formerly known as
Liftboi (2012-2017)

support my music by ordering my vinyls/CD:
https://tilkolare.bandcamp.com

Booking: dj & live-Percussion: liftboi@gmail.com

1/3 of https://soundcloud.com/luxuskoerper

Sebo K - Stories We Tell Ourselves (Rekids 129) 
PRESALE: https://lnk.to/REKIDS129



Sebo K is a unique and influential figure within Berlin’s densely populated music community; both crowd-pleasing and credible, he is a bona fide tastemaker who distinguishes himself by exploring the connective threads between classics from Chicago and Detroit, Deep House, Techno and rolling percussive grooves. Sebo K launched his DJ career in early-90s Berlin playing on the city’s first UK-style breakbeat and Jungle nights. By the middle of the decade Sebo K had fallen under the spell of stateside artists like Mood II Swing and Boo Williams and his growing love for Chicago and NYC House began to reveal itself within his club appearances throughout the city. Sebo K has been a resident DJ for internationally renowned Berlin club Watergate since 2002. Through his own SCENARIO nights that take place in clubs all over Europe and his relentless international touring schedule, a growing legion of fans both close to home and further afield has been captivated by his unique mix of the old and the new. Instant Classic tracks like "Rancho Relaxo" with Anja Schneider, "Diva", "Moved" feat. Prosumer and his Remixes for Nina Kraviz or Martyn established him as a worldwide renowned producer. He has recently released music on Rekids, where he also released his debut album, Bass Culture, Ovum and his own vinyl only label Scenario Music which he started in 2015. By involving Artists like Javonntte and DJ Honesty aswell as Janeret and The Willers Brothers on his label, he continues following his path of combining the Oldschool with the Newschool.

Mark Fanciulli is one of modern electronic music’s most complete artists. An innovative and forward thinking producer whose dexterity and creativity behind the decks have made him a much desired DJ around the world. With a strong work ethic and a clear and determined vision for the future, it has been no surprise to see Mark climb the ranks as quickly and with as much humility as he has managed since his 2011 debut.

It was that debut that got Mark’s solo career off to the perfect start. “The Tide” was signed up to Joris Voorn’s Rejected imprint and went on to be the biggest track of summer 2011. Quite an induction, but not a wholly unexpected one when you consider the technical ability of this gifted producer who had spent the last few years honing his skills on the studio desk. “Keep On” a collaboration with Jordan Peak on Area Remote later that year and then his own “Sacrifice” on Saved Records in 2012 brought further success and garnered Mark wide critical acclaim and a helped yield a particularly strong fan base for a young producer with relatively few releases. But Mark has always been someone who focuses on quality ahead of quantity. “Cutoff” which was released via Leena Music and 2013’s “Game Plan” on Saved Records confirmed his much deserved status as one of the scene’s most exciting producers whose ability enables him to craft tracks across the entire spectrum of electronic music.

That same attitude also comes into play during Mark’s engaging DJ sets. A desire to play across the board and create a proper journey for the crowd has made Mark an extremely popular performer at the best clubs and festivals around the world. He is as adept at killing the floor at clubs like El Row in Barcelona, Amsterdam’s Studio 80, Space in Ibiza and Ministry of Sound in London as he is rocking festivals such as Sonar, WMC and the roadblock Saved events in his hometown of Maidstone. 

Having achieved so much already and still only at the age of 26, Mark has a bright future ahead of him. With his skill set and self-drive all at his disposal, he holds all the cards, it’s just up to him in which direction he will head next.


For management please contact info@bear.management 

For North/South America Bookings please contact
rs@thebullittagency.com

and for the rest of the world andrew@paramountartists.com

http://www.facebook.com/pages/Mark-Fanciulli/215635835139477?sk=info

We work all night and day, but please contact us via mail:
falko(äht)monaberry(dot)de

If you like to send some music ... send downloadable Soundcloud links here:
demos(äht)monaberry(dot)de

mainpage: https://soundcloud.com/timosoriano

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

booking EU and beyond: andre@worldwide-dancingclub.com
booking North & South America: inbal@prismaartists.com

KEINEMUSIK crue @keinemusik
REZNIK & MIKESH @no-work-all-play

Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.

Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. But, to his credit, Ferrer didn't simply repeat the formula afterwards. He has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.

In the mid-90’s, Ferrer was crafting techno records as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

"Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds), "Touched the Sky" (King Street Sounds), “Transitions” (King Street Sounds), “P 2 Da J” (Defected),  “Sinfonia Della Notte” (Strictly Rhythm), “Hey Hey” (Objektivity), “Red Room” (Objektivity), “Underground” Nick Curly – Dennis Ferrer Remix (Defected), to name a few, have all been huge dance floor anthems and all show a different side of the Ferrer personality as well as his impressive range as producer and remixer.

Ferrer has brought his ‘anything goes’ approach to his label, Objektivity.  Celebrating its 8th anniversary in 2014, the imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and Télépopmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. Objektivity is a living, breathing thing - one that's set to drop bombs on the dance floor for years to come.

While Ferrer closes out 2013 with “Mind Ur Step” (Defected), “Mind Ur Dub” (Objektivity) and a remix of Coyu - “Salvation” (Noir Music), the best is yet to come. With a deep knowledge of the past and a constant push for the future, Ferrer remains one of the true greats of house music - a leader and innovator whose enjoying the buzz around him but keeping on pushing the limits. Stay tuned.

degring is following