BOOKING
booking@ryandavis.de 

BIO
The Concise characteristics of Ryan Davis's music are within the inexhaustible dimensions of sound, taking the listener on a journey full of stories which describe dreams, desires and create imaginary worlds within oneself.

Since 2006 you can follow Ryan's traces on almost every important melodic electronic music label worldwide such as Erased Tapes, Anjunadeep, Watergate, Traumschallplatten, Bedrock or Last Night on Earth. Touring the globe constantly being invited to iconic venues like Bilbaos Guggenheim Museum, Stockholm’s Fotografiska or Berlin´s legendary Funkhaus inspires Ryan´s musical aesthetics whose quality brought him an international fan base and a remarkable reputation.

Over the years he collected notable attention by a variety of artists out of every electronic music genre such as Aphex Twin, Olafur Arnalds, Stephan Bodzin, Apparat, Max Cooper, Sasha, Hernan Cattaneo, Boys Noise or even Depeche Mode including his music on their ‘Sound of the Universe‘ tour.
Nowadays Ryan represents a fundamental name in the modern electronic music culture, in which compositional qualities are a must. 

His remixes for masterminds like Olafur Arnalds and Nils Frahm, collaborations with Robot Koch and Alex Banks or placements of his music in shows like ‚How To Get Away With Murder‘, documentaries like ‚The Last Glaciers‘ or Cadillacs ‚No Perfect Formula‘ underline his work and musical mindset to celebrate & push the compositional form of electronic music which leads the way to establish a world on its own besides pure dj-functionality.

Listen to my Spotify playlist here - http://bit.ly/InTheBagJZ

BOOKING@BRAVENEWRAVE.COM 
"The Future Is Among Us" ALBUM OUT NOW 

Moderna's style is described as a dark heady blend of Dark Disco, Elektro, Acid and Techno with wrought darkened vocals that has become her signature distinction.  xxxxx

Tale Of Us are Berlin-based musical partnership Karm and Matteo who are currently re-writing the rulebook for deeply moving, emotional electronic music.

Label : Blood-Music
contact@blood-music.com
Booking : seb@thelinkprod.fr
Contact me : i.am.the.perturbator@gmail.com
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RELEASES:

THE UNCANNY VALLEY :
https://perturbator.bandcamp.com/album/the-uncanny-valley

DANGEROUS DAYS :
http://perturbator.bandcamp.com/album/dangerous-days

SEXUALIZER EP :
https://blood-music.bandcamp.com/album/sexualizer-ep

I AM THE NIGHT :
http://perturbator.bandcamp.com/album/i-am-the-night

NOCTURNE CITY EP: 
https://blood-music.bandcamp.com/album/nocturne-city-ep

TERROR 404 :
http://perturbator.bandcamp.com/album/terror-404

NIGHT DRIVING AVENGER EP :
http://perturbator.bandcamp.com/album/night-driving-avenger-ep


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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

DeFiNe CrAzY, the visionary music producer, started his two decade career as a classical musician who morphed into an EDM producer with a drive for taking his listeners into an unforgettable sound experience with glitched-out beats, deep progressive touches and melodic hooks.

Best known for his distinctive electronica sound, DeFiNe CrAzY’s music has been heard through solo projects and collaborations with artists, singers, and other producers. The artistry that is DeFiNe CrAzY is heard globally thanks to the likes of world-renowned DJs including Tiesto, Nick Warren, Armin van Buuren, Paul van Dyk, Andy Moore, John Askew and many others. 

With the release of his music on High Contrast, Arium and System Recordings to name a few, and tracks such as "Rock is Dead" and "Remember My Name", his sound ranges from Progressive House to Post-Punk Electronica.

A vision fulfilled each time DeFiNe CrAzY takes his listeners into his realm of hypnotic melodies and rhythmic textures, he awakens them into a nostalgically cinematic experience that is dreamlike, faint, edgy, and when they close their eyes, an absolutely visual journey.

On the forefront of 21st century music DeFiNe CrAzY fuses technological innovation with centuries of musical heritage to bring the surreal and evocative soundscapes that reflect the modern world.

DeFiNe Cr☊zY is following