Delhoy
conforma un océano de sonidos en el cual desembocan caudalosas corrientes, como la música popular, la música electroacústica y la música étnica.
Su repertorio esta conformado mayormente por composiciones propias, sin dejar afuera a quienes precedieron su camino, interpretando también obras que forman parte del acervo cultural de Latinoamérica y el mundo.
Su búsqueda colectiva es desentrañar y manifestar el misterio de la canción.
VANESA RUFFA + GONZALO ILUTOVICH

Dr. Ricardo Dal Farra is Professor at the Music Department of Concordia University, Canada and Director of the Electronic Arts Experimentation and Research Centre of the National University of Tres de Febrero, Argentina. As an electroacoustic composer and new media artist his work has been presented in more than 40 countries and recordings of his music are published in over 23 international editions (including CDs by Computer Music Journal and Leonardo Music Journal on MIT Press). 

He has been researcher and consultant on music & technology history for UNESCO, France; director of the Hexagram Centre for Research-Creation in Media Arts and Technologies, Canada; coordinator of the international research alliance DOCAM - Documentation and Conservation of the Media Arts Heritage; senior consultant of the Amauta - Andean Media Arts Centre in Cusco, Peru; associated researcher of the Music, Technology and Innovation Research Centre at De Montfort University, UK; and director of the Multimedia Communication national program at the Federal Ministry of Education, Argentina.

Funded by The Daniel Langlois Foundation for Art, Science and Technology of Montreal, he created the largest collection publicly available of Latin American Electroacoustic Music. 

Dr. Dal Farra has been leading several major conferences/festivals around the world: Balance-Unbalance in Australia, the US, Argentina, Canada, Colombia, the UK, and The Netherlands (on how the electronic arts could play an active role in helping to solve our environmental crisis); Understanding Visual Music Brazil, Canada and Argentina; and Transitio in Mexico. Jointly with the humanitarian organization Red Cross/Red Crescent Climate Centre he developed the ‘art! x climate’ sound-art worldwide initiative.

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