crazy energy good prod pleasant vibes let's goo

ReEx 7

Fleeting Revelations

Thanks For Playing

Soar for C Trumpet and Piano (2022)
Duration: ca. 9'
Video: https://www.youtube.com/watch?v=IcZNDWBRidI
For more information: https://robertpaterson.com/soar
To Purchase Sheet Music: https://billholabmusic.com/product/soar/

Recording: David Puchkoff, trumpet; Geoffrey Burleson, piano
Recording Producer/Engineer, Silas Brown
Additional Audio Editing: Ian Striedter

Commissioned by Lexie Signor
World Premiere:  Mostly Modern Festival, Lexie Signor, trumpet; Geoffrey Burleson, piano; Helen Filene Ladd Concert Hall, Arthur Zankel Performing Arts Center, Saratoga Springs, NY, June 2023
Publisher: Bill Holab Music: https://billholabmusic.com/composers/robert-paterson/
For more information: https://robertpaterson.com/soar
Buy Sheet Music: https://billholabmusic.com/product/soar/

PROGRAM NOTE
Many composers associate orchestral instruments with animals to great effect, such as Prokofiev with Peter and the Wolf, Rimsky-Korsakov with Flight of the Bumblebee, Saint-Saëns with Carnival of the Animals, and perhaps most obsessively, Messiaen with birds from all over the world. In Soar, I associate the trumpet with an eagle, a bird that can fly as high as ten thousand feet and as fast as two hundred miles per hour. Like an eagle soaring above mountains, Soar requires the trumpet player to play fast and high, and both the trumpet and piano parts are, at times, quite virtuosic. In this sense, Soar is really meant as a show-off piece for expert trumpet players.

Soar for Trumpet and Piano

Something new to share with you, and it’s a bit of a shift from my usual sound.
With my wife’s pregnancy, I found myself drawn to making more peaceful, ambient music—something calming for her, for our baby, and soon, for you. Instead of beats and samples, I’ve been working with real instruments (with piano and organ recorded in Bøler kirke in Oslo), field recordings from the Norwegian wilderness (thanks to my brother-in-law), and subtle white noise textures.
It’s different, but it feels right. Beginning by previewing tracks on Soundcloud, with a wider release on all the usual streaming platforms and Bandcamp later in the year. I’d love for you to hear it.

Hair on Fire

MUSIC FOR CONTENT CREATORS!

***
🎵 Title: Echoes of a Distant Dawn
🎼 Music by Michael Herter
🎻 Genre: Classical, Soundtrack, Cinematic
🎬 Video: 

"Echoes of a Distant Dawn" is an orchestral journey that interweaves melancholic piano, soulful trumpet, and lyrical cello to create a reflective soundscape. It embodies the essence of an unspoken farewell — where a quiet parting holds a gentle promise of hope and renewal. Each note resounds with the bittersweet beauty of a goodbye left unsaid, inviting listeners to embrace both loss and the promise of a new beginning.

🎼 Key: d-moll | Time Signature: 4/4 | Tempo: 65 BPM

► Support my music: https://bnd.link/sibviolin
—
Your support means the world to me and helps me continue creating music. Every like, share, and subscription is deeply appreciated.

🙏 Thank you for listening!

Echoes of a Distant Dawn

i don’t wanna lose this

Carpathian

Lavender - Fleursonseaux
All rights reserved - © Copyright

Lavender

Alt J-Hunger Of The Pine Flip

I’m imagining here the swell of the ocean as the sailors are huddled together in the water awaiting rescue after their battleship was torpedoed. Tension is constant and unremitting as sharks circle the groups of men..

USS Indianapolis-The longest night

A slow unraveling before the break. How curious.

"Really" is a leftfield electronic instrumental I made in the final days before a domestic violence incident that changed everything. It is the last song of the album and the relationship of seven adaptive years.

There are no lyrics here. Just ambient textures, downtempo pacing, and leftfield electronica tension. It doesn’t process pain. It precedes it, almost anticipating what’s to come.

Built on a foundation of lo-fi loops and intuitive mobile production, the track captures a moment of eerie calm. Created without conscious knowledge of the trauma ahead, it is still steeped in emotional weight.

It explores space, restraint, and discomfort using sound design to build a psychological atmosphere.

This is the sound of unspoken recognition. A shift. Once a symbol of safety, your buoy becomes the very weapon of your destruction. It evokes the sensation of holding your breath just a little too long.

"Really" opens the final chapter in the PXL arc, marking a pivotal turning point. It is not healing. It is the moment just before rupture.

"Really"

Really

A track from an upcoming EP that I've been working on
Also on Bandcamp right now- https://loosejoxx.bandcamp.com/track/same-light

Will be on all platforms soon and thanks for listening

Bandcamp

Same Light

Burning

Today’s #MusicalMinute contains lots of ingredients.  The main melody is played by the double basses and is presented in canon form.  As always, there are some strange harmonies present, thanks to the seventh occurrence of PCS 6-z40!  Can you hear Pareto’s influence on the tuned percussion?  What do you think?

30 Aug 25 Strange Round

Today I looked at the Horizon over water and could see the curvature of the Earth.  It's subtle but its there.. spread out over the entire space of the planet.  A sphere.  

Erik Hartmann 

Ponder at the Lake

Only Choices

I am the NerdWiser and I play the Synthesizer.
I make electronic music you can’t dance to.
🎧 plz! Thank you for listening.

Only Choices

Nado

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