Drones/ambient/abstract/experimental

2015 October - Liked Tracks

2k15•11

minimal

drone

ambi

Pure and solid space of the continuous and immaculate journey. Music as velvet dimension, densely texture, simplest elements and something fresh every day.
Space for people who explore, feel and experiment...

Mirrors And Ghostly Garden

segue

Title : Day Has Ended
Artist : Aaron Martin / Christoph Berg
Label : Dronarivm
Release Date : September 23
Catalogue number : DR-14
Format : CD, ltd. 250
Release page : http://dronarivm.com/2013/08/28/aaron-martin-christoph-berg-day-has-ended/ 

Aaron Martin & Christoph Berg’s split called “Day Has Ended” is a piece of quiet, intimate music, interfused with daylight and covered by a soft mist of evening dreams. This album spans the course of a day until the point where night falls.

The first part, created by Aaron Martin, is a water-colour, cool and delicate. The twinkling sun reflected itself in a slow river, transparent silvery clouds sparkle and brush the heads of drowsy trees. The closer to the middle of the album, the lower goes the gentle shadow, saturating. In the second part - Christoph Berg’s one, water-colour turns into gouache. The sound becomes more full, more sensuous, it comes in waves, like breath of a sleeping man.

Just close your eyes, be all ears and you’ll feel – the night is not silent. Sweet tune of twilight and darkness full of echo, humming blue, vague voice of the strings and clear gleaming of bright stars in a velvet sky – that is the night.

It’s a perfect and severely sincere work, slightly bittered with melancholy.

Aaron Martin is a very talented multi-instrumentalist from Topeka, Kansas who has releases on such labels as Experimedia, Preservation, Under The Spire, Sonic Meditations.

Christoph Berg is composer and sound artist currently living and working in Berlin focusing on fragile acoustic chamber music compositions. Also writes electro-acoustic music as Field Rotation. He has releases on Facture, hibernate, Denovali Records, Fluid Audio.

Curated by Bartosz Dziadosz (Pleq)
Cover painting "Where The Sea Once Was" by Richard Moult
Designed by Dronarivm Art

pre-order CD

Christoph Berg - Coda (taken from 'Day Has Ended' split CD)

The new album 'Spaces' out now on CD/2xLP/Digital via Erased Tapes.

EU order link: http://www.erasedtapes.com/store/index/ERATP055
US order link: http://www.midheaven.com/item/spaces-by-frahm-nils-cd

9/10 Drowned In Sound · 9/10 Clash · 4.5/5 Fact · 4.5/5 Resident Advisor · 9/10 Popmatters · 9/10 The Line Of Best Fit · 8.5/10 Under The Radar · 8/10 Exclaim! ★★★★1/2 Music Omh · ★★★★ The Irish Times · ★★★★ Arts Desk

‘Frahm truly excels’ 9/10 Uncut 
‘Frahm works his magic’ ★★★★ Mojo
‘The infinite elasticity of sound’ 7.8 Pitchfork 
‘Improvisatory, wild, heartfelt’ Interview Magazine
‘A fantastic record’ The Guardian Album of the Week 
‘Frahm creates something mesmerising’ ★★★★ The Observer
‘My favourite new piece of music this year’ Mary Anne Hobbs, BBC 6 Music

erasedtapes.com · nilsfrahm.com

Spaces

Says

Buy 2xLP/CD/DL

Nils Frahm - Says

from 'Fatalist: The Repetition of History' [CD|LP|DIGITAL]
Denovali Records · den161
available on all formats at http://www.denovali.com/fieldrotation

Fatalist: The Repetition of History

Field Rotation - The Repetition Of History


https://soundcloud.com/tul-pa
https://soundcloud.com/sebastiancartermusic

Photo By Julia Winter
http://www.flickr.com/photos/juliawinter/


Tulpa x Sebastian Carter x Crvvcks - Respire

anjou 'sighting'

Ólafur Arnalds and Janus Rasmussen finally release their unique Nordic electronic sounds in album size.

Pre-order the CD/2LP/DL: http://www.erasedtapes.com/store/index/ERATP062
Pre-order the DL via iTunes and receive the album version of 'Thrown' instantly: http://snip.ftpromo.net/kiasmos

After dropping several tracks and performing at select festivals throughout the years, Ólafur Arnalds and Janus Rasmussen dedicated the year 2014 to explore the area in-between Ólafur’s more acoustic, piano-based solo work and Janus’s synth-heavy electro pop, with their collaborative electronic project Kiasmos.

By focusing solely on their self-titled debut album, Ólafur and Janus have been able to combine and further develop their unique sound aesthetics to complete an album driven by their mutual love for electronic music. Made in Ólafur’s newly build studio in Reykjavík, Iceland, a majority of the album was recorded using acoustic instruments next to a variety of synthesisers, drum machines and tape delays. It features a live drummer, string quartet and Ólafur performing on the grand piano, producing an ambient, textured sound, which makes it a perfect home listen and equally danceable record. If you listen closely, you can spot them record the thumb piano, finger snapping and even the sound of the metal grinder of a lighter slowly to replace the usual electronic hi-hat sounds, giving the album a far more intimate and unique atmosphere.

“We decided to start almost completely over with this record, so most of the material is written this year with the idea of making a record that can stand as one piece rather than a collection of songs. I am very excited to get a proper record out exploring a different territory than I am used to. I touch a lot on electronic genres in my own music but never have the opportunity to go full out electronic like we do here.” – Ólafur Arnalds

“The Kiasmos project has been around since 2009, but because of all our other projects we never really got the time to sit down and write all the tracks we always wanted to. So when we early this year finally found the time to sit down and make a full length album there was so much we wanted to try out. The result surprised us a bit, it's deeper and more emotional than we imagined it to be, but that's the beauty of being able to make an album.” – Janus Rasmussen

Kiasmos – s/t will be released on Double-Vinyl, CD and Download via Erased Tapes on October 27th, 2014.

TRACK LISTING: 

1. Lit  2. Held  3. Looped  4. Swayed  5. Thrown  6. Dragged  7. Bent  8. Burnt 

LIVE DATES:	

17.08. HAMBURG (DE) - Dockville Festival			
26.09. BRUSSELS (BE) – Bozar Electronic Arts Festival
27.09. DEN HAAG (NL) – Todays Art Festival

OFFICIAL WEBSITES:  	facebook.com/kiasmos · erasedtapes.com

Kiasmos

Burnt

Kiasmos - Burnt

Akko

Hiatus
https://soundcloud.com/hiatus
https://www.facebook.com/hiatusmusic
https://twitter.com/hiatusmusic

Sheepy on Spotify
http://bit.ly/MrSuicideSheepSpotify

Download

Hiatus - Precious Little

I created this piece in Jerusalem for a cycle of psychogeographic field recordings, of which parts have been published as La Barca CD & Vinyl in 2009. 

La Barca refers here to the solar barque, or sun boat, which passes through the realms of the underworld (Duat according to Egyptian mythology) each night to reappear in the east every morning. During two years of my travels I tried to create a sonic cartography of the places I visited. 

On this track you hear recordings I did in Jerusalem in 2008.

Jerusalem 78 54' N 18 1' E Hour Nine

Limecurve - The Fade Wall

Forthcoming on The Crystal Cowboy out April 20th on Planet-Mu 

Angel Flesh

I made this when I was 16 in FLStudio. I was heavily inspired by James Holden at the time

Mat Zo Discography: smarturl.it/MATZODISCOG
Mat Zo Merch: https://matzo.merchtable.com

Sheep (2006 Techno/Tech House)

put this on a tape and sent it to Mike P and rephlex, heard nothin but always liked this one 

Ill Be Coming Home '05

Download: http://www.xlr8r.com/mp3/2015/06/dann-scrilla-sundown/

@danny-scrilla

Danny Scrilla - Sundown

From the 12 song debut from Knife Pleats "Hat Bark Beach". 

Album available now on LP & tape from Lost Sound Tapes!
https://lostsoundtapes.com/item/Knife-Pleats-Hat-Bark-Beach-Vinyl-LP-Cassette/419/c1

Digitally available exclusively from the Knife Pleats Bandcamp account: 
http://knifepleats.bandcamp.com

UK/European people can order from WIAIWYA.
https://wiaiwya.bandcamp.com/album/hat-bark-beach

CD released by Jigsaw Records.
http://jigsaw-records.com

-- 

From Impose Magazine: 

Knife Pleats is the newest project from the prolific Rose Melberg, whose past projects include Tiger Trap, The Softies, Go Sailor, Gaze, Imaginary Pants, PUPS, and several solo records. The first singles from the Vancouver-based project, which features Kaity McWhinney and Tracey Vath of Love Cuts and drummer Gregor Phillips, recall the sounds Melberg is most known for: crisp and bouncy guitar pop and heartfelt lyrics. 

On “One Step Too Far,” Melberg contemplates the passage of time (“Please don’t change too much too fast these days won’t last long”) against lively arraignments. “Terrible” is slightly more pensive, a reflection of the inner workings of a relationship. Both tracks are sure to appeals to Melberg fans old and new. 

--
credits
releases 29 September 2015 

Recorded by David Carswell 
and Gregor Phillips April/May 2015 
Mixed at JC/DC with David Carswell 
Mastered by Carl Saff 

Cover painting “Blast Off!” by Amy Greenan, 
from the collection of Daniel Handler

Knife Pleats "One Step Too Far"

available as vinyl lp for the first time 10/16

loscil 'rorschach'

from 'Blossoms In Red' [CD|LP|DIGITAL]
Denovali Records · den243
available on all formats at [http://denovali.com/ensembleeconomique]

Based in Californian Humboldt County, Brian Pyle wanders the world on his countless travels. Far from being restless, he has his very own Pylesque way of travelling. Much like a Lynchian version of Hemingway, he has an eye for the thin layer between restlessness and relaxation, gloom and serenity. Wherever he goes, he ardently absorbes these nuances, rarefies them and moulds them into a seamless array of glimmering styles, from drone and ambient to shoegaze and post-wave, giving birth to yet another creation of his prolific Ensemble Economique project.
On his by now eleventh album and fourth Denovali release "Blossoms In Red", Pyle combines and perfects elements of his previous output into a cohesive narrative. The opener "From The Train Window, Red Flowers On The Mountain" is a surprisingly scarce ambient piece, which feels like an almost infinitely stretched precious moment of time. Despite being austere, it is warm, sublime and incredibly captivating and after listening to its full 8 minutes, one cannot help but to rewind and replay. Having barely escaped this seductively infinite loop, one encounters the title track "Blossoms In Red" featuring Portland electronic duo Soft Metals. Starting off with a characteristic sluggish programmed beat, one is immediately overpowered by the onset of the towering combination of a warm bassline and a shimmering synth ambience. As the track flows, these elements writhe around each other in a delicately beautiful fashion, absorbing the materialising wailing guitar which almost sounds like an ethereal voice, as well as the occasional melodic and rhythmic accents. The next track sees this guitar return in a rather pure form. "On The Sand", featuring jack-of-all-trades Peter Broderick, is essentially just reduced analogue drums, electric guitar, a simple vibrating bassline and hoarse almost spoken vocals. Slowly and methodically, these constituents form a captivating erotic ritual, much like a beguiling and hypnotic mandala procession of imperturbable blissful individuals on the beach. As proven on numerous occasions, Pyle can easily lead all his trumps in the presence of female lead vocals, and "Blossoms In Red" makes no exception. Indeed, "You, By Candlelight" is easily the best Ensemble Economique track with female vox to date. Pyle manages to embed the vocals just in the right minimal amount of instrumental layers, making the track radiate an elusive tranquility. The fifth and closing track "Nothing Is Perfect" is a classically tinged piano piece with only very little processing and sparse field recording samples. With all pieces of the album, Pyle manages to create tracks which feel like being composed only of two or three layers of sound, that are nevertheless allowed to develop a life cycle which seems incredibly long - track lengths vary from 6:30 to 8:10 - but still feels just right. Thus "Blossoms In Red" is probably Ensemble Economique's most minimalistic album, but at the same time - or maybe just for this reason - his most skilled work.

Blossoms in Red

Ensemble Economique - From The Train Window, Red Flowers On The Mountain

from the album 'where all is fled' available 9/25

steve hauschildt 'sundialed'

Howl - Pitch Drifting

SMILE sophomore LP out on SMOOCH RECORDS Febuary 2015

http://www.smoochrecords.org/

@smoochrecords 

Boundless Plains To Share

Free Download

High

Taken from the forthcoming, self titled Arthur Miles LP.

Now available for pre-order via Bandcamp.

Pre-Order on Bandcamp

Arthur Miles - Navajoa

'Howl' is the new album by Rival Consoles, London-based electronic producer Ryan Lee West, set for release through Erased Tapes on 16th October 2015.

Pre-order it on (Ltd. Red) 2xLP · CD · DL here:
www.erasedtapes.com/store/index/ERATP076
or via iTunes: http://snip.ftpromo.net/howl

Foremost a guitarist, growing up listening to rock rather than club music, West continues to strive towards finding a more personal balance between music for home listening and larger spaces. The title track was inspired by the howl-like tones he developed by running synths through guitar pedals. 

"By slowly drifting the pitch through distortion and delays, the result sounded like vocal cries – something which was perfect for the song and this inspired me to take on a darker set of tones across the whole album. It was made over the past few years, inspired by capturing small performances on synths, touring with some of my musical heroes, playing with feedback when I should have been catching a train, sampling my voice in unexpected conditions and recording textures in different countries.” 

The album explores a wide range of emotions; from the dissonance eruptions and primal rhythms in 'Howl', to the mournful improvisations of '3 Laments', which features a sample of his own voice. Alongside his performances on Moog, Prophet, tape delay and guitar, West enlisted the help of drummer Fabian Prynn for ‘Low’ and cellist Peter Gregson for ‘Walls’, both long-time collaborators of Erased Tapes peers Douglas Dare and Michael Price.

"This album features a lot of my own recordings, rather than simply using samples that I have sitting on my computer. This gives the album a more personal feeling, which is very important to me because I think we live in a time where there is just so much recorded material out there, and accessible at a click of a button, that the joy of recording your own drum sounds, your own percussion, your own claps, seems redundant – but it’s not! That should be a priority because its often more interesting and makes you choose a different creative path."
 
It’s rarely reported that Rival Consoles was Erased Tapes' very first signing, with a CDR of early demos under the name Aparatec that inspired founder Robert Raths to start the label. Indeed West has more in common with his contemporaries Nils Frahm and Peter Broderick than some might think. His consistent desire to create a more organic, humanised sound sees West often draft early ideas on traditional, acoustic instruments like the guitar or the piano; forming pieces that capture a sense of songwriting behind the electronics. 

"I try to create atmosphere and mood throughout with a less-is-more approach to composition. I'm always trying to find an exciting reaction from a few ingredients, because that is magic to me. To make something interesting with tons of layers of effects just doesn't excite me. But to make something interesting with just three layers requires a special alignment of sounds, ideas and timing. This is my most personal work to date, following on from 'Odyssey' and 'Sonne' which gave me the confidence to continue exploring my own ideas and approach to sound. The essence of this album was made with a few synths, some guitar pedals and lots of cups of tea. I hope you’ll enjoy it."
 
Having repeatedly performed at such prestigious venues as the Tate, and having created a bespoke audio-visual performance for Boiler Room at the V&A Museum, the blueprint for West’s current live A/V show was formed. Featuring self-programmed visuals in Max/MSP has earned him appearances at music festivals around the world including Mutek, Decibel, Big Ears and Berghain’s Pop-Kultur Festival, as well as tours in support of Clark, Nosaj Thing, Luke Abbott and Kiasmos.

October 2015 will see West perform Rival Consoles debut headline shows in the UK, followed by North America and Europe mainland dates throughout the winter months. 

Howl

Ghosting

Rival Consoles - Ghosting

Hakobune - Mizukagami (cs/digital)
SP-63 | Available Oct. 30th 2015.

PRE-ORDER: http://www.sacredphrases.com/product/hakobune-mizukagami/

Hakobune 'Shizuoka'

Order CD + Digital here: https://futuresequence.bandcamp.com/album/subsiding 

Prominent Iranian artist Siavash Amini continues a triptych of works with ‘Subsiding’, an album of instrumental ambient drone. His most full and detailed sound to date illustrates Amini’s ability to bring together modern classical composition with that of controlled noise, granular synthesis, and atmospheric soundscape. Both monolithic and micro sound sculptures coexist within a perfect balance, a mix which makes for an all encompassing listen across the audio spectrum, funereal yet uplifting.

Complete with striking cover photography by Alex Kozobolis, “Subsiding” will be available on glass-mastered CD in digipack sleeves (run of 200) and digital formats.

Subsiding by Siavash Amini

Taken from PERILS - S/T (Pathway010)
PERILS is Benoît Pioulard and Kyle Bobby Dunn.

Mutual admirers of each other’s work, Thomas Meluch (Benoît Pioulard) and Kyle Dunn (Kyle Bobby Dunn) endeavored to put together a collaborative recording that ruminates on painful realities, disappointments, and transitioning to new homes, in the hopes of finding a coping mechanism to bring them through to the other side.
PERILS began auspiciously in 2012 at transitional points in these artists’ lives. Kyle was living in a small town called
Belleville, Ontario trying to complete Kyle Bobby Dunn and The Infinite Sadness (Students of Decay) and coming to grips
with the fact that this great endeavor was at its end. Given the enormity of the record and the emotionally and physically
exhausting process of recording the album, Kyle found himself drained with unforeseen questions and confusions. Working only at night, Kyle immersed himself into this newfound nocturnal work, finding a path in the midst of wondering. Thomas, meanwhile, was in a state of literal transition: uprooting from the UK and relocating to Seattle during the recording process of PERILS. In a state of flux, nearly drowning under the anxieties of living on uncertain ground, Thomas channeled these emotions into musical escapades. Thomas recorded in his spare moments, sending sonic puzzle pieces one by one to Kyle, who would in turn explore the musical sentiments Thomas had shared, adding his own billowing sounds to the seething mix.
The ten pieces created for this release are culled from a poutine- and whisky-fueled trudge through the dark corridors of an as-yet undiscovered or possibly imaginary mystic temple. Commencing with the shimmering guitar and tape loops of “Colours Hide My Face,” the album crawls out of the grooves with a slow-churning turmoil, coaxing the listener to embark along its path. The dirge-like guitar clang and vocals of “(Dead in the) Creekbed Blues” could be an 18th century blues standard emitted from a buried radio. On PERILS, Thomas Meluch and Kyle Bobby Dunn lock arms and together chart the upheaval in their lives to bridge the liminal gulf between the once-was and the soon-to-be.

PERILS - Leveled

from 'Scandinavia' [CD|2xLP|DIGITAL]
Denovali Records · den245
available on all formats at [http://denovali.com/multicastdynamics]

Samuel van Dijk is an electronic music producer, sound designer and media artist from the Netherlands, having released electronic music under a variety of projects, namely, Mohlao and VC-118A. With his current project Multicast Dynamics he creates ever-evolving sound textures culminating in intriguing soundscapes while preserving a tranquil cinematic atmosphere. Drawing inspiration from nature, technology, film and fiction, his music productions, live sets and audiovisual work presents a carefully arranged, recorded and processed body of work, using a vast amount of layered sound textures, field recordings and live improvisation. In May 2015, Denovali Records released the first two albums of a four part series by Multicast Dynamics, conceptually linked by our undeniable connection with nature and its wide range of landscapes, colors and movement. Now the third album called SCANDINAVIA follows in October 2015??.  The album series moves from an evolutionary to a cosmological scale: Starting from dry land filled with light and streams, to the constantly changing surfaces of the oceans, into a frozen and murky underwater world, finally up to the arrival in an interstellar space and the cosmos. With this concept Multicast Dynamics explores organic and aqueous worlds in a dreamlike and spiritual appearance.

SCANDINAVIA is the third installment in the four part series. Assembled during the coldest season, it’s an album full of contemplative electronic recordings, created by the use of granular synthesis, obscure delay units and rudimentary looping techniques on magnetic tape. Recorded with a longsighted outlook, SCANDINAVIA features washes of subdued tones and textures as well as melancholic and warm sounding pulses of noise - all characterized by distinctive aquatic features. Steadily flowing, but slowly awakening the album draws frozen remote landscapes ranging from dark, cold and desolated to melting, warm and hope.
SCANDINAVIA opens with a bleak arctic environment in deep hibernation, where echoes of glacial bursts cut the silence. An undulating mass of viscous ambience sends out blurred out signals through the storm. In this inhospitable surrounding of frost and ice slow changes appear. The form of the landscapes alters and the cold air no longer hinders the breathing. Slowly meltwater seeps out underneath thick layers of ice, slowly building up in momentum and space. Layers of hypnotic atmospheres with barely perceptible undercurrents, brooding pulses of bass and tonal patterns lead to the core of the sonic landscape. Gently radiant layers of light and soil emerge and aquatic echoes expose new paths. The water is harnessed. Preparations for a long journey have begun.

Scandinavia

Multicast Dynamics - Scandinavia

Bersarin Quartett - St. Petersburg

Vibrational Studies (In Echospace)

Moby - Go (Mrt's ambient one loop remix)

Another sneak preview from Christoph Berg's upcoming album 'Paraphrases'...

Christoph Berg - A Small Path Crossing

Bersarin Quartett's exclusive contribution towards Headphone Commute's benefit compilation "... and darkness came"

Please help us raise funds for our humanitarian cause by purchasing a 67 track compilation for only $10 through bandcamp:

http://headphonecommute.bandcamp.com