Gabriel helgisson

Plus récente récolte de nouveautés musicales, une généreuse portion aux sonorités recherchées, fraîchement servie. Cette liste de lecture fait écho à l'article portant sur les parutions de la semaine et les spectacles à ne pas manquer à Montréal publiée ici => www.boulimiquedemusique.net

Parutions du 5 février 2016

multicast dynamics

Les nouvelles parutions musicales que l'on retrouve énumérées à la chronique hebdomadaire publiée ici --> www.boulimiquedemusique.net

Parutions du 27 février 2016

MAR16A

submission

Holy Mountain Records NEWS 01 2016

Sounds of Tracks

***
The album 'Visitations' is now available on Bandcamp, and other good download/streaming sites:

alexanderharvey.bandcamp.com/album/visitations
***


Here is something a bit different...

My friend Alexander recently gave me a selection of ambient tracks that he has been working on for a while. I thought they were amazing and made this short mix, which I want to share with you all.

For fans of Brian Eno, Tim Hecker etc

Check out his other work here: https://soundcloud.com/alexander_harvey

Alexander Harvey - Visitations #1 (Download)

First extract from the upcoming EP to be released on XVIIIEMEPENINSULE in September 2014.

https://www.facebook.com/antonoak
https://www.facebook.com/XVIIIEMEPENINSULE
www.XVIIIp.com

Bruises

Satisfied (Original Mix)

Ocoeur - North

from 'Silence Is A Rhythm Too' [CD|LP|DIGITAL]
Denovali Records · den207
released along with 'Splintered Instruments' [CD|LP|DIGITAL]
Denovali Records · den206
both records available on all formats at [http://denovali.com/matthewcollings]

MATTHEW COLLINGS is a Scotland-based composer. Not only being a solo recording and live artist, he collaborates regularly with artists from all kinds of fields including musicians (e.g. Dag Rosenqvist from JASPER TX and Denovali label mate TALVIHORROS), dancers and filmmakers. He’s responsible for several installations using custom-made software, which have been exhibited at Burning Man Festival in San Francisco or Glasgow's Centre for Contemporary Arts. His work for films includes a specially commissioned live score for Dziga Vertov’s 1929 silent classic, ‘The Man with the Movie Camera’ and an invitation to work on ‘The Invisibles’, a commission from Amnesty International. Before settling down in Edinburgh, he lived in Iceland for six years, where he wrote a number of albums issued under the name of his lo-fi/ambient project “Sketches for Albinos” and where he met fellow collaborator Ben Frost. His music can be roughly described as 'an elemental whorl of electro-acoustic (de)composition' (Boomkat.com), ranging from tiny delicate moments of intimacy to all consuming noise. Strongly influenced by avant-garde guitar music, it calls the minimal music of Steve Reich or Gavin Bryars to mind in like manner. Having received remarkable praise for his debut “Splintered Instruments”, Denovali Records is re-releasing the debut album accompanied by the release of his new and second full length album entitled “Silence Is A Rhythm Too”.

While looking back to an extensive period of creating music with his ambient project “Sketches for Albinos” Collings felt the urgent necessity of starting with a completely different approach to music, as the ambient aesthetic didn’t match any longer with new ideas burgeoning in his head. He wanted to create a more direct sound to involve a much grander and more dangerous range of emotions. The composition process of “Splintered Instruments” came out of personally reckoning with two contrary forces, something vicious and unrelenting challenging with a soft and kind energy – getting to their core and the dynamic interrelation to one another Filtered through melody and vaguely resembling songs, driven by nested rhythm patterns, one can imagine that the first sound Collings picked up on as a leading impulse “was like Sonic Youth’s ‘The Diamond Sea’ meeting ‘Music for 18 Musicians’. I wanted to take songs and kind of dissolve them and then bring them back again, with everything just being on the edge of these various types of structures.”

He worked closely with Ben Frost on the creation of “Splintered Instruments”, who took influence in the physicality and size of sound and helped to achieve him to reach into the deepest parts of human nature, pulling it out in a hybrid-pop-experimental-noise form. According to Collings, the record is “a revolt against machines” understanding the sense of precision as something pretty unnatural. He avoids working with computers only using them for convenience, not as a principle. 90% of the record is organic sourced from or played on acoustic instruments or objects, being drawn to sound of every kind which is more human, more imperfect in its subtle variations. Splintered Instruments '…is not about noise or the decibel levels – it’s about the sheer uncompromised approach to raw sound design' (Headphone Commute).

The title of the record 'Silence Is A Rhythm Too' goes back to a line from a 1980ies punk/new wave song by The Slits called 'In The Beginning There Was Rhythm', though Collings has mostly been pre-occupied creatively by an idea of painter Mark Rothko upon creating the album. Following Rothko’s statement, that the only things worth making art about were romance, tragedy and death, Collings condensed and transferred this thought to the antithesis of life and death represented by noise and silence.
“Silence Is A Rhythm Too” isn’t conceived as the absence of sound like a Cageian silence that is simply a span of time that is empty, but rather how silence and sound can be processed in a composition. Collings interest is musically based on huge densities of sound just as he’s fascinated by opposing forces to wrestle with each other. Silence seems to be harder and harder to achieve in this technologically saturated age and Matthew Collings admits that it reveals the habits of his own hearing, from being obsessed with its opposite: noise. “Silence Is A Rhythm Too” is about trying to find grace, space and expanse as much as tension and menace, and reconciling the two.

Stepping away from song-like structures, which filled his previous record, “Splintered Instruments”, Collings creates more spacious sounds and evokes the impression of time stretched through the three dimensions. Still being intrigued by the idea of materials on the edge of collapse, he catches them up in their dying breath: The record is full of these processes, including prepared amplifiers and electronics pushed to the extreme to coax new sounds, close-micing and high volume. Despite the fact that most of his work is mediated by technology, he’s far more excited by the sound of acoustic. Featuring brass ensembles and a string quartet the instruments and sounds are full of cracks, breath, embedding rough materials informed by luscious intentions. “Silence Is A Rhythm Too” keeps an eye on the small textural details as it is about harmony and physicality in the moment where silence and noise meet.

Silence Is a Rhythm Too

Matthew Collings - Toms

*** Aug 2012 Update *** Benz Bargain Bin Bossa is now included on the debut Daytoner LP, 'Sunburst Radio' (Wass 009 - Released 27th August 2011.)

'Benz Bargain Bin Bossa' was also previously released in May 2011 on limited edition 7" vinyl - Club Tikka 45 Vol 5 / MUTO 017 (Germany) 
This version is a 2010 update of a track made years ago in a session with local funk legend, DJ Benz, a pair of 1200's and his amazing 7" vinyl box. Many thanks to Helmut at Legere Recordings and Mr Confuse for putting this out on good ole wax and thanks to DJ Benz for an enjoyable evening of rifling through the vintage vinyl.

Here's what MUTO / Club Tikka / Legere Recordings said in their press release for the 7" vinyl...

"Here it is, Volume 5 in the Club Tikka 7inch series. Do you to popular demand we put Daytoner’s mighty glam funk workout of Mr. Confuse’s, "Hurricane Jane“ from his Légère Recordings download album - "Feel The Fire: The Remixes“ on the A-side of this very limited vinyl edition. Turn the single over and you will find Daytoner & DJ Benz’s much talked-about South-England lowrider bossa groove, better known as "Benz Bargain Bin Bossa“ in its full physical beauty"

Scratches & Samples: DJ Benz (Ben Whiston)
Additional Sounds, Arrangement & Production: Daytoner

'Sunburst Radio' is released in all digital download formats on 27th August 2012 in various online stores including iTunes, Juno, Beatport, Amazon etc 
http://itunes.apple.com/gb/preorder/sunburst-radio/id548907450

The LP will also be released on imited edition vinyl, a week after the download release (approx 3rd September) at Kudos, Juno and various online vinyl stores eg 
http://www.juno.co.uk/artists/Daytoner/

Wass Records 009 
www.wassrecords.com 
www.daytoner.net

iTunes

Benz Bargain Bin Bossa

My October Sound Garden show broadcast on 16th October 2014 www.friskyradio.com

https://www.facebook.com/nickwarrenhope
http://instagram.com/djnickwarren
https://twitter.com/djnickwarren
djnickwarren.com/

Free Download

Soundgarden October 2014

Extract from the upcoming EP "Mineral" To Be Released On @XVIIIEMEPENINSULE early 2015.

www.XVIIIp.com


Buy EP

Opale

from 'Scape' [CD|LP|DIGITAL]
Denovali Records · den230
available on all formats at [http://denovali.com/multicastdynamics]

Samuel van Dijk is an electronic music producer, sound designer and media artist from the Netherlands, having released electronic music under a variety of projects, namely, Mohlao and VC-118A. With his current project Multicast Dynamics he creates ever-evolving sound textures culminating in intriguing soundscapes while preserving a tranquil cinematic atmosphere. Drawing inspiration from nature, technology, film and fiction, his music productions, live sets and audiovisual work presents a carefully arranged, recorded and processed body of work, using a vast amount of layered sound textures, field recordings and live improvisation. To be released end of May 2015, Denovali Records announces the first two albums of a four part series by Multicast Dynamics, conceptually linked by our undeniable connection with nature and its wide range of landscapes, colors and movement.

The album series moves from an evolutionary to a cosmological scale: Starting from dry land filled with light and streams, to the constantly changing surfaces of the oceans, into a frozen and murky underwater world, finally up to the arrival in an interstellar space and the cosmos. With this concept Multicast Dynamics explores organic and aqueous worlds in a dreamlike and spiritual appearance.

The first installment of the series is entitled "Scape". Assembled with the use of analogue synthesizers, field recordings and lo-fi outboard effects, the album was constructed with a sporadic and spontaneous approach to sound and technique. This results in an array of calming, intriguing tracks with a fluctuating character and organic quality. Mysterious crackles, subtle hisses and washes of gloomy sounds reveal a dense approach to composition, processing and recording resulting in an introspective, ethereal and intense listening experience. 

Scape

Multicast Dynamics - Valo

from 'Aquatic System' [CD|2xLP|DIGITAL]
available on all formats at [http://denovali.com/multicastdynamics]

Samuel van Dijk is an electronic music producer, sound designer and media artist from the Netherlands, having released electronic music under a variety of projects, namely, Mohlao and VC-118A. With his current project Multicast Dynamics he creates ever-evolving sound textures culminating in intriguing soundscapes while preserving a tranquil cinematic atmosphere. Drawing inspiration from nature, technology, film and fiction, his music productions, live sets and audiovisual work presents a carefully arranged, recorded and processed body of work, using a vast amount of layered sound textures, field recordings and live improvisation. To be released end of May 2015, Denovali Records announces the first two albums of a four part series by Multicast Dynamics, conceptually linked by our undeniable connection with nature and its wide range of landscapes, colors and movement.

The album series moves from an evolutionary to a cosmological scale: Starting from dry land filled with light and streams, to the constantly changing surfaces of the oceans, into a frozen and murky underwater world, finally up to the arrival in an interstellar space and the cosmos. With this concept Multicast Dynamics explores organic and aqueous worlds in a dreamlike and spiritual appearance.

Aquatic System" is the second installment of the series, written and composed in two remote geographical places – namely at waters in Finland and Fuerteventura. Inspired by the complexity of water, its movement, various forms, inhabitants and hidden energy, the album was assembled mainly using synthesizers and processed field recordings of the ponds, streams, lakes and oceans of the different locations. With a vibrant story and conceptualization the focus lies in taking the listener on a observing, thoughtful and reflective journey through the aquatic system of our waters. Aquatic System opens with an impression of a frozen surface imagining icy and calm underwater movements underneath. Soon a slow process of melting begins and while the water starts to move in tiny streams of sound, small lifeforms evolve, curiously sending out small pulses in their flowing and constantly moving habitat. The aquatic nature awakens. Zooming out to larger waters high frequencies arise and colliding forms become audible. Larger marine life forms can be faintly heard when entering a much wilder environment, sensing sound-swirls of wind, foaming water tops and impressive large waves crashing on dark rocks. Finally ending at the shore, where the great ocean appears on the horizon, the environment is surrounded with moisture. From the calm reflective landscape derives an inward moment, recalling the organic and atmospheric quality of the sound journey.

"Aquatic System" has been developed into an audiovisual performance together with visual artist Emilia Kwiatkowska and was performed several times in Spain and Finland, before the music has been finalized for the album. 

Aquatic System

Multicast Dynamics - Vascular

Here is my Soundgarden Radio show from June. Enjoy!
www.friskyradio.com

djnickwarren.com/
www.facebook.com/nickwarrenhope
twitter.com/djnickwarren
@hoperecordings

Nick Warren presents Soundgarden (June 2015 part 1)

The first Musik For Autobahns was a delight: softly-softly ambient and subtle cuts from the likes of Move D, Suzanne Kraft, Roman Flügel and plenty more besides. Even amongst Rush Hour's bounty that year, it stood proudly out. A ripple of excitement went through BR HQ upon finding out Gerd Janson was lining up a second, with no shortage of marquee signings all coming correct with their A game.

A number of heads come together to translate these thoughts into sound - from Fort Romeau's Drive-esque "Seleno" joyride through to the propulsive "Melancholy" of Disco Nihilist. Perhaps none elicit as many feels as the enveloping opener from Leon Vynehall though.

As well as being a mesmeric mimic of accelerating down Bundesautobahn 5 at daybreak, "Midnight on Rainbow Road" got our Debut nod for three main reasons: firstly, it kicked off last year's sublime set from Gerd & Ata (so, about time); second, it's a welcome return for Mr Vynehall after a richly deserved breakout year; third, dude's got previous with N64 titling. And that's something we can all get behind.

Musik For Autobahns 2 is out in September. Pre-order it here: rushhourmusic.bandcamp.com (digital) + http://bit.ly/Autobahns_2 (physical)

Pre-order

Leon Vynehall "Midnight On Rainbow Road" - Boiler Room Debuts

Written, produced, recorded and mixed by Oyster Node
Mastered by Pieter De Wagter at EQuuS Studio
Artwork by Gaëtan Gauthier
(p) & (c) 2015 Oyster Node

Oyster Node - Laud

from 'Scandinavia' [CD|2xLP|DIGITAL]
Denovali Records · den245
available on all formats at [http://denovali.com/multicastdynamics]

Samuel van Dijk is an electronic music producer, sound designer and media artist from the Netherlands, having released electronic music under a variety of projects, namely, Mohlao and VC-118A. With his current project Multicast Dynamics he creates ever-evolving sound textures culminating in intriguing soundscapes while preserving a tranquil cinematic atmosphere. Drawing inspiration from nature, technology, film and fiction, his music productions, live sets and audiovisual work presents a carefully arranged, recorded and processed body of work, using a vast amount of layered sound textures, field recordings and live improvisation. In May 2015, Denovali Records released the first two albums of a four part series by Multicast Dynamics, conceptually linked by our undeniable connection with nature and its wide range of landscapes, colors and movement. Now the third album called SCANDINAVIA follows in October 2015??.  The album series moves from an evolutionary to a cosmological scale: Starting from dry land filled with light and streams, to the constantly changing surfaces of the oceans, into a frozen and murky underwater world, finally up to the arrival in an interstellar space and the cosmos. With this concept Multicast Dynamics explores organic and aqueous worlds in a dreamlike and spiritual appearance.

SCANDINAVIA is the third installment in the four part series. Assembled during the coldest season, it’s an album full of contemplative electronic recordings, created by the use of granular synthesis, obscure delay units and rudimentary looping techniques on magnetic tape. Recorded with a longsighted outlook, SCANDINAVIA features washes of subdued tones and textures as well as melancholic and warm sounding pulses of noise - all characterized by distinctive aquatic features. Steadily flowing, but slowly awakening the album draws frozen remote landscapes ranging from dark, cold and desolated to melting, warm and hope.
SCANDINAVIA opens with a bleak arctic environment in deep hibernation, where echoes of glacial bursts cut the silence. An undulating mass of viscous ambience sends out blurred out signals through the storm. In this inhospitable surrounding of frost and ice slow changes appear. The form of the landscapes alters and the cold air no longer hinders the breathing. Slowly meltwater seeps out underneath thick layers of ice, slowly building up in momentum and space. Layers of hypnotic atmospheres with barely perceptible undercurrents, brooding pulses of bass and tonal patterns lead to the core of the sonic landscape. Gently radiant layers of light and soil emerge and aquatic echoes expose new paths. The water is harnessed. Preparations for a long journey have begun.

Scandinavia

Multicast Dynamics - Massa

(T. Berland - I. Khan-Acito)
Produced by Thibaut Berland and Irfane Khan-Acito
Vocals performed by Sarah Ydoux & Irfane
Bass guitar : Jim Grandcamp
Additional keyboards : David Berland
Mixed by David Berland at Audiotape Studios, Paris
Mastered by Chab at Translab, Paris
Published by Headbangers Publishing / Because éditions
Photography : Philippe Jarrigeon
Stylisme : Claire Ledoeuff

(p)&(c) 2016 Ed Banger records 

Say hello to Breakbot
www.soundcloud.com/breakbot
www.facebook.com/breakbot
twitter.com/breakbot
instagram.com/breakbiche

Still Waters

Breakbot - Back For More

Multicast Dynamics - Scandinavia

A1 - Christian Löffler - Lost
A2 - Christian Löffler (Lake People Remix)
B1 - Christian Löffler - Unknown
B2 - Christian Löffler - Unknown (Nuno Dos Santos Remix)


Christian Löffler

Christian’s sound comes from a small city next to the Baltic sea.
“Lost” between landscapes, his music expresses a unique vibe drifted from a dialogue through an inspiering nature.
Walking alongside “unknown” paths, passing through misterious boundaries of a unique soul.

Lake People’s interpretation is a strong melting pot of different energies.
Breaking through a journey that brings flashbacks of a stroboscopic basement, flashing lights and a tipsy dance floor mood.

Nuno Dos Santos is a magnetic translation of a dialogue between soulful ambients and dark atmosphere.
Hidden voices whisper melancholic anthems of a never ending night.

www.just-this.org

Christian Löffler - Lost Ep - Snippets [Just This 006]

from 'Outer Envelopes' [CD|LP|DIGITAL]
Denovali Records · den248
available on all formats at [http://denovali.com/multicastdynamics]

Samuel van Dijk is an electronic music producer, sound designer and media artist from the Netherlands, having released electronic music under a variety of projects, namely, Mohlao and VC-118A. With his current project Multicast Dynamics he creates ever-evolving sound textures culminating in intriguing soundscapes while preserving a tranquil cinematic atmosphere. Drawing inspiration from nature, technology, film and fiction, his music productions, live sets and audiovisual work presents a carefully arranged, recorded and processed body of work, using a vast amount of layered sound textures, field recordings and live improvisation. In May 2015, Denovali Records released the first two albums of a four part series by Multicast Dynamics, conceptually linked by our undeniable connection with nature and its wide range of landscapes, colors and movement. Now the third album called SCANDINAVIA follows in October 2015.  The album series moves from an evolutionary to a cosmological scale: Starting from dry land filled with light and streams, to the constantly changing surfaces of the oceans, into a frozen and murky underwater world, finally up to the arrival in an interstellar space and the cosmos. With this concept Multicast Dynamics explores organic and aqueous worlds in a dreamlike and spiritual appearance.

'Outer Envelopes' is the fourth and final installment in the four part album series. 
It is a continuation of exploring, written on a grid of time by constructing auditive scenes. Technically the album was composed using noise generators, home-made modular synthesizers and experiments with voltages - in short, by combining analogue and digital technology. The album is complimentary to the previous three albums and their logical continuation at the same time. Focused on the animated world of sound, van Dijk transmits celestial soundwaves to discover new uncharted sonic territories. He sends a time capsule out into a fictional space, exploring the unknown and placing sonic beacons which create eerie soundscapes and detailed textures.

Outer Envelopes

Multicast Dynamics - Sonar

from 'Tiento de la Luz' [CD|LP|DIGITAL]
Denovali Records · den249
available in February on all format at [http://denovali.com/thomaskoner]

Tiento de la Luz

Thomas Köner - Tiento De La Luz 5

IT'S BEEN TOO LONG

Ketev - Traces Of Weakness - 01 Probabilities Of A Stranger's Eyes

Released on February 5th, 2016.

Digital: smarturl.it/istheisare
Physical: www.omnianmusicgroup.com/products/is-the-is-are

DIIV // Is The Is Are

BUY ON ITUNES

Tom Holkenborg aka Junkie XL - Maximum Effort (Deadpool OST)

Buy vinyl=> http://www.somarecords.com/shop/music/soma_452/

DEEPCHORD | Atmospherica Vol. 2
[SOMA452]

A1. Exploring The North
B1. Pinewood Lodge
B2. Shot Point

Atmospheric Vol 2 is the second single to be taken from Deepchord’s latest full length but sees him stray from the album tracks, bringing 3 exclusive pieces to the vinyl, keeping in the same musical vein as Ultraviolet Music. 

Exploring the North & Pinewood Lodge see Rod Modell on more Deep Techno excursions as beautifully sweeping pads and glistening synths drift by ever evolving, perfectly processed atmospheres. Deepchord’s unique use of subtle field recordings throughout give both of these tracks a real heady/druggy quality and his seamless loops allow you to drift of into his fully developed dream world. Shot Point delves into straight up ambient territory with Deepchord striking an unearthly balance between the natural and synthetic world. Yet more flawlessly collected field recordings wash away on an ocean of reverb soaked pads, drowning the listener within its mesmerising tides.


Atmospherica Vol. 2

Shot Point

B2. Deepchord - Shot Point (Soma 452)

New single from Talk to Me so I Can Fall Asleep, the debut LP from Seattle electronic duo Crater, due out on February 26, 2016 on Help Yourself Records.

Pre-order Talk to Me so I Can Fall Asleep: 
Help Yourself (vinyl): www.shophelpyourselfrecords.com
iTunes: https://itunes.apple.com/us/album/talk-to-me-so-i-can-fall-asleep/id1055515824

Follow Crater on
Soundcloud: www.soundcloud.com/crater
Facebook: www.facebook.com/craterbabes
Twitter: www.twitter.com/craterbabes
Instagram: @craterbabes

Follow Help Yourself Records on
Facebook: www.facebook.com/helpyourselfrecords
Twitter: www.twitter.com/HYRecords
Soundcloud: @helpyourselfrecords

Crater - Summer Skin

A visionary in electronic music since the mid-1990s, one of the UK's longest players Ed DMX [aka DMX Krew] returns this month with You Exist – nine tracks of skilfully crafted electronic sounds coming out on Hypercolour. The feel of the release is largely retrospective, honing all avenues of DMX Krew's musical roots – from floor-to-wall house and techno territory, to more contemplative IDM. The upbeat nature of "Woolly Hat" exudes an optimistic feel – with its bouncing bass line and shiny synths leaving a residuary glow after the initial melodies have played out. 2+ decades on, DMX Krew proves to be as engaging as ever, satisfying listeners everywhere with a release as consistent as You Exist.

Pre-Order

DMX Krew "Woolly Hat" - Boiler Room Debuts

Order: bit.ly/1lhkzoR

Artist: Public Memory 
Album: Wuthering Drum 
Label: felte
Release Date: March 18, 2016

http://felte.net/
https://www.facebook.com/thepublicmemory

Wuthering Drum

Zig Zag 

Public Memory - Zig Zag

Orginal track from KCPK  feat STS 
Digital release : 26/02/16 
[PIAS] France

WHO WANTS IT  feat STS

https://soundcloud.com/klose-one has become one of London’s most respected underground DJs. Rolling through the realms of house, techno and the darkish of UK bass music, the Swamp81 affiliate now steps out into his own with his new label and project One One One. The project is in collaboration with up with classically trained German musician, composer and producer Soundcloud.com/clausfuss Claus Fuss, and is as you imagined from the style of Klose's DJ sets, deep dark with shimmers of light that shine through for that extra subtle element of finesse.  

https://soundcloud.com/klose-one
Soundcloud.com/clausfuss 
http://i-D.co

Premiere:  One One One - A

M. Ward - I'm Listening

Burial "Fostercare" Marcelo Vasami Remix
Kosheen DJ'S "I Need You"
Jamie Woon "Night Air" Seimon &amp; Ade Remix
Jackin Rabbit "Blame"
Soy Mustafa "Return Of The Anunnaki" (John Tejada Remix)
Guy Gerber "Timing"_Kollektiv_Turmstrasse_Remix
Matador IE "Mambo"
Benoit &amp; Sergio "Count The Ways"
Victoria R "Cosmos"
Midnight Ramblers "Scarab"
Nick Warren "Rumbletump" Microtrauma Remix
Tom Glass "Naive" Nick Warren's Psychedelic Wheel Remix
Silicone Soul "Live From The Opium Den"
Pearson Sound "Blanked"
Damabiah "Irminsul Le Pilier Du Monde"
Deepfunk "Upon A Lilac Sea"
 Walsh &amp; Coutre vs. Darin Epsilon "Detour on 44" Dousk mix 
Hartmut Kiss "Water Games" Eelke Kleijn"s Vintage Remix
Nick Warren "Buenos Aires" Original Mix
Microtrauma "Circulate" Morris Cowan Remix

Nick Warren : Soundgarden on Frisky Radio : Dec 2011

Multicast Dynamics [ Field Records ] Netherlands

The mix has a mixture of influences between Asian landscapes, film noir soundtracks, grass fields by night and audiovisual surfaces of the inner space.
Not much to add other than that, just a collection of tracks that help to put my mind to a rest in all todays hectics. － Samuel van Dijk 

Multicast Dynamics aka Samuel van Dijk delivered this much expected mix to us in the beginning of Spring. This mix took us a long time to listen repeatedly, from the moment it starts to the end, we were deeply indulged in the dreamlike whirls. Such feeling lingers apart from the change of the surrounding, it even strengthens with intense stimulation. His music is rich with levels of creativity, and there are also entrances and exits; it doesn’t lose itself because the change of the environment. If you want to obtain more of his information, you can check out field records or his sound cloud. Enjoy.

http://fieldrecords.nl
http://soundcloud.com/mohlao

http://www.smkmachine.com 
http://www.facebook.com/SmokeMachineOfficial

Release date // 29th March 2012

UN #13 Multicast Dynamics

Peter Gabriel and Robert Fripp - Here Comes the Flood

Filastine’s Burn It is one of those rare debut albums that reveal an artist operating at the height of their powers. A Hip-Hop backbone supports live polyriddims, collaborating musicians, lush electronica, field-recordings, and an array of guest MCs and singers. The result is genuinely fresh, streetwise, and solid. From start-to-finish. 
Burn It redefines the term “laptop artist” as someone who uses portability to record and produce anywhere. While Burn It will satisfy beat-heads, the album also exhibits a deeper musicality. Check the upright bass, horns, and sultry French vocals of “Palmares” (track 3) or the trio of singers on “Ja Helo” (track 14). “Quémalo Ya” (track 2) was composed on a Brazilian rooftop with vocals tracked in Havana, while Filastine assembled his studio in the medina square of Marrakesh to get the snake-charmer flutes of “Judas Goat” (track 5). If you were to circle the Earth a few times, listening closely to the beats and noises of the streets, it might sound something like this album. Street artist Swoon contributed her signature cutouts to create the cover art. 
Most folks who’ve spent years studying percussion are afraid to bend live beats into computers, but Filastine uses his drummer’s skill -- along with laptop & microphone – to redraw the musical map. He has studied under tabla superstar Zakir Hussein, played with coke-fueled samba bands in Rio de Janeiro, and soaked up knowledge in North Africa. Filastine’s live performance is a clash of laptop, loudspeaker, midi triggers, live percussion, and often a vocalist. This spring he’ll tour Europe alongside DJ /rupture. 
Sound is action in Filastine’s world. He founded the 20-piece anarchist marching band Infernal Noise Brigade, conducts guerilla activist interventions with custom-built soundsystems, and has been gassed, assaulted, or arrested by police of many uniforms.