d r e i

Being Plant

Ambient

this i love

s p o o n

attunement•atonement•at-onement

Nicolas Jaar - Colomb

presents... 005

Buy Download

FAT005 Frank & Tony "Holy For Her feat Bob Moses"

The seminal ambient album from The KLF... 
A1   Brownsville Turnaround On The Tex-Mex Border  1:47  
A2   Pulling Out Of Ricardo And The Dusk Is Falling Fast  1:29  
A3   Six Hours To Louisiana, Black Coffee Going Cold  3:01  
A4   Dream Time In Lake Jackson  2:35  
A5   Madrugada Eterna  7:40  
A6   Justified And Ancient Seems A Long Time Ago  1:08  
A7   Elvis On The Radio, Steel Guitar In My Soul  3:01  
B1   3AM Somewhere Out Of Beaumont  9:24  
B2   Wichita Lineman Was A Song I Once Heard  5:56  
B3   Trancentral Lost In My Mind  1:16  
B4   The Lights Of Baton Rouge Pass By  3:34  
B5   A Melody From A Past Life Keeps Pulling Me Back  1:41  
B6   Rock Radio Into The Nineties And Beyond  1:26  
B7   Alone Again With The Dawn Coming Up  0:16  


The KLF - Chill Out

__PROMO PURPOSE. Posted on www.delicieuse-musique.com

__ SC :  https://soundcloud.com/scissorandthread
__VINYL : http://www.juno.co.uk/artists/Francis+Harris/

Francis Harris - You Can Always Leave

Faith In Strangers’ was written and produced between January 2013 and June 2014, and was edited and sequenced in late July this year. Making use of on an array of instruments, field recordings, found sounds and vocal treatments, it’s a largely analogue variant of hi-tech production styles arcing from the dissonant to the sublime. The first two tracks recorded during these early sessions bookend the release, the opener ‘Time Away’ featuring Euphonium played by Kim Holly Thorpe and last track ‘Missing’ a contribution by Stott’s occasional vocal collaborator Alison Skidmore who also appeared on 2012’s ‘Luxury Problems’. Between these two points ‘Faith In Strangers’ heads off from the sparse and infected ‘Violence’ to the broken, downcast pop of ‘On Oath’ and the motorik, driving melancholy of ‘Science & Industry’ - three vocal tracks built around that angular production style that imbues proceedings with both a pioneering spirit and a resonating sense of familiarity. Things take a sharp turn with ‘No Surrender’- a sparkling analogue jam making way for a tough, smudged rhythmic assault, while ‘How It Was’ refracts sweaty Warehouse signatures and ‘Damage’ finds the sweet spot between RZA’s classic ‘Ghost Dog’ and Terror Danjah at his most brutal. ‘Faith in Strangers’ is next and offers perhaps the most beautiful and open track here, its vocal hook and chiming melody bound to the rest of the album via the almost inaudible hum of Stott’s mixing desk. It provides a haze of warmth and nostalgia that ties the nine loose joints that make up the LP into the most memorable and oddly cohesive of Stott’s career to date, built and rendered in the spirit of those rare albums that straddle innovation and tradition through darkness and light.

Time Away

Solo Remains are previously unreleased tracks from Nils Frahm’s album Solo, which was recorded on the M370, the world’s largest piano, built by the visionary piano maker David Klavins in 1987.

Nils fell in love with the sound of this giant and joined David for the new project – building an even higher piano – the Model 450. The aim of it is to explore the not yet reached physical limits of the piano instrument and also to push forward into new musical dimensions. The M450 will be characterized by an even clearer sound with more depth and richness of overtones as well as an unrivaled frequency spectrum and intensity of sound and tone. In time for the 2nd anniversary of Piano Day, Nils decided to give four previously unreleased songs from that very session to his fans and supporters of the Klavins 450 project.

“In the end, every album production leaves you with the same tough task – making the choices for the final track selection. You leave out some tracks for various reasons: some of the tracks are wonderful by themselves, but they simple don’t fit anywhere in the album and others have to be left out because otherwise the vinyl would become too long for a cut in good quality. However, these outtakes are often as important as the final selection and I thought, they might be a great surprise for Piano Day too. I hope in this case, it’s both …”

Solo Remains is available for free download in 24-bit and mp3 format.
http://www.nilsfrahm.com/works/solo-remains/

Madrugada Eterna- THE KLF

Robert C. Kozletsky previously on Cryo Chamber with the ONYX collaboration is back with a solo album, Stone Speak. A warm, dark and subtle but complex drone experience awaits. 

Stone Speak is an album relating to the quintessential question…what lies beyond the borders of mortality? 

With Robert trekking to alluring ghost towns, cemeteries and sites of old Indian burial grounds to capture field recordings, the atmosphere of Stone Speak is ripe with subtle tension and melancholy. 

Stone Speak features a special collaboration track, Clandestine, with Dutch dark ambient producer Kave

released June 28, 2016 

Written, Performed, Produced - Robert C. Kozletsky 
Artwork & Mastering - Simon Heath 
Sound sources on Clandestine provided by Kave

Full album on Bandcamp

Apocryphos - Simulacrum Of Stone

Il termine Aeshma Daeva (Aēšma daēva) indicava nella cultura religiosa antica iranica il dio (daēva) della collera (aēšm).

Aeshma (Aēšma, IPA: ['eːʃ.ma]) is the Younger Avestan name of Zoroastrianism's demon of "wrath." As a hypostatic entity, Aeshma is variously interpreted as "wrath," "rage," and "fury." His standard epithet is "of the bloody mace."

Aeshma Daeva

Amp: Vox AC15

Pedals: Strymon Bigsky, Electro Marmonix POG, Roland RE501, Roland RE201, Hexe Envolver, Moog Drive, Whammy 4

Guitar: Manson w/ sustainer

Dead Loops II_/2oI6/_

Congrats

Shivering

Dire Land (The Remix Album)

Bend the Sky

I. 2c 
II. Flutter
III. Moments in Love

out 04.28.17 https://boomkat.com/products/grafts

GRAFTS

snip from live rehearsal for Mayhem performance 2017.03.16
Astrid : guitar, magic balls, looper, bells, samples, vocals 
(Y) 
Sofie: jp-08, juno 106, mfb-522, wind chimes, vocals

☾ Noctu ☽

http://vesselsband.com
http://flaminglips.warnerbrosrecords.com/OczyMlody/
@theflaminglipsofficial

Taken from The Great Distraction (29th September 2017)

Deflect The Light (feat. The Flaming Lips)

Taken from the album 'Modern Methods For Ancient Rituals' released as 2LP and download

Modern Methods For Ancient Rituals

The Transcendence Orchestra 'Upper Windrush' (EMEGO 246)

MOS 6581 (ALBUM VERSION)

The latest installment in our 'Delayed with...' series comes from incredibly talented producer from Leipzig, Mary Yalex. Mary caught our attention with her phenomenal EP on KANN records last year after which she had another two very successful releases on ADSR and just recently her latest EP 'Remember when' via Dichotomy which hit the stores on March 1st. 
This mix is perfect for 'you' time. Moments when you want to space out and relax from everyday craziness. 

Blue Veil - A kind Of adventure
Gigi Masin - Talk to the sea
Geir Jenssen & Pete Namlook - A Way To Focus The Mind
Warmth - Essay
Benoît Honoré Pioulard - Ribbon
Tomas Nordmark - Giving
Secede - Shrine
Geir Jenssen & Pete Namlook - In Heaven
Kareem Lotfy - kwkab
Mary Yalex - Coral reef 
36 - Midnight Tether
Hilary Woods - Inhaler


Mary Yalex on SoundCloud: https://soundcloud.com/mary-yalex
Mary Yalex on FB: https://www.facebook.com/maryyalexmusic

artwork by https://www.instagram.com/sergvidal

Delayed with...Mary Yalex

Audiences will impose meaning as they see fit, relative to their own contexts, and the convergence of our emotional literacy can draw us to one another. In 2018, Ripperton gifted the ESP Institute with 'Sight Seeing,' and we quickly became tourists joining the artist's departure from the comforts of his known creative narratives, however, with his tender monument of devotion, 'Contrails,' we now find ourselves blissfully lost in his code. These expansive 73 minutes are punctuated midway by a poignant solitary confession — “I’m afraid of what I might find, but I’m even more afraid of not facing this fear. I love you. I love you more than my life.” — in accordance with the fundamentals of Minimalism, the vast negative space bookending these words undoubtedly amplifies their significance.

“I’m afraid of what I might find…” Communication comes easy for some artists; the tools are obvious, logical and tangible, the dialogue is palatable and their art is often inoffensive. For others, there may be conflict, trauma or fear that result in pragmatic challenges — the tools feel foreign, deep complexities give way to creative paralysis, and communication struggles to find its form and emerge — the art becomes as much a therapeutic confessional as is a formal exercise.

“…But I’m even more afraid of not facing this fear…” Within the residue of the artist’s emotional labor, full of nuance, reservation and vulnerability, is potent code that can neither be taught nor learned, an elusive unknown whose shadows some spend a lifetime chasing, trying in vain to articulate or translate, often at their own peril.

“…I love you. I love you more than my life.” It’s this code that inexplicably tethers the soul to art — music being perhaps the most magnetic attractor of all — capable of true love upon first encounter. The blood flows like rapids, the hairs on the back of the neck stand erect, the heart surrenders absolutely to a romantic chemistry and a mutual bond is forged, a love to defend with vigor. We own the music and the music owns us. We are enamored, without words, simply head-over-heels.

* MIXTAPE VERSION INCLUDED AS ALBUM-ONLY BONUS.

[ESP084] Contrails

Pre-order from ESP

A3 - Ghetto Berlino

Buy/Stream: https://Anjunadeep.lnk.to/BMPSo
Release Date: 31st May 2019
Follow Anjunadeep New Releases on Spotify: https://Anjunadeep.lnk.to/NewReleasesYo/spotify

boerd captivates with his stunning new EP ‘Misplaced I’. Following the unveiling of his introspective single ‘It Fades Away’ earlier this month, Swedish producer Bård Ericson (aka boerd) returns to Anjunadeepwith his new EP, ‘Misplaced I’, out 31st May. 

Calling on influences that range from Bibio, Burial and Aphex Twin, his latestrelease will expand on enigmatic single ‘It Fades Away’ with three newinimitable cuts in ‘Someone’, ‘Gem’ and ‘LittleElse’. 

Follow Anjunadeep:
Youtube: http://Anjunadeep.lnk.to/DeepSubcc
Website: http://www.anjunadeep.com
Facebook: http://www.facebook.com/anjunadeep
Twitter: http://www.twitter.com/anjunadeep
Spotify: https://Anjunadeep.lnk.to/NewReleasesYo/spotify
Instagram: http://www.instagram.com/anjunadeep
Google+: http://bit.ly/deep-google‬
SoundCloud: http://soundcloud.com/anjunadeep

#Anjunadeep #Electronic #boerd

Buy/Stream

boerd - Someone

Equivalent 7

Equivalent 7 (feat. Secret Pyramid)

Equivalents

Equivalent 3

Equivalent 4

Buy/Stream 'Breathing': https://Anjunadeep.lnk.to/BBBSo
Order ‘Breathing’ on limited edition white vinyl: https://Anjunadeep.lnk.to/BBBFa/anjunastore3
Join Ben on his ‘Breathing’ tour, kicking off in North America in 2020: http://anjunadeep.com/benbohmer
Follow Anjunadeep New Releases on Spotify: https://Anjunadeep.lnk.to/NewReleases...
Bookmark Anjunadeep 24/7 Radio: https://youtu.be/DXFdM_Vkq6A


Ben's debut album ‘Breathing’ marks his coming of age as an artist. The culmination of emotional growth and recovery, the highly evocative 'Breathing' solidifies the German producer as a prodigious talent.


Follow Anjunadeep:
Youtube: http://Anjunadeep.lnk.to/DeepSubcc
Website: http://www.anjunadeep.com
Facebook: http://www.facebook.com/anjunadeep
Twitter: http://www.twitter.com/anjunadeep
Spotify: https://Anjunadeep.lnk.to/NewReleases...
Instagram: http://www.instagram.com/anjunadeep
SoundCloud: http://soundcloud.com/anjunadeep
Reddit: https://reddit.com/r/AboveandBeyond/
Discord: http://www.discord.gg/anjuna

Breathing

Buy / Stream

Ben Böhmer - Little Lights

Ben Böhmer & Wood - Voyager 1

Alphaxone, ProtoU and Onasander join forces on Shadows of Forgotten Legends. Ancient behemoths lurk in black waters on this sub-ambient album.

According to Nordic legends, the Kraken was a mythological creature that was terrorizing sailors from Greenland to Norway. By emerging from deep sea, the giant beast was shattering vessels with huge tentacles and devouring entire crews.

"Shadows of forgotten legends" draws a new sonic path to invoke this ancient Scourge of the Seas, awakening it from deep sleep.

"Below the thunders of the upper deep;
Far far beneath in the abysmal sea,
His ancient, dreamless, uninvaded sleep
The Kraken sleepeth: faintest sunlights flee
About his shadowy sides; above him swell
Huge sponges of millennial growth and height;
And far away into the sickly light,
From many a wondrous grot and secret cell
Unnumber'd and enormous polypi
Winnow with giant arms the slumbering green.
There hath he lain for ages, and will lie
Battening upon huge seaworms in his sleep,
Until the latter fire shall heat the deep;
Then once by man and angels to be seen,
In roaring he shall rise and on the surface die.
- Alfred Lord Tennyson"

Layered drone and aquatic textures combine for a deep journey into the depths.

Shadows of Forgotten Legends

Bandcamp

Beneath the Dark Night

from 'Window In' [CD|LP|DIGITAL]
Denovali Records · den332
available on all formats at http://denovali.com/michaelvallera

Window In is Michael Vallera’s third full length offering on the Denovali label, following  All Perfect Days (2018) and Vivid Flu (2017).  

The four tracks that compose Window In are an exercise in density, movement, and space. Raw studio recordings of electric guitar were taken as the foundation, then heavily altered and manipulated through sampling, erasing the trace back to origin of the sound. The result is a series of vignettes that are unattached to a particular source but instead exist in an emotive and internal state.

Window In

Michael Vallera - Deep Sleeping Exit

Fresh out of the Black Room Studio in Kiev, the third album in Dronny Darko's sound design heavy trilogy is a continuation of his dark and minimalist sound.

"The awakening is rude and painful. You scramble to your feet, slithering on black fluid as it pools off your trembling body. The giant womb and pulsating walls breathes with you, slurping red liquid through fleshy tubes. The quivering membrane squirts goo as you tear through it, facing blinding light outside.

Structures as tall as mountains dots the alien landscape. A humming low tone fills your head. A flash of three suns under a red sky. Senses cut in and out. Fluttering vision. Stuttering sound. Strobing fear. The facility calls and you answer."

Recommended for fans of lowercase ambient, alien abductees and void travelers

Origin

Specimens

Bonus track from the album Stories From Elsewhere.
http://rhiansheehan.bandcamp.com/album/stories-from-elsewhere

FACEBOOK: http://www.facebook.com/pages/Rhian-Sheehan/15584763065

www.rhiansheehan.com
