The Beardy Gentleman

arriving at Kechara paradise

Thanks to all my fans for your overwhelming support this year!  Thought I would give you all an early Xmas present. See you in 2014! Enjoy

Could You Be Krafty

FREE DOWNLOAD

20syl - 10YRS (Hip OPsession 10th Anniversary Track)

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MONTMARTRE - EP "Inside of Me" out June 23d
copyright Barclay / Universal

MONTMARTRE - Inside of me - YUKSEK remix

I try not to take on too many remixes as my current focus is on writing my new record, but when I received the request from Lana Del Rey I just couldn't resist - her voice is like silk and I was really vibing the brass too. The song is about 70's freedom, beat poetry, jazz, weed, love and amphetamines...I'm free... I'm a Brooklyn Baby!
P

POLYDOR ltd. UK / 2015

LANA DEL REY - Brooklyn baby -  YUKSEK remix

AS A WINK

Another Ohio song

Take down the moon and fold it into a boat
Sail into your window and into your soul
Counting all the pennies for thoughts I'll never know
Trade away my sorrows for pieces of fool's gold

Water me into the wine you carry in a clay jar
Let me glisten on your skin and sting in every scar
Kick the lantern at your feet and I'm the fire in the dark
Dance around me cruelly but always live in my heart

The Rasta lost his cool in the parking lot
Double take the naked in my fourth floor window
Tall and small side by side with shameless smiles
Never thought of curtains in my fourth floor window
I was God and she was heaven

Cicadas and black butterflies
Minaret pines so high, 
With agony and opium I
Love you till I die.

Take Down The Moon

Remix of a gorgeous https://soundcloud.com/indiiwildsilences track titled "See"

Indii Wild  - See  (Wild - And - Beautiful )

we are in the jungle
dramatic playing ground
where we all 
just hang around
acting in a body 
of some category
detach yourself 
and you will see 
the glory

ॐ

part 1 in b major (a=440)
part 2 in e major (a=440)
written, performed, recorded and mixed by viola moonshape in april 2019
mastered by christofer stannow @ cosmos mastering, stockholm
copyright © 2019 viola moonshape

ॐ

lowden f-25 > sm57 > tascam (track 01)
lowden f-25 > sm58 > line 6 dl4 (reverse) > tascam (track 02)
yamaha reface cp (wr) > boss rc-505 (reverb) > tascam (track 03)
yamaha reface cp (clv)  > tascam (track 04)
gibson es-335 > tascam (tracks 05, 06)
yamaha clp 575 > tascam (track 07)
yamaha clp 575 (organ) > tascam (track 08)
gibson es-335 > line 6 dl4 (ping-pong) > tascam (tracks 09, 10)
2 glass dining plates > sm57 > boss rc-505  > line 6 dl4 (reverse) > tascam (track 11)
pushki's pink hairbrush > sm57 > boss rc-505 (octave) > line 6 dl4  > tascam (track 12)
yamaha reface cp (phaser/clv/wha/chorus) > tascam (tracks 13, 14, 15)
train monkeys in berlin > iphone7 > sm57 > line 6 dl4 > tascam (tracks 16, 17)
fender squier precision bass > tascam (track 18)
vocals > sm58 > tascam (reverb) (track 19)
vocals > sm57 > line 6 dl4 (d. delay) > tascam (track 20)

ॐ

cover by brahma
photography by unknown

ॐ

Train Monkeys (Berlin again)

My Music Videos

Train Monkeys (Berlin Again)

New collab featuring @orieliel-watcher and @wildsilencez

Pride - Ego - Simulation - IV (w/ orieliel-watcher  & wildsilencez)

BUY HIGH QUALITY DOWNLOAD: http://shop.wearetheacid.com/
From the album 'Liminal' here: http://smarturl.it/Liminal
Buy The Acid EP here on 12" Vinyl: http://smarturl.it/b3by5t


Basic Instinct

NEW ALBUM _ OUT NOW !!!

👉https://delaurentis.lnk.to/Musicalism

Often described as the “Woman Machine”, DeLaurentis is characterized as an electronic artist who composes music as art. 
This is undoubtedly true, however also highly reductive. She brilliantly demonstrates this with her second album Musicalism. While the abundant richness of work is aimed at the listener’s head, the pieces also know how to address the legs. 

For this native of Toulouse, France, this album is a return to her roots. Cécile, is a fully-fledged member of an entire generation who entered the electro scene as teenagers, thanks to the energy and power of free parties. A far cry from the conservatory and the jazz world in which she grew up (her father Philippe Léogé, a renowned jazzman, played with Claude Nougaro, among other renowned musicians) and where she took her first steps as a singer, covering jazz standards. This, however, did not stop her from becoming an avid music geek at an early age, fascinated by the possibilities of computers and machines combined. She imagined her own compositions in the early '10s, using virtual synthesizers, with the American Laurie Anderson as her heroine who in 100% control of her own production.
 
DeLaurentis’s first album, Unica (2021), marked by the particular alliance of voice and electronics, and a magnificent essay on classical works reworked with the help of artificial intelligence (Classical Variations, Vol. 2, 2023) lay the foundations for an artist-adventurer on a perpetual quest for new sonic explorations. 

Her ethos is manifested perfectly throughout the dazzling journey that Musicalism takes us on. This upcoming album, undoubtedly her most accomplished work, was produced and inspired by synesthesia. For when Cécile hears or composes music, she visualizes colors that immediately provoke different emotional states of mind and being. For example, blue means flight, hope signifies awakening, and orange depicts triumph, an epic quality or strength.  These different colors evolve in her mind into shapes and even characters. The turning point came when she discovered a movement launched in the 30s called musicalism, in which artists translated sounds into paint. It was hence decided that this would be the theme and driving force of her next album. Her relationship with color and emotion runs throughout Musicalism’s thirteen tracks, whose titles are intelligently linked to a particular color. 

Joachim Garraud was another important encounter in the creative process for the musician from Toulouse. Four years ago, as part of a side project, she found herself jamming with the French electronic pioneer in the Californian desert and then at festivals. It was an incredibly energetic experience that reconnected her with the feeling she had experienced in the rave world.  This ebullience is palpable in the stunning tracks: “Unbelievable Green”, Supermassive Red” and ‘Tangerine Land’. These works ignite an irresistible longing to dance, while the grace of the melodies is never far away. She also dazzles us with the striking “I'm Just A Rose”, or “Bluebird on A Dune” and the mesmerizing “Gone Colors”, which are all potential hits.
The DeLaurentis laboratory is also open to collaborations. Her alliance with legendary Swedish singer Jay Jay Johanson, led to the shivering trip-hop hit “The Wooden House”, or the one with Japanese duo Osteoleuco for the highly successful futuristic rap piece “Golden Kids”. If you get the nagging sensation that you're listening to a universe of unprecedented or foreign sounds, it's because DeLaurentis uses special digital instruments that she describes as digital lutherie, such as Ableton's Push, Embodme's Erae and Sony CSL's artificial intelligence tools. The album has also been conceived as a “spatialized auditory experience”, produced in Dolby Atmos, with a 360° immersive live experience in the pipeline in partnership with Radio France and sound engineer/designer Hervé Déjardin, La Générale de Production and France Télévision. 

Who is ready for take off? 

In the music of DeLaurentis, the future is now.

AS A WINK

DELAURENTIS