DJ Possum and Myles Mac return with a three hour trip full of saxy summer time slow jams, deep balearic burners, soulful UK garage and loungin' 90s house & hip hop. Mellow to its core, this one invites you to hit recline and see where the vibe might take you. One for the boom bappers and the chill steppers!   

Tracklist and full info: melbournedeepcast.net/portfolio/myles-mac-dj-possum

A little bit about the mix..

@djpossums:

Collaborating with Myles is fun because it's where we find a point of intersection with our djing styles and music tastes. I'm an unpinned DJ in terms of genre but together we find cohesiveness to tell a story that is reminiscent of our upbringings and nostalgic memories; UK Underground street soul, 90s Hip Hop, funny South African Kwaito tunes that we sing along to even though we don't know the language, soulful electronic love songs, early house classics and many more..

Some pretty banging songs that are precious to me from the message in the lyrics, the feeling they create, the fun vibes or just their awesome production are: Can't Stop (One World 12'' Mix) by After 7, U.N.I.T.Y. by Queen Latifah, Scratched by Etienne de Crecy and the Brazilian balearic classic Tudo Faz Sentido by Taciana to name a few.

@myles-mac:

One of the few upsides of extended periods at home this year thanks to all the lockdowns has been the time to trawl through old Ibiza chill CDs, youtube channel wormholes and bandcamp compilations to discover classic or relatively unknown 90s downtempo gems that have managed to last the test of time. With this mix, Maria and I put our heads together to tell a story of the past that somehow still sounds fresh to our ears today, trying to squeeze in a bunch of styles from both of our collections while making it all flow and sound somewhat cohesive over three hours and a variety of tempos.

Inspirations for the mix come from all over the map, but there's a definite focus on the link between the UK and Ibiza in the early-mid 90s, with old Dj Alfredo live recordings, José Padilla's Café del Mar compilations, psychedelic mixes from the late great Andrew Weatherall, the absolutely insane discography of UK Street Soul pioneer Toyin Agbetu (the producer behind 2 Tuff, Deluxe, Shades Of Black, Robyn, Mary Pearce and many more), the crisp jazzy productions of downtempo master Paul Hardcastle from Kiss The Sky (a ton of which he's uploaded to bandcamp) and the don of deep &amp; soulful UK Garage Mike Millrain (aka D Base, DJ South Central, Vibes Alive, Stone Cold Steppaz).

A few special mentions go to our friend Dust-e-1 in Montreal for his chillout monster of a remix for Pascale Project, the late Richard H. Kirk aka Sandoz who recently passed but left us with an infinite resource of beautiful electronic dance music, and Alaska's Kwaito classic "Accuse" that will always put a smile on our faces no matter the occasion.

www.melbournedeepcast.net

MDC.265 Myles Mac & DJ Possum

collection 2

300 mixes! What a journey. Big respect to those still listening since it all began back in the late 2000s, and a warm welcome to those who might just be tuning in for the first of hopefully a few more to come.

Thought it must be about time for another episode from Deepcast HQ, with Myles Mac & DJ Possum back in the mix for a relaxing journey guided by the eternal balearic breeze of the 90s. Two and a half hours of smooth summertime groovers with plenty of vocoders, utopian dream states and moments of total rave nostalgia. Dancefloor chillers for the deeply inclined and/or reclined. Here's to 300 more :~)

@myles-mac & @djpossums

MDC.300 Myles Mac & DJ Possum

Live at HOLO 10/26/24

A longtime conductor of contagious positive vibrations, Danny Bodega is a much loved name among balearic dance music enjoyers round the globe! Co-founding Gazebo Records last year, his killer ear for breezy coastal cruisers and deep crossover club jams make Bodega's effervescent energies the perfect tone setter for those long 'n' balmy summer nights. 

Step back in time for 3 hours of extended hangs and zesty hedonistic pleasures with Danny Bodega as your good time guarantor! 

@beaton-4

Q. What inspiration did you draw upon when planning this mix, and what kind of listening environments might you see it being easily enjoyed in?

A. Last year I went to my neighbour Lenny’s night at a tiny basement club in Hackney with Dan Beaumont and Wes Baggaley playing records together. Had not felt that feeling in the club since the early days going out in Naarm with locals playing records all night at Lounge, Liberty Social and Roxanne Parlour. This mix is a nod to that vibe and best suited to before, or after the club hangs…or triathlon training.

Q. Are there any records in the mix that are particularly close to your heart? 

A. There are quite a few records in here that I’ve had for more than 10 years and have only ever played to myself at personal kick-ons, so it’s a delight to share them more widely. The Usual Suspects remix of Mr. C and Robert Owens’ ‘A Thing Called Love’ is one. While I’ve never been a fan of Robert Owens’ vocal stylings, this remix is an overlooked $2 Layo & Bushwacka! banger. Will put it up on the Gazebo YouTube channel soon.

Q. You and Nick managed to gather a tonne of support for your inaugural Gazebo Records release last year, releasing Fuemana’s 1994 cult classic New Urban Polynesian on vinyl for the first time. What was your favourite part about that whole process?

A. The response to the Fuemana family’s story and musical talents from a whole new generation of fans really blew us away. Having Tony and Mamma Fuemana fly over from Auckland for the launch party was the perfect culmination of family, friends and community spirit around the release that was also the perfect send off for me moving to London the following day. News on Gazebo 002 incoming shortly…

Q. Where can people catch you spinning next?

A. All night at Frequence in Paris this Friday, Feb 21 at Bodega Nights, April 12 with Daisy Records and Evie at the Jago. Nick and I are putting on a Gazebo party over here on May 3 with some special guests that we are excited about!

MDC.305 Danny Bodega

An episode that feels well overdue yet thoroughly worth the wait! A titan of the Naarm underground music scene, Pjenné has been a kindred spirit and longtime pal since the early days of MDC, and it's no surprise that her contribution is packed full of gloriously deep and immersive feels, bassy and driving in parts and light as a feather in others, speaking to a palette that has been meticulously explored and continues to evolve along with her incredible weekly radio show on PBS, Passing Notes. 

@pjenne

Q. What sounds of feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. For this mix, I wanted to channel the energy and sounds that I associate with Melbourne Deepcast rather than drawing on the darker side of my sound palette that has been at the fore of my radio and club sets of late. MDC means so many things to me, but there’s definitely an energetic, grooviness that comes to mind and this is what inspired the mix. Although the mix does showcase parts of me (heavily atmospheric, emotive and a few downtempo tracks for good measure), I’d say this is more of a mix for you. :) I imagine this mix being listened to outside, on a sunny day, but when you might also need a little extra pep in your step. 

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. The first that came to mind is a track by Sean Cusick and Medway (Jesse Skeens) - It is an incredibly beautiful and emotive breakbeat track from 2002 on Saw recordings, there’s just something about how the vocals and the pads wash over you - although its upbeat there's also a sombreness to it and I just think its the whole package. 

Towards the end of the mix there’s also a very very classic ambient trance number, Lazer Worshippers by Damon Wild & Tim Taylor from 1993 - Not the most deeply dug track but it's a classic for a reason.

Q. You have been lovingly broadcasting your weekly radio show Passing Notes on PBS for six years running, which is a serious achievement! Tell us what you did for your sixth anniversary on International Women's Day, and what keeps you inspired to broadcast the show week in week out?

A. It’s been a wild ride that’s for sure! I really appreciate that International Women’s Day marks each yearly anniversary of Passing Notes - it reminds me to stop and reflect on each year as an achievement that I would probably otherwise forget in the chaos of life. This year I enlisted the help of Syrian DJ and Harmony Rec affiliate Zeynep, who provided an excellent, playful and sassy celebratory guest mix. 

As for my inspiration to keep going, I’d say that I draw from the collective power of electronic artists locally as well as internationally. There’s just so much good music to share, and Passing Notes enables me to provide a crucial connection between ‘underground’ electronic music and the wider music community. I'm also inspired by live radio as a format - it provides a sanctuary for me from the highly curated nature of music today and allows me to be more playful in the way that I explore different sounds. To me it is a place free of judgement.

MDC.308 Pjenné

Deep house with heaps of soul to guide spring into summer.

"House music to me is about emotion… it's about how it moves you," says Suze Phaff, better known as Suze Ijó. Emerging from a thriving Dutch scene, Ijó belongs to a generation of DJs reshaping dance culture from the ground up, restoring soul and musicality to the centre of house music. It's a conversation happening not just in her home town of Rotterdam, but globally, among kindred spirits like MUSCLECARS and Dee Diggs in New York, Errol and Alex Rita of Touching Bass in London, and OMOLOKO in Belo Horizonte.

You could call Ijó a deep house DJ, but it's much deeper than that. Her sets embody house music in its most musical sense, rich in nimble percussion, woodwinds, calypso drums, gospel vocals, and romantic string sections. They channel the jazz-inflected heartbeat of the East Coast, the breeze of Balearic shores, and the light-footed rhythms of the Caribbean.

As Ijó explains in her Q&A, her RA Podcast "hopefully feels like a loving embrace." Opening with Key Trunks Ensemble's "Calypso of House (Paradise Mix)," she sets a buoyant, life-affirming tone that carries through the next 90 minutes. As the mix unfolds, her affinity for timelessness is clear, with selections that hark back to the golden age of house, from Lonesome Echo Production's "Sweet Dream (Shrine Sweet Mix)" to the euphoric swell of Blaze's "Klubtrance."

Listening to RA.986, it's no surprise that The Loft—David Mancuso's legendary, much-missed New York party—serves as a key influence for Ijó. "He wasn't confined to just one genre but would just play 'good music' in the right context," she explains. "He allowed the music to breathe."

If ambient music is defined by its ability to breathe in and reflect its surroundings, then Ijó's RA Podcast is ambient in the truest, most human sense: a deep, enveloping soundscape that feels like sunrise, like community, like home—wherever you may choose to listen.

@suze_ijo

Find the tracklist and interview at ra.co/podcast/986

RA.986 Suze Ijó

3 hours of me spinning 100% vinyl ~ some pop, some club, Italo, easy blends,

Captured on the 22.03.25 at Doka (Amstersdam), which has a very DJ comfortable booth. Play time was from around 3am-6ish.

This live recording is my first in at least 5 years - I’ve always struggled with the concept of DJing without a crowd/dance-floor so for my usual mix output I “record” in Ableton. I also enjoy “mixing” on the sofa as horizontal as possible so go figure.

H.A.N.D. MIX 073 : Bell Towers

Trushmix 242 is back again! This time another round with London´s finest. Brian not Brian, teaming up with good mate and partner in crime Piers Harrison. 
Brian not Brian and Piers Harrison live at Giant Steps in London, on Easter Sunday. 
A 6 hour musical extravaganza! Balearic in the extended field, musical style bending for listening and dancing.

Enjoy music from the top!


Trushmix 242 - Brian Not Brian and  Piers Harrison

@myles-mac and @djpossums live at @nowadaysnyc Nonstop 3-6am ヽ(^o^)丿

collection 2

Marc