Live recording of set from legendary club Ankali with legendary promotors @harmony-rec on legendary day (Good Friday) for legendary people.

Come on a meandering journey from rave to doof, dub to jazz house, EDM to breakbeat and a couple of other places in between.

Glen

Live @ Harmony Records 28/3/24

@elsa-9-9

Bandcamp: https://punctuality.bandcamp.com/album/web-glow-incl-roza-terenzi-remix

Tracklist:
A1. Web Glow
A2. Web Glow (Roza Terenzi Remix)
B1. Groupie
B2. Fortune Cookie
B3. No Ads

Swiss shapeshifter Elsa surfaces on Punctuality for the first time, marking the label’s seventh release with a debut EP that dives deep and swims sideways through an eclectic milieu of club influences.
 
Across the five tracks on Web Glow, there are nods to turn-of-the-century tech house, liquid D&B, broken IDM, psy-laced trance, and modern tek mutations. Subtle wubs ripple under the surface, low-end pressure coils tight, and meticulous sound design binds the tracks into a fully realized vision of Elsa’s forward-thinking sound. Enter the unfolding.

Roza Terenzi steps up to remix “Web Glow,” reanimating the track as a skeletal early-morning stepper—the mood is giving sizzling dubbed-out vocal wisps, pulsing subs, and stripped-back drums. “Groupie” notches up the BPM but keeps things fluid with aquatic atmospherix, jittering FX, and drums that skid out and under rolling basslines.

“Fortune Cookie” flashes uk-tinged tech house with shimmering shards of SFX, resplendent with stuttering kicks, glassy pads, and sultry textures. The halftime jungle-IDM stylings of “No Ads” round off the EP in a haze of fractured breaks and dubbed-out atmospherics. A murky, magnetic debut on Punctuality—Elsa sketches out a soundworld all her own. Dive in and catch it.

buy on bandcamp

Elsa - 'Web Glow' (Incl. Roza Terenzi Remix) [PNCT006]

MF DOOMBIA

THF Presents hosted by Boom Sister: invited Bomchello

Bomchellos love for music has always been tied to percussion, the sounds he grew up with back in Nicaragua. This time, he`s bringing a mix of deep house, acid, and minimal, records he discovered after moving to Germany. With this selection, Bomchello is aiming to create a blend that tells his journey in house music, from Nicaragua to Germany.

THF Radio is a community radio broadcasting from the former Tempelhof Airport in Berlin.
Follow us: @thfradio

THF Presents hosted by Boom Sister: Bomchello (vinyl only) // 07.09.2025

[PREMIERE] Bufo Pond - Jeku | Non Temporal [2025]

Buy on Bandcamp: spectralbounce.bandcamp.com/album/perfe…t-encounter

Amsterdam label Spectral Bounce recruits French club stalwart @chris-carrier-841295497 for SPEC06 — Perfect Encounter. Active since 1994, the Parisian artist has released a wellspring of records on Robsoul, Slapfunk and his own Sound Carrier recordings, parallel to his longtime career as a DJ. Characterised by swirling delays and progressive arrangements, Perfect Encounter shows the producer exploring the mesmeric corners of tech house, ideally fitted to the Spectral Bounce aesthetic.

Opener “XLR8” starts with rolling toms that make way for fluid, modulated tones; each bar ebbs and flows to the sweeping synths set in motion by Carrier. Processed with a multitude of delays, rhythmic FX boldly swish above the drums, making for an immersive soundstage. Second track “Light Side” retains the billowing echoes but moves more nimbly, cutting things back to make for a spacious and breezy number. Its croaking synths hop around the stereo field, accompanied by tight percussion and a walking bassline.

The hallucinogenic “Third Moon” sees Carrier step further into trance-inducing territory. The track’s pulsing, syncopated bass note thrums underneath an arpeggio that evolves into a heady prismatic drone. While the chugging beat is ever-present, melodic refrains rise up and evaporate like wisps of vapour, alongside a vocal that fades away as quickly as it appears. The EP’s eponymous “Perfect Encounter” dials up the tension and closes the record with a mysterious touch. Speedy 16th note patterns propel the beat, creating shifty rhythms that rattle and hiss. A rasping, gelatinous synth and squeaky detuned tones resemble extraterrestrial signals — alien morse code for an enraptured dancefloor.

Art by Susanne Janssen
Words by Cameron Leaf

Bandcamp

PREMIERE: A1. Chris Carrier - XLR8

Happy to finally share Glow Mid Vol. 2 
Join us as our sound evolves and takes us places
Bandcamp - https://glowmid.bandcamp.com/album/v-a-glow-mid-vol-2

V/A - Glow Mid Vol. 2 (Snippets)

* Subscribe for more premieres: @BoltingBits
* Read more: https://boltingbits.com/rgl-9-breaker-breaker
* Listen on Youtube: https://youtu.be/e3x8thiehZI
* Pre-order: https://rglmusic.bandcamp.com/album/touzan

Tokyo producer Yusuke Iguchi aka RGL makes his long-form debut with Touzan, an album that expands on the soulful, groove-rich sound introduced on his inaugural EPs for Breaker Breaker.

Named after the Kawagoe Tōzan fabric woven by Iguchi’s mother and featured on the artwork, the record weaves together house, hip-hop and jazz-tinged textures into RGL’s most distinctive statement yet - a deeply crafted vision of modern Japanese house music.

PREMIERE: RGL - 9%

DEEPRO - ON THAT PLANET (DEMO VERSION)

Not sure where the music I make would go, guess I’ll leave that for you to decide.

Equilibrium

Lugano is magical (Dancing lake)

Se vi siete mai chiesti cosa significhi avere una drum machine o un campionatore al posto di un pacemaker, potete sempre domandare a Valerio Del Prete aka Delphi, che da oltre un decennio mette i dancefloor a ferro e fuoco. 


Sin dagli esordi per Pigna su altezze acid house (The River/ Suzuka, 2009), il DJ e producer capitolino si è imposto per classe, gusto e tecnica, muovendosi con leggerezza nelle zone d’ombra tra house, techno, disco, boogie e italo. 


Proprio quella prima release getta il seme per il fortunato sodalizio con Marco Passarani, con cui dà vita, nell’ombra e nell’anonimato totale, al mitico progetto Tiger & Woods, spaccando in due il circuito dance con una serie di folgoranti EP e ibride performance tra live e dj set con un tasso di groove pericolosamente sopra la media. Ma questa è un’altra storia.


Di proprietà del duo è l’etichetta T&W, che ospita nel 2016 un’altra traccia solista di Delphi, Blue Tuesday: un dancefloor killer tra house, ebm e italo, un gioiello che avrebbe fatto sicuramente fortuna nei leggendari passaggi di Hot Mix 5. 


Più recenti, tra EP e singoli, le escursioni su Orchid (The Loft), Skylax (Clutch Play), Running Back (7_11 House) ancora T&W (Unleashed Tapes Vol. 3), Neturalizer (Don’t Assume) e Raibano Records (Take Me): sempre e comunque brillante e prezioso materiale dalle bassline devastanti.


Per non farsi mancare nulla, Valerio coltiva più o meno da sempre anche una certa passione per beat e campionatori (e la Roma, quasi dimenticavamo), collaborando prima con il sito di podcast sportivi Fenomeno – per cui ha curato le sigle e la serie di show dedicati a calcio e musica chiamata Trequartista – poi uscendo con due dischi (Through The Window, Face the Music) registrati in casa in tempo di lockdown: brevissime schegge di boom bap scartavetrate nei loop e nella ruggine, agili quadretti hip hop pennellati su circuiteria e personale collezione vinilica, malinconiche soundtrack per osservare il mondo, per l’appunto, attraverso il vetro della finestra. 


Un curriculum che, in effetti, non ha bisogno di tanti giri di parole. Tra club e festival, Delphi il mondo se lo è praticamente girato tutto: Panorama bar, Coachella, Fabric, Printworks, Robert Johnson, Rex, Warehouse Project, Nitsa, Razzmatazz, Lux, Goodroom, Smart Bar, Video Club, Womb, Shelter, Sónar, Primavera Sound, , FYF Fest, SMS Festival, Garden Festival, Defected Croatia Lost Village, CRSSD…

Così, giusto per dirne un paio.


