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Yode et siro

mande taha

tyga mic

Douk Saga_-Douk saga est dans la cité

Enjoy the best of Cote d'Ivoir Zouglou's songs made by Deejay Lapache. Bon Weekend à tous.

Best Of Zouglou

MIX RETRO ZOUGLOU BY DEEJAY MATHS BORDEAUX

Mavado - Delilah (Diplo Remix)

Une histoire zougloutique bien menée par le maître en la matière. Le roi de l'impro en zouglou FITINI!
Ecoutez bien cette histoire elle vous arrachera forcément un sourire

FITINI (LIVE A L'INTERNAT) KONAN~3.2

www.mgklaceup.com/
twitter.com/machinegunkelly/
www.facebook.com/machinegunkellymusic

MGK - Wild Boy (ft. Waka Flocka Flame)

Dj ben - zouglou mixtape

MAGIC SYSTEM * HITS ZOUGLOU

COUPE DECALE MIX MAESTRO

mix tape enregistre en live ambiance du PANDORA STATION TANANARIVE en 2003 mixe et arranger par VEEJAY MARCELLIN ( Soirée out of time tout les mardis )

VeeJay Marcellin MIX TAPE - DANCE-SOUKOUSS-MAPOKA-KAWITRY

Triple F Life: Friends, Fans & Family

Let Dem Guns Blam (feat. Meek Mill)

VEEJAY MA€$$TRO MARCELLIN - MEGA REMIX COUPE DECALE

From the rugged shores of Ireland, to Brittany’s pine-covered hills, the Celtic world has a long tradition of lullabies. Enjoy calm fiddle and harp songs from the likes of Liz Carroll and Alan Stivell alongside gently reworked classics by Flook and Altan. 

This track is taken from the bonus disc of the 2xCD album, The Rough Guide to Celtic Lullabies. 

Gráinne Hambly: Eleanor Plunkett

Instrumental d'abord

ICE (Explicit Version) [feat. Lil Wayne]

'Miss Shanghai' is the opening track to the 2xCD The Rough Guide to the music of China

This Rough Guide, like China itself, is hugely diverse and enthralling. Explore the sounds of over a billion people - from the ancient tones of the erhu and pipa and the Inner Mongolian folk revival to original Shanghai jazz, Chinese Pop and the latest underground beats.



Zhang Yi Wen: Shanghai Xiao Jie (Miss Shanghai)

Dj Merco - Azonto Session

Lil Wayne - No Worries feat Detail (Dirty)

MIX ZOUGLOU OCTOBRE 2012 BY SENATEUR ERIC

Saxophonist John Coltrane was one of the most seminal saxophonists to emerge in the post-war years, and is still one of the central figures in history of jazz. More than forty years after his death his playing and composing continues to resonate throughout contemporary music. This collection concentrates on the excellent music he recorded as leader during the 1950’s, and has been carefully re-mastered, allowing you to hear Coltrane’s work in new and un-paralleled sound quality.

John Coltrane - Blue Train (From The Rough Guide To John Coltrane)

SPOT YODE ET SIRO NEW ROYAMS

During the Arab Spring, as protestors flooded the streets in protest against the ruling elite, it was music that galvanised their spirit and communicated their message out loud. Powerful chants, soaring traditional melodies and articulate hip-hop radiated throughout the revolutions. This Rough Guide charts the best underground tunes by El Tanbura, Sami Yusuf and Freemuse award winner Ramy Essam.

http://www.worldmusic.net/store/item/RGNET1295/

The Rough Guide To Arabic Revolution

Across the world today, a PC or even a smartphone can double as a recording studio. That same smartphone (or an internet-connected PC) can transmit newly created anthems to millions, as it did during the Arab Spring. This Rough Guide explores the best underground hits that spurred on protestors during the recent seismic revolutions that occurred in the Arab world.

In the early days of the Tunisian revolution, a young rapper captivated the nation. Hamada Ben Amor, who is more commonly known by his stage name ‘El General’, raised many eyebrows with songs like ‘State Of The Nation’ and ‘Head Of State’. They became instant hits online, but under Ben Ali’s strict censorship these songs were considered treasonous, and El General found himself behind bars. El General was released from prison on the condition that he could no longer write or perform political songs. Ben Ali’s reign quickly ended, though, and El General is now considered the ‘Voice of the People’, and not just in Tunisia. His songs were regularly played in Cairo’s Tahrir Square during the Egyptian revolution. Another Tunisian singer Emel Mathlouthi is also heard on this album. 

Two of the most prominent artists from Tahrir Square were El Tanbura and Ramy Essam, both featured on this Rough Guide. El Tanbura are a collective of master musicians and philosophers (and custodians of Egypt’s oldest folk melodies) who hail from the Mediterranean city of Port Said. Cairokee are an Egyptian band who fuse rock ‘n’ roll with conscious lyrics and folk music references. Sami Yusuf is dubbed ‘Islam’s biggest rock star’ and has performed at Wembley Arena. ‘I’m Your Hope’ was recorded during the Egyptian revolution and dedicated to the youth of the Arab world. 

Before 2011, Ramy Essam was not a household name in Egypt. In fact, he was simply a student with a guitar and a remarkable songwriting talent. He began singing in Tahrir Square in the early days of the revolution when there weren’t any formal ‘stages’ Soon, his songs ordering Mubarak to ‘Irhal, Irhal’ (‘Leave, Leave’) had become the soundtrack to the revolution. This Rough Guide comes with a full-length album by Ramy Essam. 


Ramy Essam: Etma3zam (taken from The Rough Guide To Arabic Revolution

zouglou 100% COTE d´IVOIRE le beau pays au monde pour sa diversité culturelle.....

15 MN ZOUGLOU.....Gaou passe....

Yodé & Siro - La Roue Tourne (TchokoTchoko)

MAVADO - X RATED (CLEAN) Re-Entry Riddim Markus Records

Explore the beauty of Jyotsna’s South Indian violin on this sensitively crafted collection of Carnatic music. Adept at playing in many styles, Jyotsna’s elastic approach imbues her classical playing with a fresh energy that summons listeners to discover the elegant musical traditions of her home; this is her Call Of Bangalore.

For more information, visit: http://www.worldmusic.net/store/item/TUG1072/

Jyotsna Srikanth: Call Of Bangalore

Carnatic music from the south of India is renowned for its naturally melodic form. Jyotsna Srikanth’s music is woven through with this aesthetic; her artful violin soars in gāyaki style (as if sung), punctuated by percussionists Patri Satish Kumar and N. Amruth on mridangam (double-sided drum) and khanjira (clay pot) respectively.

Jyotsna hails from Bangalore, the capital of the state of Karnataka. Her music, like her home city, is full of eclecticism and revelling in the collision of old and new. On this album Jyotsna concentrates on a collection of Carnatic classical music showcasing works by some of its greatest composers. Yet via a host of other projects, Jyotsna is equally as likely to be found jamming with her fiddle in free jazz, folk fusion or even rock forms. This elasticity imbues her classical Carnatic playing with a fresh energy that summons listeners to discover the opulent musical history of her home; this is her Call Of Bangalore.

Jyotsna first began to play violin at the tender age of five. As a young child she was influenced by and in the company of greats. Kunnakudi Vaidyanathan, the classical violinist from Tamil Nadu, was an early inspiration and as a young musician she accompanied the respected multi-instrumentalist Mangalampalli Balamural Krishna. She has also worked with international artists Eduardo Niebla, Rao Kyao and Robert Atchison. While rising through the ranks in her music career, Jyotsna also found time to attain a medical degree and is a qualified doctor. Clearly a fiercely intelligent and ambitious multi-tasker, Jyotsna’s music is now the focus of her life. In addition to her live performing career she teaches violin, curates the London International Arts Festival and plays for Bollywood soundtracks.

Traditionally, Carnatic concerts begin with a varnam, a short exploration of the raga in use. True to form, this album opens with the track ‘Varnam’. The raga used here is mohana, a pentatonic pattern used in cultures across Asia. The work is colourful and breezy, an up-beat way in to the album. ‘Gopalaka Pahimam’ was composed by nineteenth century Maharaja and patron of the arts Swati Tirunal and used the morning raga bhowli. Jyotsna also includes a composition by one of the most famous Carnatic composers, Muttuswami Dikshitar. ‘Annapoorne’ is typical of Dikshitar’s craft, sweet and slow in tone and tempo, and heavily decorated with gamakas (ornamental figures). The subject concerns Annapoorne, the Hindu goddess of nourishment. The raga used is sama, one that denotes peace. The closing work ‘Thillana’ is by Jyotsna’s contemporary Lalgudi Jayaraman. The raga mand is adopted from the northern Indian, or Hindustandi, tradition and the time cycle is furious and rhythmically complex.

Jyotnsa’s Call Of Bangalore draws audiences to Indian shores, confiding in them the mystery and beauty of Carnatic classical music. Hear her call.

MIX RETRO ZOUGLOU BY DEEJAY MATHS BORDEAUX

DEEJAY MATHS (MATHS PROD)