ALLDAY!!!

JudgmentDay

Deep Electronics Special

TATTOOPLAYLIST

ѦPѺLLYѺN'S ▼ISѦGE  - Quiet [mix by M‡яc▲ll▲]

Support Dub Techno Blog and this show for as little as $0.04 per day via our Patreon page - www.patreon.com/dubtechnoblog

We are live on mixlr 5-6PM LONDON UK TIME EVERY SUNDAY - mixlr.com/peco-dub-techno-blog/

Tracklist

Faidel - IS_17b https://archivesdubmusic.bandcamp.com/album/edelweiss
Monoder - Raita https://pro.beatport.com/track/raita-original-mix/197433
Ekstendia - Foliage Passing https://pro.beatport.com/release/foliage-passing/1704852
SVIDA - Rain Dance https://pro.beatport.com/track/rain-dance-original-mix/4211534
Juni Staub - Custom https://pro.beatport.com/release/a-hare-and-a-tortoise/1709193
Baraso - Slow Down http://www.decks.de/t/zendid-sonodab-baraso-san_francisco/c4n-3i
F.L.O. - Delaylama https://tehnofonika.bandcamp.com/album/f-l-o-a-cage-called-earth
Queemose Alberto Cesari - New Season http://datenbits.com/
F0 - Late Commute https://f0sound.bandcamp.com/album/red-lit-rooms
Shebuzzz - Nikifor (Crispin Remix) https://moiraaudio.bandcamp.com/
Archivist - Pathfinder (Eric Cloutier Remix) https://blankstairs.bandcamp.com/album/pathfinder
London - Monorrail
Juni Staub - Freddy Warmest https://pro.beatport.com/release/a-hare-and-a-tortoise/1709193
Alden Tyrell - Tntus https://pro.beatport.com/track/tntus-original-mix/3688587
Sounds And Sequences - Haze http://www.juno.co.uk/products/sounds-sequences-shining/597472-01/
The Dub Factory - The Dubbing Grounds https://thedubfactory.bandcamp.com/album/series50
Sawney - Abnormal Pleasure http://classic.beatport.com/track/abnormal-pleasure-original-mix/7577085
Excellent - Dive https://excellent.bandcamp.com/track/excellent-dive
F0 - Flashing Amber https://f0sound.bandcamp.com/album/red-lit-rooms
El Choop - A Jaded City Part. I
Midub - Dub https://soundcloud.com/midub/dub


Dub Techno Blog Show 072 - 21.02.2016

When I received this set from Avaen I was pretty hooked when I listened his mix . The music involved brings some good memories back. Starting slowly in the beginning and building up to a more complex emotion. Searching these emotions  makes me more relaxed in this  journey in musical awareness

Avaen has created  a personal ambient set with his most memorable music. For him it was exhausting  to  search, compile and mix the set. Making it a very special and personal ambient experience. So I post his set here on  soundcloud as a Deep Electronics Special for him. Enjoy

A few words by the Artist:

Ambient music for me is the part of new music where the potential of el. sound physics is most fulfilled. Additionally the liberation from old musical systems leads to a massive amount of possibilities of creating never heard soundscapes between harmonic and noise. In despite of the young age of this chapter it's almost frightening what will be expectable from it in the future, especially in a therapeutical meaning.

Links:

https://www.facebook.com/waxofjuly/?fref=ts&__mref=message_bubble

https://soundcloud.com/dschuli

Photography and Design by Jeroen Smulders

Circuit Jellyfish Design by NLz

Deep Electronics Special mix # 01 - Avaen

Welcome to the 2nd chapter of the Deep Electronics Special.

The Deep Electronics Specials gives a inside look at artists. Showing them where they started or maybe taking a turn into another genre. NOT  always the music you hear on Deep Electronics!

This time Monochord is the one that provide us with a set with the music where he started from. Some years ago he began in the genre called Progressive/ Psygressive. It's a genre within the psychedelic community. 

With this set he gives us a listen into his roots. 

Enjoy!!

01. Morten Granau - 7 Seas	
02. Captain Hook & Astrix - Bungee Jump (Suntree Remix)	
03. Durs - Stonehenge	
04. Kularis - Entry	
05. Zanon - Open Your Mind		
06. Timelock - True Raver
07. Coming Soon - Fear		
08. Ruback - Aquavici	
09. Ghost Rider & Ruback - Save It (Cosmonet Remix)	
10. Jacob - Reborn	
11. Neelix - Call Me (Remix)	
12. Tezla - Mexico		
13. Durs - Coast to Coast	
14. Ranji & Metronome - Down The Road

Bio Monochord:

I started producing electronic music in the year 2000 after few years playing the trumpet in a Band.
In the earlier years i often switched my style from trance, progressive psytrance, minimal, techno, house, to my style. A mix between dub techno, deep house, minimal and progressive.

Formerly i produced music as "Emtex" and "The Tape Headz"

In 2014 i changed my whole studio setup from computer to 100% hardware wich was also the beginning of my new project "Monochord"

Influences are coming from jam sessions with the hardware gear and several producers like Basic Channel, Brendon Moeller, Luke Hess, Marko Fürstenberg, Quantec, Echospace, Minilogue, Dataline,...

My soundstyle is a mix between dub, dubtech, dub techno, mnml, house and other genres like idm or ambient but i call it Progressive Dub Tech

Fractal design and manipulation by Jeroen Smulders

Links:

https://soundcloud.com/monochord

https://hearthis.at/monochord/




Deep Electronics Special # 02 - Monochord

Welcome to the 3th chapter of the Deep Electronics Special.

The Deep Electronics Specials gives a inside look at artists. Showing them where they started or maybe taking a turn into another genre. NOT always the music you hear on Deep Electronics! But also create an enviroment where they can loose themselves into a new depth in sound!

This time Emerging Patterns shows his skills in Improvisation. Using just his hardware and samples on an mobile phone! Creating a deep turn into experimental electronics and sound.  The most sounds in his set is created on the spot!

About Emerging Patterns:

Initially more a nerd than a DJ, tweaking pieces of hardware and building synths, Emerging Patterns quickly became a founding member of the « Why Are We Here » label. Before that, he ran under the moniker « Just Friday » the «3 decks 4…» podcast serie. This almost two years long techno cartography enterprise was appreciated by many in the underground electronic scene.

Now, as a self-confessed hardware addict, he plays regularly full-hardware live performance and long hybrid djsets/jam sessions.

He released 2015 his first tracks on the WAWH001 vinyl and on his own bandcamp, and remixed Fabbro for Vizion Division records.

Links :
FB : https://www.facebook.com/emergingpatterns
RA : https://www.residentadvisor.net/dj/emergingpatterns
SC : https://soundcloud.com/emergingpatterns

About that jam :
Preliminary Jam before a gig at 1o1 (FR) (it shows you the kind of things that were played two days later, two hours long, on a proper soundsytem and with a "not-so-much-people-but-what-a-vibe" crowd!!!)

About the setup :
- a mainly analog hardware section (drumboxes,groovebox, synths, sequencers and stompboxes)
- a live sampling section : kaossilator pro on the flight sampling from cellphone mp3 player (for voices) and from an hacked cheap tablet working as a chaotic sound generator

About the way of making the things done :
- a few prewritten patterns (some of the chords and the melodies)
- patterns made to be broken (the drum patterns start with a prewritten section and are heavily tweaked)
- and some liberty (the rest of the thing is done live).


Deep Electronics Special # 03  - Emerging Patterns

https://www.beatport.com/release/war-crimes/1855244

Introducing the War Crimes album from London-based dark techno producer Hefty: Inspired by the events of 9/11 and the subsequent War on Terror, Hefty takes us on an apocalyptic journey into the darkside, exploring elements of broken beat, downtempo, and techno. 

"War Trophy" sets the tone for what's to come, a drowning and ominous indication of the dire places we will be taken to throughout the album. 

"Weapons Of Mass Destruction" marks the calm before the storm, as it picks up the pace with a sinister downtempo track completed by the haunting vocals of Gracie. Starting off the techno journey, 

"Rendition" is coined by dank and murky sounds in tandem with a heavy rolling bass, topped off by trademark Hefty vocals. 

Next up is "A.W.O.L" - inspired by army deserters who refuse to fight in the illegal and immoral wars the establishment has forced them into. Punctuated by percussion hits and defined by its relentless slow groove, this track makes the dancers revolt and rebel on the floors. 

"Enhanced Interrogation" goes deep into the world of modern torture. Low rumbling bass and hypnotic atmospherics will twist your mind as this minimal techno track penetrates your eardrums. 

Following on is "Innocent Blood" - the signature rolling basslines and dark vocals make this an instant Hefty classic. The listener gets more and more ecstatic as the beats are starting to pick up speed.

"The Pentagon Lie" is a direct challenge to the official story of what happened on 9/11. With its uncompromising heavyweight beats, rolling bass, and driving groove, it makes you wonder: have you been lied to all these years? 

Solid beats and a hard bass provide the perfect background to the percussion incidentals in "Inside Job". It keeps the listener alerted and in unease as the vocals touch on the crimes perpetrated by the American government throughout history. 

"Standard Operating Procedure" takes us even further into the darkness. Undulating bass and solid beats drive the track forward with intensity whilst the narrator tells a dark tale, outlining some of the strange practices carried out by troops far from their homes. 

With its dark, heavily rolling bass and a deadly groove, "War on Terror" is instantly recognizable as one of Hefty's productions. This track is massively influenced by the death and destruction inflicted on innocent people due to the illegal, unethical, and never-ending "War on Terror". 

"The 3rd Tower" sets out to make people aware that a 3rd tower fell on 9/11. The steel-framed tower was not hit, yet it collapsed at free fall speed. However, the dark bass and the heavy dubstep sound of this track could have accomplished what seems to be a mystery until this present day. 

Finally "Post Traumatic Stress Disorder" takes us out of this nightmare of War Crimes. Downtempo, smoking beats help us unwind, and although our doubts towards the establishment are still very much in the foreground, it offers a contemplative track to try and understand what we have just experienced.

Beatport Release: 30.09.2016

Buy This Album

"War Crimes" Album - RAGLP001 - OUT NOW!!

I am a very big fan of the music that Dublicator creates. Long beats and atmospherical sounds combined with dubtechno influences. His music is in my opinion perfect for a lazy morning or a sunny relaxing day. That's why I listen it so much. Drifting away in positive thoughts, memories from the past and creating ideas for the future. I created this set as a tribute to Dublicator with various tracks that I personally love! Enjoy!

Thank you Dublicator for all music you have created!

https://dublicator.bandcamp.com/

Tracklist:

01. Sleepy Clouds
https://tamas-olejnik.bandcamp.com/album/compi
02. Dawn Sleepy Dub
03. Elasticity
https://tamas-olejnik.bandcamp.com/album/compact-impulses
04. Plankton
https://tamas-olejnik.bandcamp.com/album/deep-sea-explora
05. Lichnos
https://tamas-olejnik.bandcamp.com/album/lichnos
06. Radiant Numbers
https://tamas-olejnik.bandcamp.com/album/singularity
07. Diffraction
https://tamas-olejnik.bandcamp.com/album/diffraction
08. Unstable Manifold II
https://tamas-olejnik.bandcamp.com/album/singularity
09. Gravitational Source
https://tamas-olejnik.bandcamp.com/album/gravitons
10. Quantum Compatibility
https://tamas-olejnik.bandcamp.com/album/singularity

Deep Electronics Special # 04 - Monosphere - Dublicator Tribute

DANIEL NITSCH on:
- Facebook: https://www.facebook.com/danielnitschofficial
- SoundCloud: https://soundcloud.com/daniel-nitsch-the-glitz

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Twitter: www.twitter.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass

3 QUESTIONS to DANIEL NITSCH:

Q: Your mix is full of great storys. Tell us about how these tracks had an influence on your career?

A: I must confess that I was a HipHop kid in the early 1990s. WuTang, PublicEnemy, BeastieBoys (alltime heroes!), basketball, graffiti and gentle attempts to breakdance - that was my life. I can remember very well how I listened the anthem of "Planet Rock“ for the first time on a tape. Oh my - that has blown me away and it was on repeat for the following weeks. In these days I didn’t play records but I listened to different styles of music. I believe that the sound of this time influenced me a lot. In the middle of the 1990s I started DJing and producing. Just in the beginning there was Classic House and Electro where I still can find a soft spot today. It’s great that artists like Steve Rachmad, DJ Hell, The Hacker but also Daft Punk, Steve Bug and many many other are still inside our scene nowadays. There are so many classic songs which you can find from time to time inside my case.

Q: You are 50% of the famous duo THE GLITZ. But what´s musicially the difference between that and your solo project?

A: I´m quite sure that people who know "The Glitz" and who know my solo project "Daniel Nitsch" will hear that very fast. For me "The Glitz" is an exciting and fantastic common project by Andreas Henneberg and me. We both came from different musical fields and have completely different influences in music. Somehow we found a way and we got the luck that we develop an own sound where we can suprise us every time in the studio or on stage. For many people "The Glitz" stands for a kind of peak-time sound which gives you a positive vibe. It’s not important which sound we make together but it’s important that we can smile and have fun. And about my solo project: I would say that mostly I´m a collector and selector and as music junkey always in search of new music which delights me without building musicial borders. You can find sudden changes in my sets - Acid House coming after HipHop or a Delsin-Record follows an old Funk-Song, having finally an 1980s Ambient-Song in the end - all is possible. But for sure I pay attention on the crowd and try to have a good harmonic night with them. Also for my productions I worked a little bit different and float sometimes for days in any soundscapes or I make musical journeys for myself.

Q: Which Daniel Nitsch activities/projects can we expect soon?

A: At the moment I work a lot of for my new own label FeelRawAudio. As artists I´ve joined the crew „Feines Tier“ from Cologne two months ago - really exciting artists and DJs. Also there will happen some more in the next time. I think until the end of the year you can expect a new solo vinyl and remixes from me. But let´s take it easy as I´m quite relaxed about it.

DANIEL NITSCH - HOW I MET THE BASS #58

Daniel Nitsch - HOW I MET THE BASS #58

MARCO RESMANN on:
- Facebook: www.facebook.com/mresmann
- SoundCloud: www.soundcloud.com/marco-resmann

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Twitter: www.twitter.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass

3 QUESTIONS to MARCO RESMANN:

Q: Tell us about your mix. How did these tracks have an impact on your later doings?

A: The tracks in the mix played an important role in my career as a DJ and producer. Apart from the Kraftwerk tune, all of them are from the period between 1990 - 1997, the time when I got infected with the Techno & House virus and started to buy records and became step by step a DJ. I still love them all, they are timeless and still playable, which is amazing.

Q: Your tour schedule looks huge. Where do you find your rest?

A: Somewhere in between touring, studio work and family life. Honestly more while touring than at home with 2 little kids.

Q: Which Resmann and Upon.You projects are upcoming?

A: End of September I will release my third EP on Poker Flat Recordings. I’ve contributed a track for the 15 Years Watergate compilation, which will be out in November. I also have my third EP on Watergate Records in the pipeline, which I produced together with some great talents from South Africa at the Red Bull Studio in Cape Town. Oliver Huntemann delivered a badass Techno Remix. Release date will be probably November or December. With Upon You we're celebrating our 10 years anniversary and are planning a jubilee compilation as well. More info soon.

Marco Resmann - HOW I MET THE BASS #67

TOWNSHIP REBELLION on:
- Facebook: www.facebook.com/township.rebellion.music
- SoundCloud: https://soundcloud.com/township-rebellion

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Twitter: www.twitter.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass

3 QUESTIONS to TOWNSHIP REBELLION:

Q: Four man behind looks like a "boy band". How have you guys met each other and what's the story behind your artist name?

A: We are all friends from the same town in South Germany. We don't have a big local scene like Berlin or Cologne so it was obvious to us that we had to work hard to be recognized. The name came from a homage to a "Rage Against The Machine" track with the same title. 

Q: Guess it's not that easy to match all tastes when producing or playing your music. How do you arrange with this in the studio or on the stage?

A: We all have different backgrounds and talents. It takes time to bring all of those together, but at the end of the day everyone in the team benefits from our diverse pool of skillsets. What most people don't see that we don't just produce, we handle the whole thing ourselves, from management to booking, video productions, marketing etc.. Basically all the areas artists need to handle these days. On the stage we currently play as a team of two representing Township at gigs. 

Q: Which future projects are on the way?

A: We are starting our first bigger international tours towards the end of the year. There will also be a few more releases this year to look forward to.

Township Rebellion - HOW I MET THE BASS #68

When a longtime electronic music passionate teams up with a visionary hotshot, only the most evocative output is to be expected. Both being raised in a music-supporting environment, they developed a cultivated ear over years of dedication to music. United in friendship and surrounded by clowns and knights and ghosts and whitches Joblyn & Kurtovic (@joblyn_kurtovic) gave a stunning performance at our 2017 halloween event,  Put on your shiney shoes and enjoy this journey back in time..


___________________________________________

Mastering by Billy Caso (@billy-caso)

Joblyn & Kurtovic @ Tal der Verwirrung - 3x Schwarzer Kater - #043

Finally after a year of absence I present you a new chapter in the Deep Electronics Special series.

This set is mixed by [Phøbiq] and my personal view is a  somekind of quest where you take part in travelling into a forest in search of a unknown ancient civilization. Discovering there old rituals searching for enlightment.  His set is building perfectly from the start till the end in this quest. Take the journey and enjoy!

Tracklist:

01. Intro (Nightingales solo)
02. Nina Matvienko - O, miliy miy [Astra Records]
03. Solar Fields - Air Song (8 Am Version) [Ultimae Records]
04. Refracted - Enter The Jungle [Silent Season]
05. Acronym - In the Swamp [Northern Electronics]
06. BLNDR - Movement Strobe 1 [Hypnus Records]
07. Refracted - Hyperdimension [Silent Season]
08. Modern Eleven - Shining [Annulled]
09. Wanderwelle - Eyes In Looming Trees [Silent Season]
10. Voices From The Lake - Circe + S.T. [Prologue]
11. BLNDR - Abstraction [Silent Season]
12. Zadig - Quiet Orbit Around Gladia [Syncrophone Recordings]
13. Nobody Home - Speglar [Nordanvind Records]
14. Amandra - Legia Biala [Semantica Records]
15. Dorisburg - Lemuria [Aniara Recordings]
16. Luigi Tozzi - Hydros [Semantica Records]
17. ASC - Epsilon Dream [Silent Season]
18. Ekená - Prāṇa [Unreleased]
19. Outro (Nightingale + Crickets)

Links:

https://soundcloud.com/alexander_shijan

Photography by Jeroen (Taken on the Island of Saba 2014)

Deep Electronics Special #05 - [Phøbiq]

Exodus

Tap "Buy" for free download

Follow Un4Get:

● vk.com/un4get
● instagram.com/un4get_world/
● open.spotify.com/artist/5QMl0XzuvNqiJNgKXlUDxQ
● facebook.com/Un4GetMusic/ 
● un4get.bandcamp.com

Follow PHARAOH:

@deaddynastyph

09.03.2019

PHARAOH - Пломбир (Un4Get ReVision)

An immense sequel to AKUMA. Not for the faint-hearted. ALEX and TOKYO ROSE are back with more sinister synth, but this time they are adding more robust sonics to their productions. Made for all retro-electro and darksynth lovers. A must for all audiophiles.

https://newretrowave.bandcamp.com/album/akuma-ii

AKUMA II

ANTAGONIST

ALEX & TOKYO ROSE - Antagonist

An immense sequel to AKUMA. Not for the faint-hearted. ALEX and TOKYO ROSE are back with more sinister synth, but this time they are adding more robust sonics to their productions. Made for all retro-electro and darksynth lovers. A must for all audiophiles.

BEASTS

ALEX & TOKYO ROSE - Beasts

Hard witch house with a switchup to ripping amens

DREAM BLACK - HEAD DOWN EYES UP

OUT NOW on all platforms.
Special thanks to Owl Vision.

2/25/2020

TOKYO ROSE & Owl Vision - CHAINZ

Free Download

The King

Dark Realm

Dark Realm (Dark Lavoine Remix)

Deep Electronics is presenting it's 23th special chapter. These special releases are unique sets created by unique artists. This time K4MMERER brings us a mixtape with pure electronic music from his hand. The 4th chapter in his serie "On Why Dark Goes Orange"

About K4MMERER:
Hooked on electronic music since heard an early EP by Depeche Mode in London in the eighties. Played piano/keyboard for many years but started producing about 10 years ago. A long-held fascination with science fiction and especially the question of how human kind (or a product thereof) eventually will leave the Earth is inspiration for this ambient 3-album-series named “On why dark goes orange”. These albums blend electronic instruments and contemporary influences to produce a “merge” of synthetic and authentic sounds. Very much like how the future will be, most likely

About the mixtape: The Random-Random

"This one-hour mix-down is based on Chapter 4 in the sci-fi and philosophically inspired ‘On Why Dark Goes Orange’ ambient music series. The OWDGO series consists of four albums with ambient electronic music centred around the two big philosophical questions of today; the argument for a transition into a world of post-humanity as well as the implicit question put forward in the simulation argument (“How come seem to be alone?”).
Chapter 4 dives into an antithesis to these two arguments; that we humans’ have the ability to (sometimes) generate a completely chaotic/random output. It is possible that this ability is unique for humans and nowhere else to be found. If so, it is a potent contra argument to both post-humanity as well as to the ‘simulation of everything’. Enjoy!

The other three chapters/albums (as well as other albums) can be found here:

www.jamendo.com/artist/341642/k4mmerer/albums

Photo provided by K4MMERER
Design by Jeroen

Deep Electronics Special # 23 - K4MMERER

At this moment Deep Electronics is temporally not accepting new sets and tracks. We are taking a break till the end of the year. We will be back in 2026.


Deep Diversity Label en podcast

Deep Electronics explores the realms of the deep diversity in electronic music. If you want to submit a mix send it to:

deepelectronicspodcast@hotmail.com

The Ambient Sessions is dedicated to all styles in Ambient music. These sets are released every month. to submit your tracks please send your mixtape to:

ambientsessions@hotmail.com

All releases are been found here:
https://deepelectronicspodcast.bandcamp.com/