Fantastic layering of guitars...beautiful track! :)

beautiful track David, with that wonderful touch Lanois

@kaspa: Thank you very much! That has definitely been an arena that I have wanted to get into is film scoring.

Greg Hunter's remix of Hvarf from the new Stereo Hypnosis album Hvolf

Bandcamp

Stereo Hypnosis - Hvarf (Greg Hunter Remix)

Rise of The Spirits

Danler - Rise of The Spirits

In The Morning

[ Radio Universe ], the fourth album by French composer Charles Farewell aka Asura to be released on Ultimae, presents a renewed vision of the seventies Space Music legacy. 
This musical odyssey sends one drifting and spiralling through deep bass drones and multi-layered synth pads contrasted by the classic downtempo tracks the artist is famously known for. 
A modern echo to the works of Jean-Michel Jarre, Klaus Schulze and Vangelis floats all over the ten tracks of this galactic journey which will stand as a warp in music history and certainly a transition in Asura's discography.

Radio Universe

Everlasting (album Edit)

Download

Cell - Switch Off (Featuring Aes Dana)

Memoria

Vena Portae - Time When Tress Were So High (Original Mix

A little diversion into ambient dubstep with traditional instrumentation.

From the 2-track single 'Candle', out now on Loodma Recordings.

http://www.loodmarecordings.com/loodma0020.cfm

State Azure - Candle (Loodma Recordings)

The Ocean Palace

Methane Tears (feat. Georgia Irakli)

After my brother and I visited Klaus Schulze in 1978, staying at his home studio in Germany, we took the tracks back to NYC and worked with them to create the Michael Shrieve album Transfer Station Blue. Klaus used some of the tracks on his own 1981 album Tonwelle (released under his pseudonym Richard Wahnfried), and put on his track "Druck" my guitar overdubs that we had not used, crediting them to "Karl Wahnfried". I guess I am Richard's brother as well as Michael's!

As I recall, my brother suggested I use Concerto de Aranjuez as inspiration, so I improvised with that in mind before wandering off. I had switched to All Fourths tuning by that time, so my guitar was set up E-A-D-G-C-F, and I can hear myself having fun with the beautiful shapes that become available up and down the fretboard when the intervals between strings are uniform. I'm pretty sure Klaus had just recently received his Yamaha CS-80, as he was enthralled by the airy tones he made such good use of in that track. A beautiful space!

In The Morning

David Ackerman

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David Ackerman

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