Best Of STRUCTURAL01-40 (Not Mixed)
                                      TRACKLISTING:
01. Weapons Not Allowed
02. Un Coup De Foudre
03. The Summer Was Magic
04. The Origin Of Dark Matter
05. The Infinity Of Reconciliations
06. Reductio Ad Absurdum
07. Never Stop To Dance
08. Nanoscience
09. Meiose1
10. Magna Cum Laude
11. llusion Of Infinity
12. ldentifying Flying Objects
13. Gravity Losses At The Bermuda Triangle
14. Epistulae
15. Centrosoom
16. Almost Forever Young
17. Adhenine (DNA Desoxyribo Nucleic Acid)
18. A Requiem To The Milankovitch Parameters 
19. A Non-Believer
20. A Lovable Ocean
                                                     ***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

BEST OF STRUCTURAL01-40 (NOT MIXED)

STRUCTURAL12

01. RECALCULATED PROPERTIES
02. RELEVANT REMEDIATION 
03. THE SOUND OF THE SUNFLOWER
04. UN COUP DE FOUDRE 

***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

STRUCTURAL12

UN COUP DE FOUDRE

STRUCTURAL15

01. REDUCTIO AD ABSURDUM
02. TELOMERASE 
03. THE ORIGIN OF DARK MATTER
04. THE RHYTHM OF THE HENDECASYLLABLE

***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

STRUCTURAL15

REDUCTIO AD ABSURDUM

THE ORIGIN OF DARK MATTER

STRUCTURAL18

01. A NON-BELIEVER
02. CUMEX PARTIES 
03. HIGHER SUNDAY AFTERSPHERE
04. NUCLEUS ACCUMBENS 

***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

STRUCTURAL18

A NON-BELIEVER

STRUCTURAL19

01. BELLS & DIAMONDS 
02. DICTATORIAL SEDUCTIVE BEHAVIOUR 
03. EMPHATIC SOUL SOLUTIONS 
04. ILLUSION OF INFINITY

***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

STRUCTURAL19

ILLUSION OF INFINITY

STRUCTURAL21

01. EPISTULAE 
02. FROM THE NEIGHBOURHOOD 
03. NEVER STOP TO DANCE 
04. REVENGE OF THE SELFISH PROSTITUTE 

***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

STRUCTURAL21

NEVER STOP TO DANCE

EPISTULAE

STRUCTURAL24

01. HYPERBATON 
02. IDENTIFYING FLYING OBJECTS 
03. SPECIAL PURPOSE VEHICLE 
04. UNBREAKABLE 

***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

IDENTIFYING FLYING OBJECTS

STRUCTURAL25

01. LORD OF THE WAVES 
02. MAGNA CUM LAUDE 
03. MONOLYTICAL DICHOTOMIE
04. NO HIGH POTENTIAL LOVE 

*DJ MATTHIAS (BELGIUM)* 
*DeejayMatthiasBelgium* 

- Collecting, Playing & Mixing Music Records. 
- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

SHORT HISTORY
- Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

DEEJAY
- In 1997, I started to collect vinyl records (quite expensive for a student)  although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs , 

- I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)

- In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).

- In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small
selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

EVENT ORGANISER
- Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists

- Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity

COMPONIST - PRODUCER
- In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 cent in it (except my Soundcloud-profile).

I sincerely hope you will enjoy this album and... do not forget to dance!

MAGNA CUM LAUDE

STRUCTURAL30

01. BEYOND DARK SPACE 
02. DANGEROUS REPRODUCTION NUMBERS 
03. LOW VOLTAGE 
04. WEAPONS NOT ALLOWED 

***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

WEAPONS NOT ALLOWED

STRUCTURAL32

01. ANOTHER METROPOLIS
02. MEIOSE 1 
03. PELOPONNESOS 
04. POLYPEPTIDES 

***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

MEIOSE I

STRUCTURAL33

01. ALMOST FOREVER YOUNG 
02. CHAOS THEORY 
03. LIGO & VIRGO 
04. NUCLEAIR ANARCHY 

***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

ALMOST FOREVER YOUNG

STRUCTURAL36

01. LA DEUXIEME RENAISSANCE 
02. NANOSCIENCE 
03. PROGRESSIONISM 
04. REGENERATIVE IMPULSION 

***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

STRUCTURAL36

Nanoscience

NANOSCIENCE

STRUCTURAL38

01. A LOVABLE OCEAN 
02. DAS UNGLAUBLICHE UNHEIMLICHE 
03. LACAN KILLED FREUD 
04. NOMEN NESCIO 

***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

A LOVABLE OCEAN

STRUCTURAL39

01. HAPPY BIRTHDAY TO YOU (DJ MATTHIAS OWN VISION EDIT)
02. IMMORAL ADVANTAGES 
03. MUTATIS MUTANDIS 
04. THE SUMMER WAS MAGIC 

***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

STRUCTURAL39

THE SUMMER WAS MAGIC

STRUCTURAL40

01. CENTROSOOM 
02. DURA LEX SED LEX 
03. FILOSOPHICALITIS 
04. TESR 

***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

STRUCTURAL40

Centrosoom

CENTROSOOM

STRUCTURAL04

01. DARK NIGHT 
02. HAPPINESS ON A RAINY DAY 
03. SUBGENOMIC RNA TRANSCRIPTIONS 
04. THE INFINITY OF RECONCILIATIONS

***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

STRUCTURAL04

THE INFINITY OF RECONCILIATIONS

STRUCTURAL05

01. A CASUAL UNIVERSE 
02. GRAVITY LOSSES AT THE BERMUDA TRIANGLE
03. THE DEMON AND THE CHURCH 
04. THE MELODY 

***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

STRUCTURAL05

GRAVITY LOSSES AT THE BERMUDA TRIANGLE

STRUCTURAL06

01. A REQUIEM TO THE MILANKOVITCH PARAMETERS
02. DIFFICULT MAGNITUDE
03. LA FINESSE DE SON AME
04. YOUR PREVIOUS LIFE

***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

STRUCTURAL06

A REQUIEM TO THE MILANKOVITCH PARAMETERS UMENTAL VERSION)

A REQUIEM TO THE MILANKOVITCH PARAMETERS

DNA (Desoxyribo Nucleic Acid)

01. ADHENINE 
02. CYTOSINE 
03. GUANINE
04. THYMINE

***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be)
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

ADHENINE

***DJ MATTHIAS (BELGIUM) - DeejayMatthiasBelgium***

- Collecting, Playing & Mixing Vinyl Records. 

- Producing, Mastering & Releasing Easy, New & Original Electronic Dance Music. 

01. SHORT HISTORY

Born in 1983 and 'discovered' New Beat at the end of the '8o's. From that moment, I became a young fan of Electronic Music and started listening the local radio stations & recording my favorite songs on tape (TOPRADIO SIS & Dance Radio Plus). Good points at school resulted in my preferred present: a Compact Disc. I collected all Compilations and learned titles from Producers/Artists by heart. It was a period of listening all weekends to the charts. Local artists were pushed and there was a big local radio-community where greetings were given and you could call asking to play your favorite number.

02. DEEJAY

In 1997, I started to collect vinyl records (quite expensive for a student) although my first opportunities to play them was at the local radiostation and at schoolparties where the majority of the crowd experienced his first night 'going out'.
Later on, I continued my musical tour in local pubs, on Wedding & Birthdayparties, business events, some New Years eve parties but also the Belgian clubs, disco's and afterclubs. 
I was sharing the title of 'Forum Administrator' on a Belgian webforum which became a digital market of clubbing people who shared their emotions, experiences, opinions, musical preferences, publicity for parties and digitalised mixtapes (Legendaryclubs.be).
In 2006, I made my Thesis about the history of House Music and the Marketing Strategy of N.E.W.S. (2006).
In 2009 I was involved in a project powered by Studio Brussel (National Radiostation) and sponsored by Red Bull: This Book is Elektronic. A small selection of articles and flyers representing Belgian nightlife during a period of 30 years. This inspiring book also reveal some interviews with legendary Belgian artists.

03. EVENT ORGANISER

Balmoral, The Reunion - a yearly event with the responsibility of coordinating the marketing & the communication with my artists.
Love vs Life - an evenement which took place during Gentse Feesten and with the responsibility of marketing and publicity.

04. COMPONIST - PRODUCER

In 2021 I started composing or producing my own musical productions. The philosophy I have in the studio is based on 2 convictions. First of all, I remarked during last decades that a lot of new releases within electronic music were reworked, remixed or, at least, resampled music of previous music productions. The House scene gives me an image of deprivation between artists. I fully proof with my music there is still a lot of inspiration available and I always maintain 3 values while working in my studio: NEW, ORIGINAL & EASY.
My second conviction is the role of everybody in this artistical process. The artist is doing 'the artist-thing' and the deejays, radios, public places or 'the crowd' is doing 'the publicity-thing'. We should not gossip about the meaning of good or bad taste neither we should pay for it. In reality, it mean that I do everything on my own: Inspiration, creation, production, mastering & distribution of all my projects without investing 1 coin in it (except my Soundcloud-profile).

Feel free to listen & to share and do not forget to dance!