Released on November 12th, 2013.

Digital: https://itunes.apple.com/us/album/saada-bonaire/id704702097?ls=1
Physical: https://www.omnianmusicgroup.com/products/saada-bonaire

Saâda Bonaire // You Could Be More As You Are

FLEMMING DALUM - Magic80

Cliche 56: Red Axes - Ballad of The Ice LP (April 28th, 2014 - vinyl + CD + digital)

Check the video for Papa Sooma: http://youtu.be/svXZCOQobhc

mp3: http://www.official.fm/playlists/tTHL
itunes: https://itunes.apple.com/us/album/ballad-of-the-ice/id847325595
vinyl: http://www.juno.co.uk/products/red-axes-ballad-of-the-ice/528596-01/
CD: http://www.juno.co.uk/products/red-axes-ballad-of-the-ice/528598-01/

Follow Red Axes
https://soundcloud.com/derrickvegasint
https://www.facebook.com/redaxesmusic

Follow I'm a Cliché
http://soundcloud.com/imacliche
http://www.imacliche.com
https://www.facebook.com/pages/IM-A-CLICHE/138670535421
http://twitter.com/imaclichelabel

Red Axes is Niv Arzi and Dori Sadovnik, two young men who have always lived in Tel-Aviv and have been making music together since the noughties. Ballad of the Ice is their debut album. Their artistic travels have taken them from the rock scene to the dancefloors, and to creating an album. More than a summary, this LP is an invitation to discover a singular musical identity: a ballad of the ice, a song as light as love and cold as a tunnel, springy as a dance step and deep as nostalgia.

Originally, the two young men were part of the band Red Cotton. Their musical obsessions were very distinct and have never really left them since: post-punk, new-wave, synth-pop, gothic rock, italo-disco and all the other styles with double-barrelled names that flourished in the underground of the western world at the turn of the 70s and 80s. They were barely born then, and Israel was hardly a promised land for these musical trends. Nonetheless, today the people who love these styles, at the forefront of which Cosmo Vitelli, founder of the label I’m a Cliché who signed them, recognise Red Axes’ talent for creating tracks that are not only impeccably referenced but also terribly current, in their production and in their intentions.

In 2009, house and techno made a noisy entrance into their lives. They were DJs by then and Tel Aviv was all hedonism and crazy parties. Red Cotton was over and Red Axes began. In 2012, I’m a Cliché introduced them into a community of people who enjoyed what the musical press could refer to as ‘cold-rave’. Four EPs were released on the French label that discovered sharp acts such as Yuksek, Azari & III and Simian Mobile Disco. Add to these a bunch of edits that went spinning on everyone’s turntables, remixes and originals that attracted labels such as Kill the JD, Throne of Blood, Correspondant, Clouded Vision, Relish and others – these built Red Axes’ reputation as the makers of solid dancefloor tools. Meanwhile, being resident DJs of the Bootleg in Tel Aviv gave them the ability to play versatile, broaden their scope, improve their way of thinking the music. It also allowed them to rub shoulders with some of their favourite DJs, from Ivan Smagghe and Jennifer Cardini to the Cómeme crew. These established DJs quickly became major supporters.

But Red Axes didn’t get lost in a loop of never-ending clubbing. The extent of their research is evident on the album. Apart from beautiful vocals by Abrão, a member of various Brazilian punk bands of the 80s, Arzi and Sadovnik handled all the instruments and machines. The influence of the types of music they love – which aren’t limited to the ones we just referred to – is inevitably present, but translates in unexpected ways. There’s a lot of maturity in these songs, memories, hashed-out feelings. This music could emanate from much older men; it brings on a certain saudade. But it’s never heavy and doesn’t rely on dusty clichés: Red Axes are very current and love to have fun above all else. They tread on ice with a certain elegance, ice that mustn’t crack or melt.

After ‘Head Like Glass’, a pure cold-wave intro, Red Axes take us on a repetitive stroll of light percussion with ‘Kicks Out of You’. Then comes the rock track ‘Watkins’, followed by a brass dub ‘Only a Clown Can Catch an Axe’. The poignant ‘Papa Sooma’ feels like it’s coming out of an old cassette player, and ‘Road to the Hills’ is all intimate house feelings. ‘Neon’ will make you clap your hands on the stage of an urban western, while ‘Candy’ is a toe-tapping Mancunian devil. ‘Bela Lugosi’s Dead’, a Bauhaus cover, adds a layer of groove in the bat cave, and finally, ‘Dreams Like a Tale’ closes the album in a psychedelic mist.

All info request: promo@imacliche.com

www.facebook.com/pages/IM-A-CLICHE/138670535421
www.imacliche.com

official video

Red Axes ft Abrão- Papa Sooma (OUT NOW - from debut album Ballad of the Ice)

Pain

From the album Morning/Evening released on Text Records (TEXT036). Available here:

itunes https://itunes.apple.com/gb/album/morning-evening/id1011756986
bandcamp https://fourtet.bandcamp.com/album/morning-evening
bleep (LP and CD) https://bleep.com/release/60944-four-tet-morning-evening
amoeba (LP and CD USA) http://www.amoeba.com/morning-evening-lp-four-tet/albums/3686747/

Morning/Evening

itunes

Morning Side

SebastiAn on Mix Up Exclusives, Triple J. Recorded live in Sydney and aired on the 1st October, 2011!

Sebastian on TRIPLE J MIX UP EXCLUSIVES

Background, context, and poem text: https://www.brainpickings.org/2017/01/31/protest-poem-ella-wheeler-wilcox-amanda-palmer/

CONTEXT / POEM TEXT

Amanda Palmer reads "Protest" by Ella Wheeler Wilcox (1914)

This is the second volume of the Diavol Edits series. 
This time we are proud to present four italian gems nicely edited by DJ and producer Nassau. 
The tracks go from shameless disco floorfillers (Patrizia Pellegrino, Umberto Tozzi) to dreamy and balearic mid tempo songs (Anna Oxa, Vasco Rossi).

Released January 10, 2012. 
Edits by: Nassau - soundcloud.com/nassau
Artwork by: Martin Di Paola - www.martindipaola.com.ar 
Available on Diavol Bandcamp: https://diavol.bandcamp.com

Anna Oxa - Controllo Totale (Nassau Torre di Controllo Edit)

@sexxxstasy opening up @popoffkitchen's fundraiser broadcast from Moscow, Russia. Our Streaming From Isolation series is now raising donations directly for Black Lives Matter-affiliated causes. Read up, support & donate if you can.

Séxstasy | Boiler Room: Streaming from Isolation with Popoff Kitchen

The audio playing is 96kbps

Wave Crushers - Gettin Funky - AA036

"Wave Crusher" with her ​​second release on the label aux audio, builds the project in the direction of funky deep and comes out with their instinct for
beautiful sounds, with a breeze from simple and yet special, their love for music.

"Changes" 
one of the two title comes with a nice warm chords, creamy bassline + beautiful crossings which makes this track interesting

"Gettin Funky'" 
enjoys as disco / funky deep and makes really great taste on more keys nice warm pads and a melody that goes into the ear.

"Gettin Funky'" deepwerk's spoken word edit" 
as a bonus gives us "deep work" a beautiful edit.

FLEMMING DALUM - Magic80

Dejanax