http://mutualdreaming.com
US/Americas : marlena@liaisonartists.com
EU/World : lisa@ekipa.agency

VICTORIA SOBRE EL SOL
..“el futuro nos pertenece”..
La Erupcion de perfeccion sintetica de la estetica pura....



Victoria sobre el Sol-manifiesto sinergetico-                                                             Futurista(version corregida)..

El sol nos cansa y nos hace impasibles.Nos impone lo corporeo en la conciencia –los sufriminetos y ambiciones verdaderamente corporeos,la fuerza de gravedad,lo material..El Sol es la conciencia fisica sin piedad.Esta conciencia existe sin modificaciones-pesada ,impasible,tenaz.Mata el espiritu y paraliza el cuerpo.....

¡Victoria sobre el Sol! Debemos superar la conciencia fisica,tenemos que combatirla,tenemos que ganar el combate contra nosotros mismos,dsplegando y manteniendo para estos fiinesuna energia fanatica,que puede ser igualada con la fuerza de los oceanos de acero en movimiento,de las corrientes con sus rugidos espumantes,de los torbellinos enbriagadores,de los huracanes,ciclones,tifones,tormentas; de las energias rotozonales,de la resurreccion de  la luna y de la antigravedad del Universo.Nosotros no necesitamos soles - ; en nuestro interior surge una energia que brilla todavia con mas fuerza para nosotros! Reuniremos nuestras energias y las haremos fluir en actividades que se entrelacen con todos los ambitos vitales.....

Queremos producir una reaccion en cadena con cubos llenos de fuego.Queremos desencadenar explociones simultaneas por medio de la fuerza de una sola chispa.Nosotros,los iniciadores,queremos producir ruedas de llamas gracias a nuestras rotozonas al rojo vivo.obligandolas a producir rotaciones mas veloces que el sonido.! Derrochamos histeria y horror! Nos concentramos altisimamente para crear actividades de multiples formas y de intelegente dinamica,diversidad activa de formas e inteligencia dinamica en cantidades inconmesurables.....

El ruido de las maquinas se ha transformado hace. tiempo en el ambiente de una segunda naturaleza artificial.Nos entusiasma la capacidad de rendimiento  - es decir ,la rapidez –de los microchips,que ya es incomprensible e inconcebible.Se ha alcanzado lo inimaginable,y sera muy fascil penetrar en esferas mas profundas y oscuras:si nos quedamos muy quietos y dejamos que nuestra conciencia adiestrada penetre en todos los niveles receptivos,podemos oir el ruido de los organo-ordenadores y sus codigos analogos y digitales,percibiendo y comprendiendo su gramatica,puntuacion y acentuacion.Depende de nosotros percibir la epoca,y emplear nuestra energia para despegar los programas de efectos para cambiar esos codigos,para hacerlos mas compresibles.! Nosotros somos el programa decodificador!....

En forma inconciente permitimos que nos manipulen los mas primitivos efectos,a saber por la falta total y general de efectos de las despreciables ruinas culturales. ¡Por esta razon,pongamos en marcha finalmente el programa universal de efectos del organo-ordenador! El Sol ya ha cumplido su funcion ,y ahora solamente sigue produciendo fuego aburrido  ,frio y sin pasiones de la costumbre,del aburrimiento y de la mortal autosuficiencia.Nuestra energia colectiva ya es tan fuerte para triumfar  sobre este estado que ya dura demasiado tiempo...
	Victoria sobre el Sol!!

Now an internationally successful DJ, Eric Sneo started learning to play musical instruments from a young age, after his grandfather introduced him to an accordion at only the age of 4, he went on to experiment with drums after buying a drum kit in his teenage years and started to attend local jazz shows, where he really learned how to improvise. In 1991 he saw Sven Vath playing in Frankfurt, and it was here when he fell in love with what he was listening to, and wanted to know more.

With his unique performances on the E-drums during his DJ sets, Eric swiftly developed into a distinctive and highly sought after international performer with his unforgettable sets. After he presented his unique “Art of Life” show at the Nature One Festival (2009) for the first time, he gained rave reviews throughout an exclusive festival tour of the show in the summer 2010 and 2011. Eric can combine his trademark groovy technoid DJ style with his live performance of a range of acoustic and electronic instruments, including E-Drums, E-accordion, percussion & didgeridoo.

In 2011 he launched his new Mudra Audio label, where he released his critically acclaimed album “Polarity” in March 2012. Supported by international artists like Laurent Garnier, Len Faki, Dubfire, Luciano, Gabriel Ananda and Cari Lekebusch, the album was highly successful, so much so much so, that Umek signed the album track “Shut Up & Dance” as a single for his 1605 label, which was released in August 2012.

With his successful “Move On” EP in 2013, he became a member of Christian Smith’s respected, forward-thinking Tronic family, a move that led to him to his 5th album of his career “Intensity’ which was released on Tronic in 2014. Much acclaimed support lead to a steady stream of hits on Tronic, with his “Move On” and “Metanoia” tracks remixed by Pig&Dan, Paco Osuna and Mendo.

Eric has announced he will be released his next album, which will be his second on Tronic in February 2017 with ‘Sound Traveler’. Featuring 14 original tracks which show Eric’s eagerness for experimentation. Providing full bodied beats and rolling basslines, closing the gap between tech-house and techno.

André Galluzzi has been a vinyl DJ for over 25 years. During that time he has enjoyed residencies at some of the world's best known clubs, including Ostgut, Berghain and Tresor. An equally prolific producer, the past two decades have seen him release on labels such as Cocoon, Ostgut Ton, Cadenza, Ongaku Musik, Force Inc. Music, Plus 8 and Music Man. The co-founder of Taksi Records, Galluzzi's latest endeavour is Aras, an outlet for his own unique take on house and techno,
Born in 1973 in Frankfurt, Germany, André became dedicated to the fascinating world of rhythm very early on. When working as a bartender in a club, he got the chance to fill in for the DJ at merely 14-years-old; an experience that would greatly change the course of his life
Excelling behind the decks, he became a regular in a handful of clubs in the early 90’s. In 1994 he started working at the renowned record distributor Neuton, where he met Paul Brtschitsch, with whom he established the much-renowned Taksi Records label in 1995. One year on he joined Tresor as resident with the club at the peak of its global popularity. Following a move to Berlin, he then became the first resident at Ostgut, the parent club of the world-renowned Berghain.
Following Ostgut's closing in 2001, André released the legendary mix compilation, André Galluzzi: Im Garten and created a highly- influential event series, Submerge, which lasted for two years. Famed for his intoxicating 10-hour sets, Galluzzi became a regular Berghain and at Amnesia in Ibiza for Sven Vath's Cocoon party around this time also.
In 2005 he started a studio cooperation with Guido Schneider, which resulted in various releases on Cadenza, Cocoon and Highgrade, including their track Albertino, released in 2007.
Looking for a new playground, André established Aras in 2011, a platform for both his own music and up-and-coming talents. Known for its innovative and unconventional approach to electronic music, the label continues to be supported by some of the scene's foremost players. A true musical obsessive and a much-respected DJ and producer, André's passion for sound continues to inspire a whole new generation of dancefloor dwellers.

Settled DJ and Producer, banned it 2007 in Bavaria to Berlin forth, booked reputation in Frankfurt a.M.

Founder of Vention Records GER

Playtime <3

2025:


01.10 Momo Monday, FR
26.07 Zelt-Musik-Festival, FR
25.01 W…., FR

2024:
21.10 Momo am Montag, FR
29.05 Klimacamp, Wien, AT
22.04 Montagssause, Café Bächle, FR
18.03 La Belle, Ahangama, Sri Lanka 
25.02 Tanzplattform, Theaterbar, FR
02.02 Café Ruef, Freiburg
20.01 Artik, femBPM Kollektiv, Freiburg 


2023:
31.10 HalloQueers, KTS, Freiburg 
07.10 Larifar Quadrat, Freiburg
02.09 Sommersause, Freiburg
17.09 Inter Kitchen, Bucht d. Träumer, Frankfurt O.
08.07 Vauban Sommerfest, Freiburg
24.06  csd, Freiburg
11.03 Hidden Jungle House, Costa Rica

2022: 
Slow Club, Freiburg
Immer wieder gerne Festival, Berlin 
Else Bar, Berlin 
Floatboat Session, Havel Berlin

2021: 
Several Floatboat Sessions, Berlin 

Music is about feelings, vulnerability and taking place in your true authenticity. To connect. Striving for bliss and a pinch of lovely craziness. Mixing varied music from artists of diverse cultures from our planet earth. Vocal, organic, funky, melodic, discotheque house, techno and adrift tech house. Inspired by global raves and night scenes. Let’s share smiles, dance and sweat under the sun and moon. 

V.A. Femme*, Berlin
FemBPM, Freiburg

@proxima9000 + @motelcampo

 : : : bookings WW  : : :
emile@omni-artists.net

 : : : north america  : : :
ricky@visionarytalentgroup.com

 : : : other  : : :
audreydanza.dj@gmail.com

Do what thy manhood bids thee to,  From none but self expect applause: He noblest lives and noblest dies Who makes and keeps his self-made laws."  [Richard Francis Burton]

Revelation instead of obviousness, radical reduction versus reckless verve, ecstatic eternalness, anti-elastic dictatorship of utilization.  In the course of an existence amidst the international Techno circus manège that has been running for (in nearly correct mathematical terms) 20 years, Mario Radecki alias Sammy Dee was able to earn an irrevocable aura as an innovator of electronic music workmanship, far away from beaten mass consumption paths and neoteric-commercial validity.  As a (former) resident of Berlin based genesis time venues Tresor and Ostgut, the name Sammy Dee has already been notorious for a passionate manifestation of systematic, personality changing mixing skills back in the 90s. Defining an unparalleled audio-arty range, the vinyl fanatic likes to disperse his beliefs and visions eye for an eye, tooth for a tooth to the skilled and listening audience. Through Sammy's audiophile and distinctive presence, subtle bass-lines are consistently oscillating alongside psychotic tunes, chopped and edgy explorations float through intangibly grotesque layers - all flawlessly sailing around a mediocre moment of time with a trademark, mischievious Perlon smile.

The monthly club night hosted and curated by Sammy, "...GET PERLONIZED!", at infamous Panorama Bar, is anno 2011 one of the most prestigious club events Europe-wide. It has a certain illuminating power up it's sleeve, that can not be gained by promotional exuberance or by worshipping at the alter of capital return; but with musical consistency - keywords that encompass and define everything the Berlin born artist does.  Various releases, inter alia in cooperation with Guido Schneider and Heiko Laux for Poker Flat and Kanzleramt respectively, are defining the German maestro's vita. Together with his "confederate in crime" and Perlon co-founder, Zip, Sammy created Pantytec in 1998 – eight letters that stand for an infinite flow of emotions, minimal perfection and properly arranged timelessness. Six publications followed, including one album full of all-pervading anti-labelling named Pony Slaystation.  Working together with Bruno Pronsato, the man being described in this biographical text gave birth to Half Hawaii in 2006. To date, three physical liaison results have been manifctured on Perlon, hello?repeat and Diamonds & Pearls.

Sammy Dee's youngest child is named Ultrastretch. Titled after the PERLON68-B-side and not to be confused with his regular party series at Berlin based Weekend club, Sammy founded Ultrastretch at the end of 2010 with a collective of like-minded musicians and cultivated artists who were ready to walk with him on his underground community based path into a non-genre-focussed and cross-benched/forthright future. Release #1 was realized in January 2011 with Matthew Burton's 'Who Loves You/Small Winner', a Half Hawaii EP is on it's way.

"One man with a dream, at pleasure, Shall go forth and conquer a crown; And three with a new song's measure Can trample an empire down." [Arthur O’Shaughnessy

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