The World As I See It

How Do I Let Go (Extended Mix) [feat. K.T. Brooks]

To Be In Love ('99 Remixes)

To Be In Love (MAW '99 Mix)

From the album "The World As I See It"
2006

Dennis Ferrer - How Do I Let Go - King Street / Defected (2006)

How Do I Let Go (feat. K.T. Brooks)

Prince Ivyson - Feel That Groove [Lisztomania]

PREMIERE: Prince Ivyson - Feel That Groove [Lisztomania]

House music with vocals inspired by the pioneering sounds of Detroit, Chicago, and New York garage underground.

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We 8E

Hardsoul Feat. Ron Carroll - Back Together (Director's Cut Classic Club Mix)

No Politics

My Joy

With a career spanning over twenty years, and an impressive discography across labels such as Cajual, Hudd Trax and Guesthouse Music, Dallas based JT Donaldson’s creative and diverse style of production makes his music a perfect fit for Classic Music Company. With soulful vocals provided by fellow Texan Liv.e, delicate instrumentals and a grooving beat come together on ‘Stay Inside’ to create a glorious dance record. The remix provides a more club-focussed version, maintaining the blissed-out sound of the original mix while upping the ante with agile drums and playful piano samples.

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JT Donaldson featuring Liv.e - Stay Inside (Remix)

When Mike Dunn released his Classic Music Company debut ‘My House From All Angles’ last year, the album was met with critical acclaim, The Guardian writing: “God may have made him funky, but Mike Dunn has kept it going ever since.” Now, two stand out cuts from the LP are given the remix treatment, enlisting some of the label’s closest cohorts to re-work these two irresistible hip-house jams. Up first, Peppermint Jam boss Mousse T. opens the release, weaving in his signature bouncy melodies and funk-flavoured grooves into ‘If I Can’t Get Down’. Up next, Classic label-mate and house expert Oliver Dollar brings in a raw, edgier sound on his Boomty Mix of ‘DJ Beat That Shhh’, with an aptly bumping bassline. Classic label boss Luke Solomon provides his Clubland Remix of ‘If I Can’t Get Down’ next, enlisting funky guitar riffs and energetic percussion. Finally, Livin’ Proof and Barbershop Records founder Snips takes a stripped back approach to the same record, highlighting Mike’s unmistakable Windy City drawl with jazzier elements to give the mix a vintage feel. Uniting the worlds of rap and house, this remix package is a joyous celebration of what he does best, with this remix package securing its position as a house essential.

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Mike Dunn - If I Can't Get Down (Mousse T.'s Funky Shizzle Mix)

Live On

Live On (feat. Lain)

Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.

Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. But, to his credit, Ferrer didn't simply repeat the formula afterwards. He has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.

In the mid-90’s, Ferrer was crafting techno records as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

"Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds), "Touched the Sky" (King Street Sounds), “Transitions” (King Street Sounds), “P 2 Da J” (Defected),  “Sinfonia Della Notte” (Strictly Rhythm), “Hey Hey” (Objektivity), “Red Room” (Objektivity), “Underground” Nick Curly – Dennis Ferrer Remix (Defected), to name a few, have all been huge dance floor anthems and all show a different side of the Ferrer personality as well as his impressive range as producer and remixer.

Ferrer has brought his ‘anything goes’ approach to his label, Objektivity.  Celebrating its 8th anniversary in 2014, the imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and Télépopmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. Objektivity is a living, breathing thing - one that's set to drop bombs on the dance floor for years to come.

While Ferrer closes out 2013 with “Mind Ur Step” (Defected), “Mind Ur Dub” (Objektivity) and a remix of Coyu - “Salvation” (Noir Music), the best is yet to come. With a deep knowledge of the past and a constant push for the future, Ferrer remains one of the true greats of house music - a leader and innovator whose enjoying the buzz around him but keeping on pushing the limits. Stay tuned.