Half a Double Man

beginners' krav maga

Little Gem

rudy ya ya ya

It's 10.30am on a Tuesday morning. Office party last night was a mess. CEO made a pass at Kelly from Commercial and then performed three rounds of “The Boys Are Back In Town” on the karaoke. You did about seven pints then slipped a French exit a good few hours before it wound down. Could have been worse – but you’re struggling today as the excel spreadsheet you’re faced with hammers you repeatedly in the head like a grim magistrate passing judgement on last night’s ordeal.
 
If I can only make it ‘til lunch, you think. The local is down the road – a few halves of the good stuff and I’ll be right as rain. As the minutes start to tick on you start to feel a little better, strengthened by the image of alcohol-induced relief. You take lunch early and fly (as the crow does) straight down the road to the palace of pints. Three quarters of an hour hence, and you’re a little more human and a little less like a human dartboard.  
 
Darts. What a fantastic idea, you think. Suddenly its 2.30pm and Tim from Accounts is next to you, Guinness in hand. I bloody love beer, you grunt at him before shoving your hand into a bag of whatever crips had the silliest flavour, in search of greasy ebullience.

Hair of the Dog

Feel

CREDITS 
Composed, recorded, produced, and performed by John Rossiter
Additional Production by Kern Haug
Mixed by Kern Haug
Mastered by Richard Chowenhill

LYRICS
I’ve noticed that I’m trying to be right
To ride the largest wave
Still every wave must break
And I am lost in endless waters
I’m left to float with what I am

I’ve run away from disagreements and
Abandoned older friends
I’ve seen the past as pain
I once would rather be forgotten
Than live complexity and grace

#SCFIRST

Shepherd Head

Rose Eater

Written by Olivia Godby & Matthew Farrell
Produced, Mixed by Erik Blood
Mastered by Adam Straney
Artwork by Jamie Jones

Perfect Wonder

"I’m not proud of what I do to get to sleep."

Small Million's latest bop is not about your fun night out but about stumbling home afterwards relentlessly churning on everything you overshared.
The Overkill is for people who cringe back on everything they’ve said at a party to see if they were obnoxious, messy, hurt someone’s feelings, or disclosed too much of themselves. It’s about the ways we can seek connection through vulnerability (on a night out, posting online, or in song lyrics), and grappling with the regrets of confessing too much and losing control.

“This might be my favorite bridge we’ve ever written.” -Malachi

beginners' krav maga

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