For all you stompbox nerds like me :)

I just realized that I have done a ton of these demos, but they are all scattered around on my profile.  So I thought I would put them in a set for you guys.

Granted you must remember I record direct via USB into my PC, and my dry signal is not being fed through an amp.  Therefore it might not sound nearly as nice as it would were it to go through an amp, but nevertheless I made these to show off some neat stompboxes for you all to enjoy and perhaps even to aid you in your decisions to purchase them.  Be sure to read the descriptions for each one you listen to, as I made some notes on each one.

So as always, enjoy! :)

Pedal Demos (Description)

A selection of (mostly) relaxing soundscapes and atmospheric and ambient music

Atmospheric/Ambient

A selection of guitar music (includes both acoustic, electric and electronic guitars)

Guitar Music

The Strat Sessions

A mix of relaxing chillout and ambient music

Relaxing/Chillout

Testing out the Mooer Elec Lady Analog Flanger,  really neat and compact stompbox (which is really sort of Mooer's modus operandi).  With the Elec Lady, you have three simple knobs: Rate, Color, and Range.  You also get an added bonus toggle switch which toggles between the normal Flanger mode and Filter mode which gives you some really nice harmonic contrast, taking the flanger completely out of the picture and acting more like a Wah pedal that is stuck in the "Toe" position.  For this demo, I left the Elec Lady in the "Normal" mode and set all of the knobs close to high noon.  As you can hear, it is really dynamically responsive to the touch of your picking style.  For most of the recording I used my fingers to pick the strings, and then switched to a plectrum to show the responsiveness.

"Like" me on Facebook

Strat Session 11 - The Common Cure

Heike Matthiesen plays Junto al Generalife by Joaquin Rodrigo

Joaquin Rodrigo : Junto al generalife Heike Matthiesen,classical guitar

It is FINALLY here! 

I have been wanting this pedal ever since Strymon unveiled it last year, and I can honestly say that it is without question a MUST HAVE for those of you who find that your pedalboard is rather naked without a decent reverb pedal.  Well let me tell you, this one puts them all to shame.  

Armed with one hell of a processor, 12 different reverb modes, and even a speaker cabinet emulator for those of you who (like me) record directly to their computers via USB instead of through a noisy amp and waking up your neighbors at 4am still trying to nail that solo :P

For this demo I focused on the "Bloom" setting, which makes a remarkable background underneath your guitar playing, padding your leads with incredible efficiency.

Enjoy! :)

Strat Session 13 - Eterna

Almost overlooked this fine little piece of gear I purchased the other day.  For a while now, my pedal rig has lacked one very important thing: a decent overdrive.  This pedal satisfied that need and then some.  It is modeled after the famed Marshall Stack amplifiers that have been gracing the tone of the major rock n' roll greats for decades and still continues to do so today.  I've had the pleasure of playing through a Marshall Stack owned by a buddy of mine in the past, and I remembered feeling overwhelmed by how unreal the tone was.  They have such a creamy, yet incredibly clean overdriven sound that can get mean and dirty at the turn of a knob.  I can honestly say that this pedal comes pretty close to that sound, though if anyone who reads this owns a Marshall Stack, let me know what you think.  After all, you are the only ones who would truly know. :)

Catalinbread Dirty Little Secret MKIII Overdrive demo (section from The Lotus Eater by Opeth)

There is a shimmer preset on the BigSky called "Weird Science"

Quite ethereal, gives off an almost synth-like padding underneath.  Very cool :)

Calm in Ecstasy

Oh man this thing is awesome! The folks at Catalinbread are very hard workers, as evidenced by their incredibly faithful stompbox recreations of classic amp tones, delay units, etc.  This falls into the delay units category: modeled after the Binson Echorec most notably used by David Gilmour of Pink Floyd.  Knobs are as such: Mix, Swell (essentially the amount of repeats), Tone (goes from fully dark to fully bright), Delay Time, and finally what I have resigned myself to calling a "Head Selector" knob which has 12 presets that employ many different combinations of the four heads you would find on an actual Binson unit.  Internally, there are some more capabilities of the pedal you can tweak as well.  For instance, there is an internal switch to select between either True Bypass or Buffered Tails modes.  There is also an internal gain trimpot, as well as a trimpot to control the modulation for the repeats.   This pedal does not operate on battery power, however it can operate on either a 9v or even an 18v DC adapter for more headroom.  In this demo, you will hear all 12 presets demoed preceded by a single harmonic note to show you what each preset sounds like on its own before I play it in more detail.  Following the preset demos, I also did a volume swell test with my track "Asleep Through Infinity" as well as an oscillation test.  Enjoy! :)

Catalinbread Echorec Demo (Description)

An incredibly chilled out smooth bit of ambience, best enjoyed listened to on headphones.

Perception,
Little is as it seems,
Release your restraints,
Allow yourself to dream,
For within the chaos of our minds,
Lies a place where we dare to be free. 

Whispered Echoes - BluffMunkey ft. Inaiya (vocals)

Brian Eno - An Ending (Ascent) (reversed)

After I couldn't sleep...I decided to arrange for this amazing concerto by the grand master - Bach,
to relax myself....after I made the mix and heard it, I slept like a baby...   
Recommended to listen with eyes closed. 
Enjoy 

BACH CONCERTO NO 5 - GUITAR ARRANGEMENT

Bach concerto n°5 BWV 1056 - Largo, Guitar arrangement

A combination of the first and last tracks on Brian Eno's Music For Airports album. The pitch of "2/2" has been altered accordingly.

Brian Eno - 1/1/2/2

I was bored so I opened up audacity, laid down "Ending (An Ascent)" on one track, then laid it down again on a second track, but reversed it, to see what the outcome would be like.  Here's the result...

Brian Eno - Ending (An Ascent) [Forward and Reversed]

just bought myself the Hardwire Supernatural Ambient Verb pedal last week, came in a few days ago.  Been in a bit of a creative rut lately, hence all the re-posting i've been doing, so i decided to wipe the dust off my old Galveston stratocaster and mess around with this thing.  this is the plate reverb effect.   i will also be posting a sample of the Shimmer reverb effect soon, which is pretty incredible as well.  all in all, if reverb is your thing, as it is mine, this is a damn good pedal for $179.

Strat Session 1,  Personae Con Stratae

This is the Shimmer effect on the Supernatural pedal, its essentially an octave-up effect that creates a wonderful sounding background for your track.  this was the effect that really sold me on this pedal, even though you can find it on other ones, though they were way more expensive. im thinking i may re-name this later and just keep it as an original track.

Strat Session 2, The Gathering of the Angels

my faculty recital at LVC, fall 2012, with Jeff Lovell on piano

Spiegel im Spiegel (Arvo Part)

My Absynth version of Brian Eno - An Ending Ascent. This was all done using Absynth's envelopes.

Brian Eno -  "An Ending (Ascent)"

An ambient orchestral collaboration between Ed Haydon and Alexander Hallberg created on 12 Jan 2013.

Lullaby Part 2 (Haydon & Hallberg)

This was an effort to showcase the Spring reverb setting on the Hardwire Supernatural reverb stompbox.  It was made to mimic the classic spring tank reverb you would get back in the surfer rock days when it was built into the amplifiers.  Enjoy :)

Strat Session 3, The Long Road Home

This was an effort for me to showcase the "Pherb" setting of the Hardwire Supernatural reverb stompbox.  It is essentially a hall reverb with a very subtle phaser running in the background to varying degrees depending on how you set the mix and liveliness knobs.  For this I didn't delve to hard into the phaser, but it is very distortion and overdrive friendly as far as I can tell.  Gives off sort of a David Gilmour vibe.  Enjoy :)

Strat Session 4, Reminisce

For this session, I emphasized the "Shine" setting of the Hardwire Supernatural.  It is a very gentle reverb that produces both a shimmering effect and a chorus effect simultaneously yet separately.  The chorus effect only affects the tone of the guitar notes, while the shimmer effect creates a beautiful background to accentuate whatever notes you are playing with an octave-up effect.  I must admit though on this one I cheated a bit and created a separate undertoned background as well using a 5th note octave-up effect and a deep spring tank reverb as well.  But I'm not exactly doing this for Hardwire, and I think when you guys hear the result you'll forgive me anyway :)  I have used this on other non-strat tracks as well, such as Sanguine Rose and Erased, so for more examples you can check those tracks out too. Enjoy!

Strat Session 5, Living Amongst the Shadows (Remastered)

https://soundcloud.com/iohannes/sets/epclouds

Photo by Vinoth Chandar

http://www.flickr.com/photos/vinothchandar/5712229637/

Clouds

From the updated version of The Score (Part One). The Score features over an hour of soundtrack themes from the gentle opening through to full and epic hollywood.
 
Download at Bandcamp: http://dexterbritain.bandcamp.com/

www.dexterbritain.co.uk
www.facebook.com/thedexterbritain
www.twitter.com/dexterbritain

To license this music for your project please contact The Music Bed, or see dexterbritain.co.uk for information.

Ideas

"Image by Greg under a Creative Commons license."

https://www.flickr.com/photos/itsgreg/4678856484/sizes/l/

https://creativecommons.org/licenses/by-nd/2.0/

Strat Session 2, The Gathering of the Angels

David Ackerman