On My Mind – Diplo, SIDEPIECE - Part 1

how do i let go

sc 4 sd music flow june 2021

Juannan House Music

Ride This Sound (Oliver Dollar Remix) Radio

OUT NOW via @insomniacrecs!

Listen & Download: insomniacrecs.ffm.to/makemefeel

John Summit - Make Me Feel

Make Me Feel

BUY HERE

Solardo X Wade - Get Your Money

✦ Follow Martin Ikin : @martin-ikin
✦ Follow Biscits : @biscits
✦ Follow Ultra Music : @ultrarecords
✦ Subscribe to Housism on Youtube : youtube.com/c/housism

Ready 2 Dance

Martin Ikin & Biscits - Ready 2 Dance (feat. Anelisa Lamola)

Ride This Sound

Ride This Sound (Oliver Dollar Remix) [feat. Imaginary Cities]

Brown Vox - Garlic Beat Sauce

Brown Vox - De Danser

Dennis Cruz, Josh Butler - Ahora Todo Va (Original Mix)

How Do I Let Go

How Do I Let Go (Dj Kone & Marc Palacios Remix) [feat. K.T. Brooks]

Facelift

Off My Mind

Buy/Stream

How Do I Let Go (Di Saronno Remix) [feat. K.T. Brooks]

Seb LeBrox - Just Like Fire

Prok | Fitch - Be Out Your Mind

Stephane DX Dustin Strunk - It Was The Music

Who's in Da House

The Dancefloor (Extended Mix)

It is a fair assessment to say that Vintage Culture (aka Lukas Ruiz) has taken his native Brazil by storm, gracing the cover of the country’s edition of Rolling Stone and nominated as one of the most influential ’30 under 30’ in Forbes. His musical career has gone from strength to strength since bursting onto the scene in 2013, with 2020 proving a landmark year as he became a multi-platinum selling artist, remixing the likes of Meduza, Moby, David Guetta, Jorja Smith and Maverick Sabre, and performing sell-out shows across North America. His records have also caught the attention of BBC Radio 1, regularly appearing on the specialist weekend shows. He now makes his debut on Defected Records with ‘It Is What It Is’, featuring the striking vocals of Canadian singer/songwriter Elise LeGrow. This flawlessly executed cut showcases Lukas’ production finesse at its club-ready finest, as stirring piano chords and an effortlessly grooving bassline give this boundless dancefloor appeal.

It Is What It Is

Download & Stream

Vintage Culture featuring Elise LeGrow 'It Is What It Is'

Beatport

Louie Vega & The Martinez Brothers - Let It Go with Marc E. Bassy (Vintage Culture Remix) [DEFECTED]

Rasputin

Alright so this could nottttttt have been timed better! ❤️🥳🕺💃🥳❤️

Literally an hour after Boris announces that we can see the horizon of beautiful messy sticky dark noisy ravesssss, we are putting out our song about longing for the return of that culture! And I swear down this is just a truly wonderful coincidence! But it makes me feel really verrrrry happy. 🤗🤗🤗

The Blessed Madonna and I had a chat on zoom a few months back now and she was talking in the infinite and naturally poetic way that she does about, well really how everrrrrryone is feeling! And because we were writing it was being recorded! So I sampled it! And tuned her to be singing at times and I just reeallllyyy love it. And also an enormous big ups to the great Boston Bun who we produced it with. 
🤩 🥯 🍞 📠

It was jus Annie’s hottest record in the world on BBC R1 and is now out everywhere!!!
I feel excited. Is how I feel. Foreal.

Marea (we’ve lost dancing)

Stream

Pump the Brakes

Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.

Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. But, to his credit, Ferrer didn't simply repeat the formula afterwards. He has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.

In the mid-90’s, Ferrer was crafting techno records as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

"Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds), "Touched the Sky" (King Street Sounds), “Transitions” (King Street Sounds), “P 2 Da J” (Defected),  “Sinfonia Della Notte” (Strictly Rhythm), “Hey Hey” (Objektivity), “Red Room” (Objektivity), “Underground” Nick Curly – Dennis Ferrer Remix (Defected), to name a few, have all been huge dance floor anthems and all show a different side of the Ferrer personality as well as his impressive range as producer and remixer.

Ferrer has brought his ‘anything goes’ approach to his label, Objektivity.  Celebrating its 8th anniversary in 2014, the imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and Télépopmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. Objektivity is a living, breathing thing - one that's set to drop bombs on the dance floor for years to come.

While Ferrer closes out 2013 with “Mind Ur Step” (Defected), “Mind Ur Dub” (Objektivity) and a remix of Coyu - “Salvation” (Noir Music), the best is yet to come. With a deep knowledge of the past and a constant push for the future, Ferrer remains one of the true greats of house music - a leader and innovator whose enjoying the buzz around him but keeping on pushing the limits. Stay tuned.