Put your hands up we have BRAND NEW SHIT for you! 🙌🏼🔥🎶

Its getting heavy on Hanzom. Shadow Sect returns to the label with a savage 2-track single incl. this huge collaboration with the mighty Sinister Souls! #fire
Its out this thursday (18/03/2021).

Follow //
@shadowsectmusic
www.facebook.com/shadowsectmusic
www.instagram.com/shadowsectmusic/

https://soundcloud.com/sinister-souls
https://www.facebook.com/sinistersouls
https://www.instagram.com/sinistersouls/

www.facebook.com/hanzommusic/
www.instagram.com/hanzom_music/

Put Your Hanzom

Download

Shadow Sect & Sinister Souls - Brand New Shit

Exclusive first play for Rene LaVice on his latest BBC Radio 1 Show.
Download: https://bit.ly/DEM017

Beatport + Spotify: 13th August 2021
Full Release: 27th August 2021

Dub Elements & Levela - Hee-Haw (Mob Tactics Remix) / Rene LaVice First Play on BBC Radio 1

Bassquake - Dubstep Instrumental DJ (2)

Authyzmus - Burzyn Party

Bad Taste Recordings hits 2016 in severe kinetic style with a fresh pair of tracks launching the identity of MALUX, the new Neurofunk-focussed moniker of established bass producer SKOPE (Inspected, Technique Recordings). 
With “Turbine” and “Fonk” the agenda is clear-energetic, funk-fuelled DnB driven by detailed low-frequency design and a boisterous rave vibe.
TURBINE carries with it a stripped aesthetic, with a percussive pattern driven by the snare and wonky plucked synth work. This is heads-down, bassface material for ravers to get into step to.
FONK on the flip hits a cheeky upbeat tone, switching slickly between bass textures punctuated by staccato sonic fragments.
With support from scene titans such as Andy C, The Upbeats and radio play from Friction on BBC R1 and Crissy Criss on Kiss FM, Malux has immediately caught the attention of those who know.
Bad Taste hits the nail on the head again, introducing another name with a big destiny into the halls of Drum & Bass.

Release date:
- Beatport exclusive: 29th January 2016
- Worldwide: 12th February 2016
- Vinyl: 19th February 2016

www.facebook.com/maluxdnb
@maluxdnb
www.facebook.com/skopeuk
@skopeuk

For bookings and management: 
stuart@omnitemple.com
www.omnitemple.com

www.facebook.com/badtasterecordings
twitter.com/badtasterecs
www.youtube.com/user/badtasterecordings

Malux - Fonk (Bad Taste Recordings)

Optiv & CZA - Strangerlands - (Terminal)

Release designation // Node 0X00A
Label designation // Terminal
Availability // 22.11.2016
Catalogue // TRMNLVA002

FOLLOW OPTIV //
SC - https://soundcloud.com/optiv
FB - https://www.facebook.com/djoptiv

FOLLOW CZA //
SC - https://soundcloud.com/markcza
FB - https://www.facebook.com/CZAMusic

FOLLOW TERMINAL //
SC - https://soundcloud.com/terminalnode
FB - https://www.facebook.com/terminalnode


Terminal release array online

NODE 0X00A access granted - quarantine dissolve complete. 4 x heavy tech components available // attributed sources: OPTIV & CZA - CURRENT VALUE - MALUX - DISPROVE & TOBAX. Sonic weapons systems active: line array audio discharge effect prediction // cataclysmic effect on human anatomy with social nocturnal environment fallout.

Deploy

The TERMINAL collective (MethLab - Eatbrain - Bad Taste) unleash 4 tracks of pure tech devastation from a tight selection of leading forces in dnb - legends and pioneers Current Value, Optiv and CZA alongside the hype fresh talents of Malux, Disprove and Tobax. Following up the first free Terminal VA that launched the entity, and Current Value's hard-hitting  'Partition' EP; the NODE 0X00A EP continues the Terminal route with its lean and sharp tech audio aesthetic, designed to devastate the dancefloors of our era, as the awe and terror of this cyberpunk age blossoms around us.

Node 0X00A

Node 0X00A EP

360 Vid - Listen Full

Optiv & CZA // Strangerlands - Node 0X00A EP (Terminal)

Buy & Stream:
http://smarturl.it/kosen38

Artwork by https://soundcloud.com/jondeerhill

The forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record. 

After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’. 

The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.



Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab

Follow Impak:
https://soundcloud.com/impak
https://www.facebook.com/impakDNB/
https://twitter.com/Impak89
https://www.instagram.com/impak.music/

Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

Odyssey

Buy & Stream

The Clamps & Impak - Astronauts [Kosenprod] OUT ON SEPT 24

//artists
@fourward
facebook.com/fourwarddnb/
@jadednb
facebook.com/JadeSounds/

// label
facebook.com/Eatbra1n
twitter.com/eatbra1n

//release Dates 10th December Beatport Excl & 24th December Worldwide

An observer stood upon a rooftop, gazing out over the metropolis that shimmered beneath him. To all outward appearances, it was an idyllic landscape. Busy & bustling, sure, but in ways that spoke of efficiency and the success of their kind. To them, it was a monument to their collective greatness that they could construct the steel-boned monoliths that reached upward to the heavens, but for the lone rooftop figure, a very different view was laid out below. His gaze cut through the superficial, and saw the city for what it truly was: a TORN PLACE.

Within his eyes those same monoliths represented not success in their glittering facades, but rather the greed, avarice, and corruption of those who dwelled within. He saw the rampant struggle to reach their peaks, the drive to triumph over one another, that also drove its champions to madness as they buckled under the weight of what they had done. As his gaze fell downwards the observer saw the destitute prostrate themselves upon the city’s streets, forced by some cruel twist of fate or the actions of those whom had climbed above. They gathered on these avenues as plaque within veins, their continued accumulation a warning sign of the city’s impending cardiac arrest. Alongside them streamed endless waves of vehicles, emitting choking clouds of black filth that spiralled into the air. So constant were they, that day and night a smog hung above the city, a poison that hung as a sword above all. As the observer took in these things, the city itself seemed to morph before his very eyes, changing its form in accordance with its monstrous nature. Faces upon billboards became malevolent visages with gaping mouths stretched wide in hunger. The towers, once glittering, unfurled before him like the tendrils of some primordial behemoth. All rushed towards him, consuming him within an endless expanse of darkness which was dispelled a moment later. The observer stood once more upon the rooftop, and the city shimmered once more beneath him. But for he who had seen its true nature, it could never be home again.

FOURWARD return to EATBRAIN with the TORN PLACE EP, their second release following their breakout Wolfe EP on the imprint. The four tracks within feature their sound in full, with the titular TORN PLACE providing grounds for it alone whilst other tracks feature a who’s-who of fellow heavy hitters on the EATBRAIN lineup. TORN PLACE opens the EP with cinematic flair, in which otherwordly narration and frantic basses occupy space in equal measure. FOURWARD combine with eatbrain bossman JADE on MAKE SOME, a driving track that pushes forward on the constant report of its stabbing bassline. REDPILL brings his horror infused sound to the table with DIGEST, a collaboration that calls on the pairing’s jump up influences amongst sinister saws. ELBOW features the sounds of L 33 alongside the FOURWARD crew and rises upon booming percussion before launching into a peak section of mechanized highs and rumbling lows. With the TORN PLACE EP, FOURWARD launch their multifaceted sound further onwards and upwards.

Torn Place EP

TORN PLACE EP

Fourward & Jade - Make Some (Eatbrain072)

Buy on Beatport:
https://www.beatport.com/release/i-feel/2539485

French drum & bass producer The Clamps has become more and more of an identifiable force, with his forthcoming EP on veteran Prolix’s Trendkill Records quickening his pace to the top echelons. The Clamps production has often been an enviable trait, something which the artist has been refining over the past few years; this hasn’t gone unnoticed by the heaviest hitters within drum & bass, which is why he came under the radar of Prolix. And The Clamps fits well within Prolix’s growing arsenal of producers, something which the head honcho has also spent years refining. When it comes to the genre’s darker sounds, Trendkill is a go-to imprint, dominating both charts and DJ sets during its expansion. With a host of main-stay labels already ticked off by Prolix himself, it made sense for him to build a musical hub which highlighted the sounds influencing his own output.

Since the late 90s, The Clamps has spent his time pouring over the intricacies of everything from hard techno to drum & bass. After initially making a name for himself on homegrown label Kosen Production, he’s become more and more of a pivotal figure throughout the wider music circuit. Now having released on imprints such as Invisible, Titan, Eatbrain and Impact Music, his forthcoming ‘I Feel’ EP is a return to form, following the explosion of his ‘The Odyssey’ LP in 2018.

First track ‘No Reality’ creates an intro which is instantly encapsulating with its steppy instrumentals and patches of waif-like samples. Once it drops, through its pounding drum stabs, you’re taken directly into the belly of the best. Title-track ‘I Feel’ is just as chaotic, tearing through with robotic vocal interludes. ‘Mind Exploration’ runs through next, with an old-school reminiscing as you’re yet again released against its manic mechanics. ‘Interaction’ is the final track, foreboding as it begins to wheel you towards its first climatic breakdown. Each punching horn takes you in deeper before its sci-fi atmospherics leave you to its driving ferociousness.

Trendkill Records are back, with help from The Clamps - proving that the next year is titled to be one of their biggest yet.

Follow The Clamps: 
https://soundcloud.com/the-clamps
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab

Follow Trendkill Records: 
http://trendkillrecords.com/
https://soundcloud.com/trendkillrecords
https://www.facebook.com/TrendkillRecords/
https://www.instagram.com/trendkillrecords/
https://twitter.com/TrendkillRecs

I Feel

Buy on Beatport

Premiere of "Do Androids Dream"  on BBC Radio 1's Drum & Bass Show with https://soundcloud.com/renelavice

Forthcoming on https://soundcloud.com/eatbrain , more info very soon...

Follow Burr Oak:
https://soundcloud.com/burroakmusic
https://www.facebook.com/burroakmusic/
https://www.instagram.com/burroakmusic/

Burr Oak - Do Androids Dream [René LaVice BBC Radio 1 World Premiere]

Out as part of Lifecycle: Destruction, the 2nd part of the Lifecycle project.

Get it here: https://fanlink.to/LifecycleDestruction

Stream / Buy

Prolix - Elixir

DEM Recordings is a brand new imprint from Seville based heavyweight duo Dub Elements.
Demos: hello@demrecordings.com
Dub Elements: @dub-elements
Please send original mastered tracks only! 
Soundcloud private/downloadable links preferable.