Name: Lonely in Prague 2010 by deform
Duration: 8 min 16 s
Description: I wrote this in a hostel within about 25 minutes while on a solo Journey in Prague. I played it live before HUVA Netowork a few days later in Rauchenwarth, Austria <3

just found you randomly from a comment on Instagram, love this! 👏

Situation

this sound is my first (well, second or third) exploration of the error instruments sonic lullaby eurorack module which basically places a music box and a contact mic on a module. it's absolutely beautiful and so much fun. not just the bell sounds of the music box, but all of the mechanical noises and squeaks as well.

this modular patch is quite simple:

sonic lullaby > make noise moraphagene > three sisters filter > intellijel rainmaker

there's a bit of bricasti M7 reverb on the end

enjoy!

july 15, 2017 (error instruments - sonic lullaby)

I wrote this in a hostel within about 25 minutes while on a solo Journey in Prague. I played it live before HUVA Netowork a few days later in Rauchenwarth, Austria <3

Lonely in Prague 2010

Proem - Cuddle Buddy

broken course

An annoying , very rude person. Normally tries to act ghetto by typing in words or phrases such as "Af'", "Janky", "Finna" , "Cus" , Etc. In other words a person that is the most non-classy human-being in presence. They usually have the worst grammar problems and they always try to pick fights with everybody.

Initial signs and symptoms often include fever, muscle pain, headache, poor appetite, and feeling generally unwell. This is then usually followed by painful swelling of one or both parotid salivary glands. Symptoms typically occur 16 to 18 days after exposure and resolve after 7 to 10 days. Symptoms are often more severe in adults than in children. About a third of people have mild or no symptoms. Complications may include meningitis (15%), pancreatitis (4%), inflammation of the heart, permanent deafness, and testicular inflammation, which uncommonly results in infertility. Women may develop ovarian swelling, but this does not increase the risk of infertility.

rachet mumps

⠑⠆⠎⠥

Short excerpt of a 40 minutes live improv 
15 October 2019 @ Les Instants Chavirés
Sharing the bill with Kate Carr, a concert produced by La Fabrique Agitée
https://www.instantschavires.com/kate-carrvalerie-vivancos/

Valerie Vivancos Live Instants Chavirés  15 Oct 2019 (excerpt)

Andi Schnellmann - electric bass
Manuel Troller - electric guitars
David Meier - drums and percussion

SCHNELLERTOLLERMEIER "209 Aphelion" from "5" (Cuneiform Records)

Tones and rhythms of MERS, SARS, COVID-19 and mutations, represented in audible space. 

LYRICS: The molecular mechanics of the pandemic. Motion and Stillness. Vastness. An indefinitely small quantity, yet singular, and profound. While we cannot see the invisible, we can hear it, and internalize it, and explore its motion in the stillness of the moment. Vastness. Stillness. 

Using the vibrational information of the frequency modes the drum parts explore the overlaying frequencies of molecular protein vibration, scaled to the rhythmical level. The left and right channel, respectively, reproduce the patterns of the reference COVID-19 pathogen and the G614 mutant. 

This is a version of https://soundcloud.com/user-275864738/mers-sars-covid-19-and-covid-19-g614, but with added rhythmic elements.

BACKGROUND:

The pathogen of COVID-19 continues to impact the world, as the pandemic wreaks havoc and spreads arounds the world. As time goes on, mutations of the virus emerge, which can affect how infectious and how lethal the virus is.

And, there are also different forms of coronavirus diseases – like SARS, MERS, and now COVID-19 – all caused by viruses in the same “family”.

What is the reason why MERS is so much deadlier, but less infectious, than COVID-19, which transmits easily but has a lower lethality rate than MERS or SARS? Can we better understand how the molecular details of the viruses work, and if they may provide clues for treatments or cures?

It's in the music! In a paper published in Cell Matter, we have identified a strong direct relationship between the nature, rate and intensity of the virus spike protein vibrations and how readily the virus could penetrate the human cell, as well as an opposite relationship with the fatality rate of a given coronavirus.

The key result of our work is that both, the overall flexibility of the upward receptor-binding domain and the mobility ratio of the receptor-binding domain in different conformations, represent two significant factors that show a positive scaling with virus lethality.

The series of tones is: MERS, SARS, COVID-19, COVID-19 G614, COVID-19 G614, COVID-19, SARS, MERS, COVID-19 G614, COVID-19, COVID-19 G614, COVID-19 G614, COVID-19 G614.

Reference: Y. Hu, M.J. Buehler, Matter, 2020, 10.1016/j.matt.2020.10.032

MIT News: news.mit.edu/2020/vibrations-co…irus-proteins-1119

The Molecular Mechanics of the Pandemic: Motion and Stillness, MERS, SARS, COVID-19 and Mutations

The Planets Bear Witness

•͙✧⃝ Dream✩ͯAura✧⃝.•͙͙✩ͯ

Lonely in Prague 2010

deform

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