2k15•09

Un moment suspendu dans le temps

Mutlicast Dynamics

2k15•10

Promotional DJ/Producer Tracks, Remixes and full sets which include genres Electronic, Electronica, Indie, Experimental, Dark Wave, Other EDM, Underground, Future Bass, Progressive House, Tech, and other EDM for the listeners pleasure. DJ/Producers are from Worldwide including internet radio broadcasts such as from Digitally Imported broadcasts amongst many, etc. See individual DJ/Producers Soundcloud Pages for available downloads and additional information including full Track Lists. ENJOY!

October 2015 Electronic, Experimental, Indie, Electronica & Other

Débordante de nouveautés, cette liste de lecture musicale saura plaire à ceux qui recherchent des sonorités fraîches à ce mettre dans les oreilles. Une sélection d'albums que l'on retrouve à la chronique hebdomadaire sur les sorties d'albums et de spectacles à surveiller sur :
www.boulimiquedemusique,net

Parutions du 16 octobre 2015

2nd Fateless Flows Favorites

The new album 'Spaces' out now on CD/2xLP/Digital via Erased Tapes.

EU order link: http://www.erasedtapes.com/store/index/ERATP055
US order link: http://www.midheaven.com/item/spaces-by-frahm-nils-cd

9/10 Drowned In Sound · 9/10 Clash · 4.5/5 Fact · 4.5/5 Resident Advisor · 9/10 Popmatters · 9/10 The Line Of Best Fit · 8.5/10 Under The Radar · 8/10 Exclaim! ★★★★1/2 Music Omh · ★★★★ The Irish Times · ★★★★ Arts Desk

‘Frahm truly excels’ 9/10 Uncut 
‘Frahm works his magic’ ★★★★ Mojo
‘The infinite elasticity of sound’ 7.8 Pitchfork 
‘Improvisatory, wild, heartfelt’ Interview Magazine
‘A fantastic record’ The Guardian Album of the Week 
‘Frahm creates something mesmerising’ ★★★★ The Observer
‘My favourite new piece of music this year’ Mary Anne Hobbs, BBC 6 Music

erasedtapes.com · nilsfrahm.com

Spaces

Says

Buy 2xLP/CD/DL

Nils Frahm - Says

From the new album "A Fender Rhodes Solo" by Jozef Dumoulin, to be released on BEE JAZZ, February 27th, 2014.

Jozef Dumoulin: Fender Rhodes

More info: www.beejazz.com/blog/artiste/jozef-dumoulin/

Jozef Dumoulin is on Facebook: on.fb.me/1eSmFrN

Label Contact : BEEJAZZ
contact@beejazz.com

Jozef Dumoulin - "A Fender Rhodes Solo" - The Entry Point

where do i begin?

https://www.facebook.com/morningsmusic
https://www.facebook.com/morningsmusic
https://www.facebook.com/morningsmusic

http://mornings.bandcamp.com/
http://mornings.bandcamp.com/
http://mornings.bandcamp.com/

Bandcamp

Unkind

Stasis

from 'Scape' [CD|LP|DIGITAL]
Denovali Records · den230
available on all formats at [http://denovali.com/multicastdynamics]

Samuel van Dijk is an electronic music producer, sound designer and media artist from the Netherlands, having released electronic music under a variety of projects, namely, Mohlao and VC-118A. With his current project Multicast Dynamics he creates ever-evolving sound textures culminating in intriguing soundscapes while preserving a tranquil cinematic atmosphere. Drawing inspiration from nature, technology, film and fiction, his music productions, live sets and audiovisual work presents a carefully arranged, recorded and processed body of work, using a vast amount of layered sound textures, field recordings and live improvisation. To be released end of May 2015, Denovali Records announces the first two albums of a four part series by Multicast Dynamics, conceptually linked by our undeniable connection with nature and its wide range of landscapes, colors and movement.

The album series moves from an evolutionary to a cosmological scale: Starting from dry land filled with light and streams, to the constantly changing surfaces of the oceans, into a frozen and murky underwater world, finally up to the arrival in an interstellar space and the cosmos. With this concept Multicast Dynamics explores organic and aqueous worlds in a dreamlike and spiritual appearance.

The first installment of the series is entitled "Scape". Assembled with the use of analogue synthesizers, field recordings and lo-fi outboard effects, the album was constructed with a sporadic and spontaneous approach to sound and technique. This results in an array of calming, intriguing tracks with a fluctuating character and organic quality. Mysterious crackles, subtle hisses and washes of gloomy sounds reveal a dense approach to composition, processing and recording resulting in an introspective, ethereal and intense listening experience. 

Scape

Multicast Dynamics - Valo

from 'Aquatic System' [CD|2xLP|DIGITAL]
available on all formats at [http://denovali.com/multicastdynamics]

Samuel van Dijk is an electronic music producer, sound designer and media artist from the Netherlands, having released electronic music under a variety of projects, namely, Mohlao and VC-118A. With his current project Multicast Dynamics he creates ever-evolving sound textures culminating in intriguing soundscapes while preserving a tranquil cinematic atmosphere. Drawing inspiration from nature, technology, film and fiction, his music productions, live sets and audiovisual work presents a carefully arranged, recorded and processed body of work, using a vast amount of layered sound textures, field recordings and live improvisation. To be released end of May 2015, Denovali Records announces the first two albums of a four part series by Multicast Dynamics, conceptually linked by our undeniable connection with nature and its wide range of landscapes, colors and movement.

The album series moves from an evolutionary to a cosmological scale: Starting from dry land filled with light and streams, to the constantly changing surfaces of the oceans, into a frozen and murky underwater world, finally up to the arrival in an interstellar space and the cosmos. With this concept Multicast Dynamics explores organic and aqueous worlds in a dreamlike and spiritual appearance.

Aquatic System" is the second installment of the series, written and composed in two remote geographical places – namely at waters in Finland and Fuerteventura. Inspired by the complexity of water, its movement, various forms, inhabitants and hidden energy, the album was assembled mainly using synthesizers and processed field recordings of the ponds, streams, lakes and oceans of the different locations. With a vibrant story and conceptualization the focus lies in taking the listener on a observing, thoughtful and reflective journey through the aquatic system of our waters. Aquatic System opens with an impression of a frozen surface imagining icy and calm underwater movements underneath. Soon a slow process of melting begins and while the water starts to move in tiny streams of sound, small lifeforms evolve, curiously sending out small pulses in their flowing and constantly moving habitat. The aquatic nature awakens. Zooming out to larger waters high frequencies arise and colliding forms become audible. Larger marine life forms can be faintly heard when entering a much wilder environment, sensing sound-swirls of wind, foaming water tops and impressive large waves crashing on dark rocks. Finally ending at the shore, where the great ocean appears on the horizon, the environment is surrounded with moisture. From the calm reflective landscape derives an inward moment, recalling the organic and atmospheric quality of the sound journey.

"Aquatic System" has been developed into an audiovisual performance together with visual artist Emilia Kwiatkowska and was performed several times in Spain and Finland, before the music has been finalized for the album. 

Aquatic System

Multicast Dynamics - Vascular

Remix by King Unique [http://www.kingunique.com · https://www.facebook.com/KingUnique]

Available for free download at [http://www.denovali.com/mp3store]

Original version of 'Thangen After Dothe' appeared on
'Flailing Tomb' [CD|LP|DIGITAL]
Denovali Records · den232
available on all formats at [http://denovali.com/petrels]


Petrels - Thangen After Dothe (King Unique Remix)

Download

Prenatal Hunters (Floex Revision)

Alela Diane & Ryan Francesconi - "The Sun Today"

You noticed that void inside everything, didn´t you?

Void Notice EP : http://vonwegen.bandcamp.com/album/void-notice-ep

buy on bandcamp

Void Notice

Cremation Lily & False Moniker - Paradise Capsules

Shimmering Moods founder Paul mixes together 17 tracks from recent and upcoming releases into a stunning mix of light electronica and dark ambient, full of powerful moods and intriguing textures. 

Read More at www.acloserlisten.com

Shimmering Moods presents "Tales of the Field"

from 'Nomad Frequencies' [CD|2xLP|DIGITAL]
Denovali Records · den237
available in September on all formats at [http://denovali.com/johnlemke]

An ardent moulder of sound, John Lemke began carving out a very unique music blend on his debut album 'People Do' (2013) and its follow up EP 'Walizka' (2014). Informed by his work as a sound designer & composer for documentary films and his natural inclination towards fusing rhythm with rich textures and emotive melodies, he set out on a musical path that had been long in the making and is ever evolving.

The quest for unusual, inspiring sound sources has always been at the heart of John's process, however the genesis of his second album 'Nomad Frequencies' was rooted in much more inadvertent circumstances. In the summer of 2014, forced to indefinitely evacuate his Glasgow flat and studio due to structural damage from one hour to the next, with nothing more than a laptop and a bag of clothes, John embarked on a six month odyssey of soul searching, couch surfing and spending an extended period of time in his old hometown of Berlin for the first time in years - it was to be an odyssey that would help ferment and distill the ideas of his second album on which work had just begun. 

A year of particular global turmoil and upheaval, combined with John's personal, albeit very minor, 'displacement', caused a lot of questioning, frustration and anger, which somehow found its way onto the new material: a more confrontational, at times aggressive sound, paired on the other hand with a yearning for harmony, balance and space. Other influences came less from the world of music, but rather in visual form, through the densely textural art of Anselm Kiefer and the political, yet poetic musings of film maker Adam Curtis.

Intent on refining his sound toward a more minimal, bolder style, John set out to limit his sonic palate to a handful of carefully chosen elements. At the centre of this new direction remains the muted piano already introduced on his debut, but in a much more purified and raw form. This organic base is adorned by the warm fuzzing and wavering of analogue synthesisers, tape echoes, meditative tuning forks, field recordings from John's 'exile' period and percussion based on his rigid approach to sampling, which started developing on 'Walizka'. The guiding principle of his orthodox style of recording and sampling is to only use home-made sounds by utilising his own field recordings, applying contact microphones or hydrophones to objects and instruments, running them through different kinds of speakers and re-recording the sounds to arrive at a 'lived in' quality, often misunderstood as plainly 'lo-fi'. Touches of viola and woodwinds parts (Kim Moore of WOLF and Andrew Baker respectively) provide melody fragments and subtle details throughout the journey.

With John's healthy disregard for genre boundaries, the array of influences on 'Nomad Frequencies' is vast, but never over-powering. From the meditative tuning fork that starts proceedings on 'Of Elsewhere', the dub echoes to the hints of minimalism, free jazz explosions to the Lynchian atmospherics, all elements serve nothing more than the album's narrative journey between friction and harmony, best appreciated in its entirety. A rhythmic backbone collides with rich ambience and melody, often infectious and jarring at the same time, forging a soulful whole which most likely only reveals its true self after multiple spins.

Nomad Frequencies

John Lemke - The Unwinding

from 'Nomad Frequencies' [CD|2xLP|DIGITAL]
Denovali Records · den237
available on all formats at [http://denovali.com/johnlemke]

An ardent moulder of sound, John Lemke began carving out a very unique music blend on his debut album 'People Do' (2013) and its follow up EP 'Walizka' (2014). Informed by his work as a sound designer & composer for documentary films and his natural inclination towards fusing rhythm with rich textures and emotive melodies, he set out on a musical path that had been long in the making and is ever evolving.

The quest for unusual, inspiring sound sources has always been at the heart of John's process, however the genesis of his second album 'Nomad Frequencies' was rooted in much more inadvertent circumstances. In the summer of 2014, forced to indefinitely evacuate his Glasgow flat and studio due to structural damage from one hour to the next, with nothing more than a laptop and a bag of clothes, John embarked on a six month odyssey of soul searching, couch surfing and spending an extended period of time in his old hometown of Berlin for the first time in years - it was to be an odyssey that would help ferment and distill the ideas of his second album on which work had just begun. 

A year of particular global turmoil and upheaval, combined with John's personal, albeit very minor, 'displacement', caused a lot of questioning, frustration and anger, which somehow found its way onto the new material: a more confrontational, at times aggressive sound, paired on the other hand with a yearning for harmony, balance and space. Other influences came less from the world of music, but rather in visual form, through the densely textural art of Anselm Kiefer and the political, yet poetic musings of film maker Adam Curtis.

Intent on refining his sound toward a more minimal, bolder style, John set out to limit his sonic palate to a handful of carefully chosen elements. At the centre of this new direction remains the muted piano already introduced on his debut, but in a much more purified and raw form. This organic base is adorned by the warm fuzzing and wavering of analogue synthesisers, tape echoes, meditative tuning forks, field recordings from John's 'exile' period and percussion based on his rigid approach to sampling, which started developing on 'Walizka'. The guiding principle of his orthodox style of recording and sampling is to only use home-made sounds by utilising his own field recordings, applying contact microphones or hydrophones to objects and instruments, running them through different kinds of speakers and re-recording the sounds to arrive at a 'lived in' quality, often misunderstood as plainly 'lo-fi'. Touches of viola and woodwinds parts (Kim Moore of WOLF and Andrew Baker respectively) provide melody fragments and subtle details throughout the journey.

With John's healthy disregard for genre boundaries, the array of influences on 'Nomad Frequencies' is vast, but never over-powering. From the meditative tuning fork that starts proceedings on 'Of Elsewhere', the dub echoes to the hints of minimalism, free jazz explosions to the Lynchian atmospherics, all elements serve nothing more than the album's narrative journey between friction and harmony, best appreciated in its entirety. A rhythmic backbone collides with rich ambience and melody, often infectious and jarring at the same time, forging a soulful whole which most likely only reveals its true self after multiple spins.

John Lemke - Vessel

Excited to finally announce our new album ‘As If', out October 16 on @warp-records!

Pre-order at,
Bleep – http://smarturl.it/asif-bleep
Google Play – http://smarturl.it/asif-play
iTunes – http://smarturl.it/asif-itunes

https://www.facebook.com/chkchkchk
https://twitter.com/chkchkchk

As If

Sick Ass Moon

Pre-order ‘As If’

"Woven Tide" is the debut album by From The Mouth of The Sun, the new collaboration between Dag Rosenqvist, aka Jasper TX, and Aaron Martin.

"Out of the charred embers of dusk 'Woven Tide' emerges with an incandescent glow. Each glimmer cast by the sustained notes of ebony keys, the taut strings of the cello, and the rampant buzz of guitar lights our way, gives us hope, brings us into the dawn of a new day. As From The Mouth of the Sun, the duo act as our torchbearers, scrawling messages along the walls of an elongated cave, toiling through the decayed remnants of fetid matter to create eight illuminating pieces. The listener, who has wiled away the hours, will find a door; 'Woven Tide' will be the light out of the darkness." - Michael Vitrano / Desire Path Recordings

Pieces from "Woven Tide" as well as solo work by Aaron Martin accompanies the new documentary film by Lost Hill Picture's Ross McDonnell and Carter Gunn for Fastnet Films, Remember Me, My Ghost, which is currently touring the film festival circuit.?McDonnell and Carter are most recently known for their award winning documentary film Colony which documents the unexplainable phenomenon known as Colony Collapse Disorder that has left landscapes of empty beehives all across America, and also features music by Aaron Martin.? An upcoming short film by McDonnell and Carter featuring Color Loss from Woven Tide will be included on an upcoming Wholpin DVD magazine published by McSweeney's.

Since 2005 Gothenburg, Sweden based musician Dag Rosenqvist's work has graced imprints including Miasmah, Fang Bomb, Under The Spire, Lampse, Lidar, Slaapwel, Kning Disk, Dead Pilot Records, Lowpoint, and Rural Colors.

Since 2006 Topeka, Kansas based composer Aaron Martin's work has found its rightful home on labels such as Preservation, Mobeer, Experimedia, Type, Under The Spire, and Sonic Meditations. Aaron's most recent solo album, Worried About The Fire, is also available from Experimedia.

The Crossing
Pools of Rust
Color Loss
My Skin Drinks Light That Has Passed through Leaves
Sitting in a Roofless Room
Like Shadows in an Empty Cathedral
A Season in Waters
Snow Burial (While Blue Skies Gather)

All music recorded and mixed in Gothenburg, SE and Topeka, KS by Dag Rosenqvist and Aaron Martin June - December 2010.

Cover artwork & layout by Chris Koelle.
Mastered by Taylor Deupree.

http://label.experimedia.net/021/

Like Shadows in an Empty Cathedral

Listen to an exclusive “Solo Piano Edit” of 'Them' by Nils Frahm, taken from his approaching Late Night Tales album. The original version appears on his score of the film 'Victoria'. 

"This is the main theme from my first feature film score and it soundtracks the part where they finally kiss in the club… I soloed this piano part in the track and listening to it on its own, I almost preferred it to the original version, so I was pleased that I had the chance to use this alternative version on my mix." - Nils Frahm

Follow Late Night Tales:

Web: http://latenighttales.co.uk
Facebook: http://www.facebook.com/latenighttales1
Twitter: http://twitter.com/LateNightTales
SoundCloud: http://soundcloud.com/latenighttales
YouTube: http://youtube.com/latenighttalestv
Instagram: http://instagram.com/latenighttalesofficial
Spotify: http://goo.gl/Q98T7d
Apple Music: https://music.apple.com/us/curator/late-night-tales/1233898093
Bandcamp: https://latenighttales.bandcamp.com/

Nils Frahm - Them [Solo Piano Edit] (Late Night Tales: Nils Frahm)

Order 7"/DL here: www.erasedtapes.com/store/index/ERATP073
or via iTunes: http://snip.ftpromo.net/lifestoryloveandglory

Erased Tapes artists and friends Ólafur Arnalds and Nils Frahm have separately carved out a musical career that defies genres both with their unique live shows and a loyal fan base that’s always eager to hear what their prolific output will bring. 

Their latest collaborative 2-track release ‘Life Story Love and Glory’ is a live improv affair on two pianos, recorded in 2012 at Nils’s Durton Studio in Berlin. Fans may wonder why they have waited until 2015 to release these tracks, but having revealed a new website www.arnaldsfrahm.com you may think this may not be the end to their musical story this year. 

“We would meet in Reykjavik or Berlin with the intention to share some days off work, hiking, swimming or eating pizza. That is great for a couple days, but after a while we would always end up back in the studio, fiddling with synths or pianos.” – Nils Frahm 
“You can hear in the beginning of ‘Life Story’ how I have already started playing the piano whilst Nils is still moving microphones around and preparing everything. It was all kept in!“ – Ólafur Arnalds 

‘Life Story Love and Glory’ will be released as a 7” on Erased Tapes – exclusively through record stores only on August 21, 2015 ahead of its digital release later on – as an ode to this classic and beloved format. 

More info: www.arnaldsfrahm.com · www.erasedtapes.com

Life Story Love And Glory

Life Story

Buy 7"/DL

Ólafur Arnalds & Nils Frahm – Life Story

‘Loon’ will be released on Erased Tapes as a 12” vinyl as well as digitally on October 2nd. 
Pre-order it here: www.erasedtapes.com/store/index/ERATP072
or via iTunes: http://snip.ftpromo.net/loon

Containing five synthesiser-led pieces, ‘Loon’ was recorded in autumn 2014 across five days at Nils’s Durton Studio in Berlin, and continues on from the ambient sounds of ‘Stare’ but with the addition of more percussive elements and dub influences. For this new EP the duo wired an Oberheim 4 Voice and a Korg PS3100 to the mixing desk and performed live takes on both instruments. With all four hands on its pots, all mixes were recorded straight onto 2-track ½-inch tape.

Like on ‘Stare’, their first collaborative affair in 2012, they simply followed what was laying in front of them, and this time they were driven by some new synths, a kick drum and tape effects. Indulging in dub, the tracks where all performed rather than engineered, with Ólafur riding a few elements on faders and Nils bringing effects in and out. After running several mixes, they went for the five strongest moments from this session. The release was announced on a joint website www.arnaldsfrahm.com together with the launch of an intimate 45-minute studio film titled ‘Trance Frendz’, featuring another seven improvisations.

“Nils got some new synths and we thought we’d try them out. We loved them so much that we didn’t actually end up using anything else to make these songs.” – Ólafur Arnalds

“When I was young I was smuggled to Goa parties by my brother. The music played there in the late nineties had a somewhat deep effect on me. ‘Loon’ is almost a blurry memory of these times. In other words, it is what I’d like to remember that music sounded like back then. In fact it sounded probably really cheesy.” – Nils Frahm

Loon

Four

Buy 12"/DL

Ólafur Arnalds & Nils Frahm – Four

from 'Scandinavia' [CD|2xLP|DIGITAL]
Denovali Records · den245
available on all formats at [http://denovali.com/multicastdynamics]

Samuel van Dijk is an electronic music producer, sound designer and media artist from the Netherlands, having released electronic music under a variety of projects, namely, Mohlao and VC-118A. With his current project Multicast Dynamics he creates ever-evolving sound textures culminating in intriguing soundscapes while preserving a tranquil cinematic atmosphere. Drawing inspiration from nature, technology, film and fiction, his music productions, live sets and audiovisual work presents a carefully arranged, recorded and processed body of work, using a vast amount of layered sound textures, field recordings and live improvisation. In May 2015, Denovali Records released the first two albums of a four part series by Multicast Dynamics, conceptually linked by our undeniable connection with nature and its wide range of landscapes, colors and movement. Now the third album called SCANDINAVIA follows in October 2015??.  The album series moves from an evolutionary to a cosmological scale: Starting from dry land filled with light and streams, to the constantly changing surfaces of the oceans, into a frozen and murky underwater world, finally up to the arrival in an interstellar space and the cosmos. With this concept Multicast Dynamics explores organic and aqueous worlds in a dreamlike and spiritual appearance.

SCANDINAVIA is the third installment in the four part series. Assembled during the coldest season, it’s an album full of contemplative electronic recordings, created by the use of granular synthesis, obscure delay units and rudimentary looping techniques on magnetic tape. Recorded with a longsighted outlook, SCANDINAVIA features washes of subdued tones and textures as well as melancholic and warm sounding pulses of noise - all characterized by distinctive aquatic features. Steadily flowing, but slowly awakening the album draws frozen remote landscapes ranging from dark, cold and desolated to melting, warm and hope.
SCANDINAVIA opens with a bleak arctic environment in deep hibernation, where echoes of glacial bursts cut the silence. An undulating mass of viscous ambience sends out blurred out signals through the storm. In this inhospitable surrounding of frost and ice slow changes appear. The form of the landscapes alters and the cold air no longer hinders the breathing. Slowly meltwater seeps out underneath thick layers of ice, slowly building up in momentum and space. Layers of hypnotic atmospheres with barely perceptible undercurrents, brooding pulses of bass and tonal patterns lead to the core of the sonic landscape. Gently radiant layers of light and soil emerge and aquatic echoes expose new paths. The water is harnessed. Preparations for a long journey have begun.

Scandinavia

Multicast Dynamics - Massa

Divertissement Excerpt

From the album '' Jacob David - omkuld '' released by Moderna Records.

Listen/buy/download : 
Bandcamp : https://modernarecords.bandcamp.com/album/omkuld
Spotify : https://open.spotify.com/album/6akvgxd9939Fa5T9ftV0YY
itunes : https://itunes.apple.com/au/album/omkuld/id1046073355

Jacob David - Andachten 

composed by Jacob David

piano : Jacob David

guitar : Thomas Haahr 

ambiances : Thomas Haahr & Jacob David 

mixed & mastered by Morten Bue

-

music video : https://www.youtube.com/watch?v=yf4LZG5usUo

Jacob David - Andachten

itle: Obscured By Beams Of Sorrow 
artist: Hakobune & Dirk Serries 
Release Date:2015/9/9
Country of Origin : JAPAN
Catalog Number:WPMC025
Format(s): CD



Bandcamp
https://chiheihatakeyama.bandcamp.com/album/obscured-by-beams-of-sorrow

購入
http://whitepaddy.thebase.in/items/2002775

Track List
1 the slow movement of thought
2 harrowing surface
3 nocturnal pillars of solitude
4 obscured


Obscured By Beams Of Sorrow is the first collaborative recording between Hakobune and Dirk Serries. 
minimalistic electric guitar drone sound melody is pulling the listener into imaginary drone world.
this record has atmosphere of a deep bamboo forest with no sense of reality, such as wander.
and listener will see hallucinogenic visuals Somewhere to see scenery Such as the events in the dream and will feel sustained bass drone sound such as the Freudian obsession.
 

Vidna Obmanaとして80年代より活動するDirk SerriesとHakobuneによる初のコラボレーションアルバム。
Dirk Serries長い活動歴の中でLow, Mono, My Bloody Valentineといったアーティストのサポートアクトなどもつとめ、
現在はフリージャズと即興のためのレーベルを運営している。ギター・ドローンを基軸としたアンビエントなスタイルで2015年には
MachinefabriekことRutger Zuyderveltとのコラボレーションアルバムも発表している。
Hakobuneもまた、2007年より、多数の作品を発表し、2015年にはテクノ系のアーティストによるリミックスアルバム『Vitex Negundo Re Worked & De Constructed』をリリースした。
この作品ではお互いのギタードローンが大海を漂う波風のように、現れそして消えていく。現実感のない深い竹林を彷徨うような、
どこか見た風景のような、夢の中の出来事でもあるような、またフロイト的な強迫観念のような持続音とObscured By Beams Of Sorrow(悲しみの光により覆い隠される)が示すような、深い悲しみを伴いつつも、希望の光が包み込むようなアンビエンスが夢幻の世界へと誘う。




profile

Hakobune

Hakobune AKA Takahiro Yorifuji uses layers of guitar to create 
the sonic landscapes. Yorifuji is from a small town in Hyogo, 
Japan and currently resides in Tokyo.
http://hakobunemusic.jp/

Dirk Serries

Since his first releases in the early 80s, uncompromising Belgian artist Dirk Serries has garnered respect with his wilful and specific minimal music and various experiments from and invitations to collaborate with recognised musicians like Steven Wilson, Steve Von Till, Justin Broadrick, Cult Of Luna, Teun Verbruggen, Colin Webster, Andrew Lisle, Rene Aquarius, Dead Neanderthals and Onno Govaert. He has been commisioned to write works for Dutch national television broadcaster VPRO, the Antwerp Zoo as well as architectural festival Biënnale Rotterdam and worked on stage with the Holland Symfonia orchestra. His discography encompasses stylistically diverse releases on labels like Relapse, Projekt, Conspiracy as well as his current creative partner Tonefloat, an outfit with years of experience in vinyl editions for acts like Porcupine Tree, Robert Fripp, Theo Travis and Anja Garbarek. Over the past thirty years, he has toured extensively through Europe and the USA and performed at some of experimental music's major venues and concert spaces, as headliner or in support of Low, Mono, My Bloody Valentine, Jesu and others.  He currently runs to the Tonefloat's New Wave Of Jazz label dedicated to his fascination for free jazz and improvisation.



Hakobune

レイヤーを重ね合わせ、音風景を描く。2007年より活動を開始。
http://hakobunemusic.jp/

Dirk Serries

Dirk Serriesはベルギー出身で、８０年代初頭にデビューし、それ以来妥協のない姿勢で、ミニマルミュージック、実験音楽を続けてきた。Steven Wilson, Steve Von Till, Justin Broadrick, Cult Of Luna、Robert Fripp, Theo Travisといったアーティストとのコラボレーションも発表。また、彼はオランダの国営テレビ放送VPROや、アントワープの動物園に音楽を制作し、舞台音楽も手がけてきました。過去３０年間に渡る活動歴で、多くのアメリカやヨーロッパツアーを敢行し、Low, Mono, My Bloody Valentineといったアーティストのサポートアクトもつとめました。現在はフリージャズと即興のためのレーベルを運営しています。

all music written by Hakobune & Dirk Serries 
mixed by Hakobune
mastered by Dirk Serries 
photograph by Aurélie Scouarnec

Hakobune & Dirk Serries  / The Slow Movement Of Thought Excerpt

Remix of 'A Bevan Rotation' by Bruised Skies, original version appearing on
'Moon Zero' [CD|LP|DIGITAL]
Denovali Records · den238
available on all formats at [http://denovali.com/moonzero]

Moon Zero - A Bevan Rotation (Bruised Skies Remix)

from 'Blossoms In Red' [CD|LP|DIGITAL]
Denovali Records · den243
available on all formats at [http://denovali.com/ensembleeconomique]

Based in Californian Humboldt County, Brian Pyle wanders the world on his countless travels. Far from being restless, he has his very own Pylesque way of travelling. Much like a Lynchian version of Hemingway, he has an eye for the thin layer between restlessness and relaxation, gloom and serenity. Wherever he goes, he ardently absorbes these nuances, rarefies them and moulds them into a seamless array of glimmering styles, from drone and ambient to shoegaze and post-wave, giving birth to yet another creation of his prolific Ensemble Economique project.
On his by now eleventh album and fourth Denovali release "Blossoms In Red", Pyle combines and perfects elements of his previous output into a cohesive narrative. The opener "From The Train Window, Red Flowers On The Mountain" is a surprisingly scarce ambient piece, which feels like an almost infinitely stretched precious moment of time. Despite being austere, it is warm, sublime and incredibly captivating and after listening to its full 8 minutes, one cannot help but to rewind and replay. Having barely escaped this seductively infinite loop, one encounters the title track "Blossoms In Red" featuring Portland electronic duo Soft Metals. Starting off with a characteristic sluggish programmed beat, one is immediately overpowered by the onset of the towering combination of a warm bassline and a shimmering synth ambience. As the track flows, these elements writhe around each other in a delicately beautiful fashion, absorbing the materialising wailing guitar which almost sounds like an ethereal voice, as well as the occasional melodic and rhythmic accents. The next track sees this guitar return in a rather pure form. "On The Sand", featuring jack-of-all-trades Peter Broderick, is essentially just reduced analogue drums, electric guitar, a simple vibrating bassline and hoarse almost spoken vocals. Slowly and methodically, these constituents form a captivating erotic ritual, much like a beguiling and hypnotic mandala procession of imperturbable blissful individuals on the beach. As proven on numerous occasions, Pyle can easily lead all his trumps in the presence of female lead vocals, and "Blossoms In Red" makes no exception. Indeed, "You, By Candlelight" is easily the best Ensemble Economique track with female vox to date. Pyle manages to embed the vocals just in the right minimal amount of instrumental layers, making the track radiate an elusive tranquility. The fifth and closing track "Nothing Is Perfect" is a classically tinged piano piece with only very little processing and sparse field recording samples. With all pieces of the album, Pyle manages to create tracks which feel like being composed only of two or three layers of sound, that are nevertheless allowed to develop a life cycle which seems incredibly long - track lengths vary from 6:30 to 8:10 - but still feels just right. Thus "Blossoms In Red" is probably Ensemble Economique's most minimalistic album, but at the same time - or maybe just for this reason - his most skilled work.

Blossoms In Red

Ensemble Economique - On The Sand (feat. Peter Broderick)

Akase is the new collaborative project from Harry Agius (aka producer Midland) and songwriter/vocalist Robbie Redway. After meeting at Leeds University, the pair have been busy working together behind the scenes, building a selection of sublime tracks to present to the world that exist in the innovative cracks between musical boundaries. Influenced as much by Leeds sound-system and Dub culture as Depeche Mode or the wide electronic soundscapes of Jon Hopkins, Akase's latest single, Murmur, plays with ideas akin to both ‘Violator’-era Depeche Mode with a palette that nods to Midland's recent Aus Music releases. With the EP dropping 16th October via the K7 press play on the innovative sound of https://soundcloud.com/akase-music.

Murmur is out now and available to buy here: http://k7.lnk.to/Murmur

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Premiere: AKASE - Murmur

from the album 'pitch, paper & foil' available 11/6

christopher bissonnette 'epoch'

"Suit of Armor" appears on Birthmark's upcoming album, How You Look When You're Falling Down, out 10/16. 

Pre-order the album:
http://polyvinylrecords.com/howyoulook

Birthmark - Suit of Armor

From ‘In Return (Deluxe Edition)’, released September 18th, 2015 on Counter Records.

Download 'In Return (Deluxe Edition)’ MP3 or WAV, and pre-order ‘Light’ 10” Vinyl EP at odesza.co/irde

Upcoming In Return World Tour info and tickets at odesza.com/shows
Download our official app here: http://ODESZA.co/app

In Return (Instrumentals)

Say My Name (feat. Zyra) (Instrumental)

In Return (Deluxe Edition)

Say My Name (Live) [feat. Zyra]

Adventure Club
https://soundcloud.com/adventureclub
https://www.facebook.com/AdventureClub
https://twitter.com/adventuredub

Delaney Jane
https://soundcloud.com/delaney-jane
https://www.facebook.com/delaneyjanemusic

Artwork by Chris Cold
http://fav.me/d2l6hqe
http://chris-cold.tumblr.com

Sheepy on Spotify
http://bit.ly/MrSuicideSheepSpotify

Adventure Club - Limitless (feat. Delaney Jane)

Download Original...http://bit.ly/1QJEMyN

Fareoh
https://soundcloud.com/fareoh
http://facebook.com/fareoh
http://twitter.com/thefareoh
http://fareoh.com/

XYLØ
https://soundcloud.com/xylo100
http://facebook.com/wearexylo
http://twitter.com/wearexylo

Artwork By Jorge Jacinto
http://fav.me/d9aytvm

Sheepy on Spotify
http://bit.ly/MrSuicideSheepSpotify

Afterlife (Fareoh Remix)

XYLØ - Afterlife (Fareoh Remix)

Kaizen
https://soundcloud.com/imkaizen
https://www.facebook.com/pages/Kaizen/399206266893269
https://twitter.com/imKaizen

Artwork By Sam Verdegaal
http://fav.me/d7ju3bx

Sheepy on Spotify
http://bit.ly/MrSuicideSheepSpotify

Kaizen - Eternum

From ESB debut album. http://www.bureau-b.de/ESB.php

Oder LP, CD at https://shop.tapeterecords.com/esb-esb-y-tiersen-l-laquerriere-t-poli.html