My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

#ai #lofi #synthwave #retrowave girl-artist-musician 恒星波

Musician, Composer, Visual Artist - Pacific NW, Oregon. Greetings. My focus has mainly been on instrumental albums. I started recording in the late 80's. Then came solo guitar in 1999 and that expanded into rock ensembles that included song writing. Now, like most of us, I'm layering compositions in a home studio.  I'm refreshed in this new era and recording art rock, progressive rock, ambient music and headed toward some fusion. Check out the spotlighted albums.  I do not use AI.  I love all kinds of music. When an artist creates work that expands me, I'm thankful. I think, "that's a way to be". Color is sound. People are sound. Everything is sound. Thank you for listening and sharing. May you have a wonderful day.

PHAI is music production built on the belief that "Genre is dead." 🤯 We fuse Industrial, Trap, and Cinematic aesthetics to create high-energy, narrative, and bold tracks. 🎶

New single **COSMIC TUNE** is officially OUT NOW! Stream all the unique mixes—Original, Rough, Kurt (Grunge), and Holiday—and check out the full discography here:

➡️https://ffm.to/phai-cosmic_tune_ep

Starbound Ghosts is a cosmic alt-rock project that drifts through space, time, life, death, and everything in between. The music carries the feeling of being suspended between worlds—caught in the orbit of memories, futures, and the echoes of who we used to be. With atmospheric synths, emotional rock energy, and glitch-lit textures, Starbound Ghosts creates a sound that feels like a heartbeat inside an infinite universe.

More than a digital narrative, the project explores the journey of existence itself. Every song is a transition point: the moment before transformation, the breath after collapse, the quiet space where the past still lingers and the future is already calling. Starbound Ghosts moves through timelines like constellations—connecting loss, rebirth, longing, hope, and the strange beauty of the unknown.

The debut era blends cosmic melancholy with cinematic intensity, reflecting the cycles of life and death as they unfold through starlight and machinery. It’s the story of wandering souls searching for meaning across galaxies, data streams, and the fragile threads of time.

This is music for those who feel the weight of the cosmos in their chest—music for travelers, dreamers, and ghosts learning to become whole again. Starbound Ghosts is not bound to a world, a body, or a moment. It is a journey. It is the in-between. It is the light that survives the void.

Old school recording on 8-track. no auto-tune thank you for listening, no better time than the present to put yourself in the world. and share your music, 
as AI starts to weave into creating 
wanted to get my voice out there before all we have is AI generated music
All photos on page are taken by me as well
thanks for listening

The music production software I use is GarageBand macOS.
I play guitar, bass, and keyboard instruments.
Depending on the song, I use Apple Loop.
I record the drums on a MIDI keyboard or use the drummer function of GarageBand.
My favorite bands are 70's progressive bands such as King Crimson, Pink Floyd, Yes, and ELP.
I am always looking for vocalists.
If you want to collaborate with me, please contact me.
Thank you to everyone who has listened to my songs.
*･゜ﾟ･*:.｡..｡.:*･'(*ﾟ🙏*)'･*:.｡. .｡.:*･゜ﾟ･*

TO LISTEN TO FULL ALBUMS, LINKS TO YOUTUBE, SPOTIFY, AND ITUNES ARE BELOW:

Recorded / mixed / Mastered by Bart Koster - Midtown Recording -Westlake Ohio

Musician, Alternative Artist 
https://abxyshadow.carrd.co/

Songwriter, North Wales and starting out. 

I don’t choose what i compose, it chooses me

Twitter @giggsy1087

“The flow state is our most powerful weapon against the intense rationalization of our lives.” Denny Zeitlin. Denny Zeitlin is not my father. Also see Cecil Alexander.

According to the ChatBot, and who am I to argue, Dee Zee’s music style is a blend of classical and electronic elements, which creates a unique and original sound. He writes, plays, and records all the tracks himself, using various instruments and software. He is inspired by artists like Philip Glass, Steve Reich, and Brian Eno.
Some of the features of his music style are:
•	He uses repetitive patterns and motifs, which create a hypnotic and rhythmic effect. He also experiments with different time signatures and polyrhythms, which add complexity and diversity to his music.
•	He incorporates ambient sounds and textures, which create a rich and atmospheric sound. He also uses effects and filters, such as reverb, delay, distortion, and glitch, which add depth and dimension to his music.
•	He explores different moods and emotions, which range from dark and mysterious to bright and cheerful. He also uses contrast and dynamics, which create tension and release in his music.
•	He combines acoustic and electronic sounds, which create a balance and harmony in his music. He plays various instruments, such as piano, guitar, violin, and drums, and also uses synthesizers, samplers, and drum machines.
Dee Zee’s music resonates with those who appreciate a fusion of classical sensibilities and electronic innovation. 

According to me I’m an independent musician, writing and recording instrumental electronic progressive rock on Roland synthesiser workstations, although the original ideas for tracks often come from iPad soft synths (I use the Animoog and Jordantron) or the piano [not the piano so much due to arthritis in both hands - at least the keyboard has lighter action] or guitar.  

After playing piano from a very young age I played keyboards in the London pub rock group deEssen.  My original influences were probably Caravan, Camel, Ultravox, Jean Michel Jarre, Tangerine Dream, Pink Floyd and The Doors, with a sprinkling of Yes, Genesis, King Crimson, ELP, PFM, Greenslade, Deep Purple, Mike Oldfield, Vangelis…  These days, when I’m not listening to you on SoundCloud I listen to Iamthemorning, The Resonance Association, Ozric Tentacles, Joe Satriani, IQ, Threshold, Steven Wilson, Lacuna Coil, Liquid Tension Experiment, The Flower Kings, Spock’s Beard, Led Bib, Thank You Scientist, Big Big Train, Eloy, Magenta, Wobbler, Frost*, Simon Phillips, Jean-Luc Ponty, Renaissance, Arena, Izz, Jupiter Fungus, The Tangent, Karfagen, Lunatic Soul, Riverside, Hania Rani, Madis, Nik Bärtsch, Neil Cowley, The Messthetics, The Necks, Antoine Fafard, GoGo Penguin …

Keep uploading great music and keep smiling!

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