Singer-songwriter and electronic music producer. To many that might sound like two very different aspects of modern sound culture - which in turn makes Monolink a fascinating character, because he's both rolled into one. His style seamlessly connects the narrative structure of a song with the compelling forward thrust of electronic rhythms. Guitar chords merge into synthetic pad sounds, hypnotic bass vibrations meet emotional vocal parts, passionate physicality meets sublime stimulation for the mind.

WORLDWIDE BOOKING
Alex Becket & Roman Trystram 
Monolink@caa.com 

MANAGEMENT
Jesse Flemming & Matt Jagger
jesse@thedolab.com & matt@europamusicmanagement.com

Bookings/General inquiry's -

lucas@hellosunshine.agency

https://hellosunshine.agency/

Digital Store - http://jessebru.bandcamp.com

Los Angeles House Music
https://rickytinez.bandcamp.com/
https://www.RickyTinez.com
From the Bay to LA Ricky Tinez finds his house music inspiration in the world of organic loops and an imagined digital future. In the low-key clubs his deep house records cut through with their sound & texture.

Producer / DJ
🏠 @houseum
booking: marc_brauner@gmx.de

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Booking: BW@t-s-agency.com
NA/SA: alo@prismaartists.com

https://linktr.ee/cinthie_dj

Follow my SPOTIFY PLAYLIST (Updated Weekly) : https://spoti.fi/2RHGKu3 

Berlin based DJ, Producer, Music Lover, Record Collector, Label Owner and Record Store Owner.


Berlin's Cinthie has grown to become one of the most revered and respected figures in contemporary electronic music in recent years both in her hometown and across the globe. Her touring schedule regularly sees her playing her inimitable DJ style in hotspot cities like Paris, London, Amsterdam, Barcelona, Stockholm, Seoul, Osaka, and of course her beloved hometown Berlin .

Djing in said city since the early nineties as a teenager Cinthie's depth of knowledge radiantly shines through in her sets and her productions, which traverse through a broad range of classic and contemporary House and Techno sounds. Recent times have seen Cinthie look inwards towards her aspirations for the future, and as a result, dedicated a huge portion of her time to building her own studio, featuring a wide spectrum of some of the most noteworthy vintage drum machines and synthesizers in existence.

Initially Cinthie made her mark with Diego Krause, Ed Herbst and stevn.aint.leavn as the Beste Modus / Beste Freunde collective, amongst running Unison Wax and We_R House on top of the main labels. Most recently she launched her 803 Crystalgrooves imprint to critical acclaim, a platform which has become a huge focus for her own productions for the foreseeable future as well as the imprint's sub-label Collective Cuts, which as the name suggests, welcomes music from affiliates and friends of the artist. On top of this there’s a burgeoning relationship with Will Saul's Aus imprint where her debut album comes in 2020. Cinthie’s unfaltering drive and dedication to all things House continues into another decade...

New Album “Crybaby” OUT NOW
Featuring "Smoking Weed Alone"
http://linktr.ee/teganandsara

Defab1 is following