Ambient Stuff I’ve Found 25

My first composition with wind instruments, and it was an extremely refreshing experience and a distraction from composing strictly with a piano the last few years.
The main theme itself is a long ago composed simple keyboard theme that I've always kept close at heart. 
I've rarely left B minor in this piece, save from some chromatic sections and D Major/ E minor restatements and an new F-sharp major and minor theme in the quasi development section.
I've tried to give prominence/independece to every instrument in different section, but since I know next to nothing about wind instruments, I probably made a ton of stylistic errors.
All in all, I've very pleased with how this piece turned out, it has a certain rustic or medieval feel to it, coupled with few sections that feel, at least to me, dark-folkloric or even eldritch.

A Movement for Wind Trio, B Minor

Our song for Litha, aka the Summer Solstice, is part of our album The Windmill of the Year. It celebrates Bridie, the overlighting Divine Feminine spirit of the land of Avalon. She is also the bride of the Lord of Summer, who we first introduced in our song Beltane (hear that here: https://soundcloud.com/annie-dieu-le-veut/beltane) 

The word “Solstice” means "Sun stands still” in Latin, as it appears to do, for three days, at both the Summer and Winter Solstices. At the Summer Solstice, around the 21st of June in the northern hemisphere, the North Pole is turned the most towards the sun, providing us here with the longest day of sunshine of the year. 

Lyrics and vocals by Annie Dieu-Le-Veut
© Annie Dieu-Le-Veut, March 2024 

Music and Cover Art by APi_ZZ
© APi_ZZ (Andreas Pirner) March 2024 
You can visit APi_ZZ here. https://soundcloud.com/api_zz

WORDS
How grace You fair the Summerlands, 
when the Windmill slows to Your command. 
The tumbling tendrils of Your goldenrod hair, 
your perfumed breath through June's dawn air, 
and skies tinged with roses of Your cheeks pink, 
like apples honeying for ambered drink, 
while fragrant meadows sing with your springs...
and young cranes soar overhead with Your wings. 

These long, lilting Avalon days are Your behest 
To the Undeserving and alike, the Blessed. 
Even Chronos gives way to Your valse musette, 
and slows Time for your gentle, satined step,
where winter’s grief is swept away by Your mercy, 
and fairies dance through swaying sunflower leas
to your cooing, throbbing in the breasts of doves
making love, at this season, among the foxgloves. 

Your night-scented stocks open in pleasure 
like a choir, to Your starry vault of treasures. 
The evening blooms along the lanes and ridings, 
with aromas so pungent and dusky and enticing, 
reminding us of ancient ages, that Time forgot... 
of gentler, slower days and deeper thoughts, 
when a man’s dreams were valued more than gold, 
and a real song could birth new worlds from old. 

This is Avalon, raw earth of potter’s clay, 
where Bridie sleeps and dreams Her worlds into play.

Litha

Deepshader's "Dreams of Whales" EP features 20 minutes of atmospheric ambient soundscapes with lush textures, dreamy synths, arps and cosmic noises.

Unmixed EP:
https://deepshader.bandcamp.com/album/dreams-of-whales

Deepshader – Dreams Of Whales EP (Flow Mix)

Green Room (houseplants) - Fleursonseaux
All rights reserved - © Copyright

Green Room (houseplants)

I feel blessed to had the chance to collaborate with the very talented Ogi Feel on this project!
Thank you Ogi for this amazing opportunity! :)

Ogi's music: https://on.soundcloud.com/a7mpWHVciourRwxB6

Accepted by Spacey Panda and Ogi Feel the Beat is a mindset. It's something for zoning in, chilling out for a few minutes, and winding down after some high brain activity, overthinking, or hard work. 
Definitely something worth listening to before going to sleep too. The combination of two different styles leads the listener into a special zone and transcends time.

Accepted - Spacey Panda & Ogi Feel the Beat

"Herself Forgotten" by Jeremias Langsämmer is a masterful piano composition that immerses listeners in a chilling horror experience. The track opens with an insistent, sinister ostinato that sets an eerie and foreboding tone. This repetitive motif, played in the lower register of the piano, establishes a haunting atmosphere that grips the listener with an unshakeable sense of dread.

As the piece progresses, layers of dissonant harmonies and sharp, sporadic high notes heighten the tension, evoking the unsettling unpredictability of a horror scenario. The music then transitions into a deceptive midsection, where the disquieting motifs give way to a more peaceful and serene passage. Here, gentle arpeggios and soothing harmonies create a false sense of security, lulling the listener into a momentary calm.

However, this tranquility is short-lived as the sinister ostinato returns with renewed intensity. The final section is marked by abrupt dynamic shifts and a resurgence of dissonant chords, leading to an unsettling and unresolved conclusion. The eerie atmosphere lingers long after the last note fades, leaving the listener in a state of suspense and unease.

"Herself Forgotten" is a compelling journey through fear and false reprieve, showcasing Langsämmer's skill in using the piano to evoke powerful and haunting emotions.

Herself Forgotten by Jeremias Langsämmer. Chilling horror themes. Scary piano music.

Thanks for stopping by, 
my fellow space travellers!

Decoding 
Interdimensional 
noises.

Deepshader – Dreams Of Whales EP (Flow Mix)

Deepshader (biotones)