紙縒(KOYORI)

WANT U feat. Darja

𝗧𝗿𝗮𝗰𝗸 𝗼𝗻 𝗦𝗽𝗼𝘁𝗶𝗳𝘆, 𝗕𝗲𝗮𝘁𝗽𝗼𝗿𝘁, 𝗕𝗮𝗻𝗱𝗰𝗮𝗺𝗽 & 𝗦𝗼𝘂𝗻𝗱𝗖𝗹𝗼𝘂𝗱:
https://music.sebastiangroth.com/raving-harder

𝙔𝙊𝙐 𝙇𝙄𝙆𝙀 𝙊𝙐𝙍 𝙎𝙏𝙐𝙁𝙁? 𝙁𝙊𝙇𝙇𝙊𝙒 𝙐𝙎!
• bit.ly/ReWastedYouTube
_____________________________________
«𝙈𝙐𝙎𝙄𝘾»
• Spotify: bit.ly/ReWastedSpotify
• SoundCloud: bit.ly/ReWastedSoundcloud
• Beatport: bit.ly/ReWastedBeatport
• Bandcamp: bit.ly/ReWastedBandcamp
• YouTube: bit.ly/ReWastedYouTube

«𝙋𝙊𝘿𝘾𝘼𝙎𝙏»
bit.ly/ReWastedPodcast
• Mixcloud: bit.ly/ReWastedMixCloud

«𝙎𝙊𝘾𝙄𝘼𝙇 𝙈𝙀𝘿𝙄𝘼»
• Facebook: bit.ly/ReWastedFB
• Instagram: bit.ly/ReWastedInsta

«𝙈𝙀𝙍𝘾𝙃»
• Merch: bit.ly/RewastedMerch

#techno​ #undergroundTechno​ #technomusic #hardtechno #neorave #getmoreplays


BUY | Stream HERE

Sebastian Groth & Markus Weigelt - Raving Harder (Original Mix)

Nik Sitz - Bounce To The Sound x Revive Restricted - Hardcore x Vortek's  - FCKN LOUD x CARV Intrude - Make My Heart Stop x REKKT Holy Priest - DOMINATION x REKKT Nivk - Laisse Nous Raver (Hermes Mashup)

MaRderTekk - LÄRMB3SCHW3RD3

CRINGE MIX #53 - GALEN TIPTON

Toon World (Yikii Carved Reality Moon Sacrifice 月之祭 Version) by @Yikii

dasychira.bandcamp.com/album/xdream-deluxe-edition

http://xdre.am

Mastering by @jesseosbornelanthier

Album Artwork and Website by Spencer Sherk

xDream (Deluxe Edition)

Toon World (Yikii Carved Reality Moon Sacrifice 月之祭 Version)

EG
As humans we all have different tastes. Same goes for music. I’d like everyone as individuals to appreciate the unique taste of an unknown world.

It is from this ideology the Mix Series “Fetishism” began.

Introducing the compilation “拝物性愛” as a commemoration of the 1st anniversary of the mix series ‘Fetishism”

Contributions from artists all across the world and those to contribute in the near future have come together for “Fetishism”

JP
人には様々な嗜好があります。音楽もまた然り。一人一人の嗜好を尊重し、知らない世界を知って欲しい。
そんな思いからMIXシリーズ”Fetishism”はスタートしました。 そのMIXシリーズ”Fetishism”1周年を記念したコンピレーション”拝物性愛”。 “Fetishism”に参加していただいた、また今後参加予定の世界中のアーティストからの曲が集まってます。

@ansystem
@tsumutsumu
@plvybxy（@agvarecords）
@gfxiii（@xenonymsss）
@jules-du-coeur（@Du-Coeur-Records）
@pobvio（@salviatek）
@alecpace（@earlyreflex）
@kojikoji39（@demiantokyo,@chemicalmonsters_tokyo）
@aggromance
@yikii
@ttristanafkap6r6r6k
@djkalpis（@chemicalmonsters_tokyo）

Mastered : @wrack90
Artwork : @kojikoji39

拝物性愛

Free Download

Yikii - The Agonizer 9000

Track Premiere: 'Eco Fascist Dethroned' by @euglossine [@genotcentre]
Read more: https://paynomindtous.it/ecofascistdethroned-euglossine-genot
***
The prolific composer and multi-instrumentalist Tristan Whitehill from Gainesville, Florida, also known as Euglossine, is about to release yet another formidable record on the Prague-based Genot Centre outcome. Out on October 4th on digital and C34 tapes (limited edition of 55 + on-body printing), Blue Marble Agony erupts Tristan’s typical jazz-fusion-chill weirdness and bright minuteness in a 33-minutes cauldron of conceptual elevator muzak, at times intense at times carefree, suggestive, and challenging, instant and precious.

Euglossine’s electro-exotica has been consistently perfected over the last years by steadily releasing rich albums of texture explorations, theatrical sound solutions, and suspenseful histrionics. Among his vast production, it’s possible to mention the three separate appearances on the seminal Orange Milk Records from the US with Canopy Stories, Sharp Time, and Psaronius (2016, 2017, and 2020, respectively), devoted to the artistic and poetic investigation of the possible meaning and use of Music in 2020 – mainly focusing on the relationship between digital abstractions and analog materiality. Tristan’s body of work features many other releases (such as the ones on Beer on the Rug and Hausu Mountain, just to name a few) that enrich his visionary and variegated take on modern jazz improvisation and library music, losing itself in the smallest composition detail and crafting the perfect, limitless sonic journey.

Blue Marble Agony displays Euglossine’s vision in its finest, defining a peculiar style that Genot Centre’s founders aptly label as “high-definition cyber-prog“. The artist’s wide sample banks are expertly used to offer multi-layered progressions and complex improvisations served with no frills, immediate and never inaccessible. From the encyclopedic sound palette employed in Blue Marble Agony, one could discern all sorts of string instruments, traditional and synthetic percussions, folk flutes and digital wind instruments, multiple nature sounds, all paired with the heavy use of processed, recontextualized samples.

The labyrinthic tracks exhibit titles that have reportedly been associated with a variety of pressing environmental themes, whose complexity and urgency have been addressed via endless harmonic transformations, grave arrangements, and a consistent portrayal of ethereal scenarios and elusive sensations. The record requires all the listener’s attention throughout all the length of the tape, as it’s basically impossible to foresee the next move in the cinematic grandeur of the compositions, which are at times so overflowing that it makes you wonder if an actual arcane alien message could have been encrypted in the sound textures.

Today, we’re honored to share with you the Eco Fascist Dethroned track, the 7th on the cassette. The delicate composition, featuring a marvelous melody, rich stereo panning effects, and a percussive crescendo, sounds to us like an affirming, heartfelt call-to-action to promote awareness and actively participate in the current fight against forces of power that systematically refuse to be held accountable, among the most memorable episodes in the whole Blue Marble Agony. The tape, mastered by Angel Marcloid and designed by Lenka Glisníková & h5io6i54k, will be out on October 4th on Genot Centre’s Bandcamp and it’s now available for pre-order. Make sure you check it out!

Yikii - The Agonizer 9000

Demian