which add depth and dimension to his music.
•	He explores different moods and emotions, which range from dark and mysterious to bright and cheerful. He also uses contrast and dynamics, which create tension and release in his music.
•	He combines acoustic and electronic sounds, which create a balance and harmony in his music. He plays various instruments, such as piano, guitar, violin, and drums, and also uses synthesizers, samplers, and drum machines.
Dee Zee’s music resonates with those who appreciate a fusion of classical sensibilities and electronic innovation. 

According to me I’m an independent musician, writing and recording instrumental electronic progressive rock on Roland synthesiser workstations, although the original ideas for tracks often come from iPad soft synths (I use the Animoog and Jordantron) or the piano [not the piano so much due to arthritis in both hands - at least the keyboard has lighter action].  

After playing piano from a very young age I played keyboards in the London pub rock group deEssen.  My original influences were probably Caravan, Camel, Ultravox, Jean Michel Jarre, Tangerine Dream, Pink Floyd and The Doors, with a sprinkling of Yes, Genesis, King Crimson, ELP, PFM, Greenslade, Deep Purple, Mike Oldfield, Vangelis…  These days, when I’m not listening to you on SoundCloud I listen to Iamthemorning, The Resonance Association, Ozric Tentacles, Joe Satriani, IQ, Threshold, Steven Wilson, Lacuna Coil, Liquid Tension Experiment, The Flower Kings, Spock’s Beard, Led Bib, Thank You Scientist, Big Big Train, Eloy, Magenta, Wobbler, Frost*, Simon Phillips, Jean-Luc Ponty, Renaissance …

Keep uploading great music and keep smiling!

Perfect Fifth

Dee Zee

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