play 2021

Ambient - Fields Recording - Drones - Contemporary

Synth pop, electronica, electropop, electropumk, coldwave, minimal wave, other waves etc

Electronic RockPop 6

Denovali

Kitchen & the Plastic Spoons - Happy Funeral (1980)

CLAUDE LARSON : Hot Chili

Cathy Heyden : sax, vocal, objets / Automne Lajeat :violoncelle / Ben Ajrab : basse, vocal, noise / Thierry Müller : guitare, Tone generator, FX

Prévu à l'origine comme un LP avec code de téléchargement et des bonus en téléchargement.
À discuter

Dildo

Derrière Le Buisson

Dildo - Derrière Le Buisson

Troglodyte Angels Clank By (2015), for amplified ensemble
Commissioned by Radio France.
Ensemble 2e2m conducted by Pierre Roullier

Live Recording, Radio France, Festival Présence, 10 February 2016, Paris

Clara Iannotta : Troglodyte Angels Clank By (2015), for amplified ensemble

NASA’s Juno spacecraft has observed plasma wave signals from Jupiter’s ionosphere. This display is a frequency-time spectrogram. The results in this figure show an increasing plasma density as Juno descended into Jupiter’s ionosphere during its close pass by Jupiter on February 2, 2017.  

The intensity, or amplitude, of the waves is displayed based on the color scale shown on the right. The actual observed frequencies of these emissions approach 150 kHz, which is above the human hearing range. To bring these signals into the human audio range, the playback speed has been slowed by a factor of about 60. The momentary, nearly pure tones follow a scale related to the electron density, and are likely associated with an interaction between the Juno spacecraft and the charged particles in Jupiter’s ionosphere. The exact source of these discrete tones is currently being investigated.
 
Credit: NASA/JPL-Caltech/SwRI/Univ. of Iowa

Plasma Sounds at Jupiter

paw-marks in wet cement (2015–17), for piano, two percussionists, and amplified ensemble.
Performed by Wilhem Latchoumia, and the EOC conducted by Daniel Kawka.

Clara Iannotta : paw-marks in wet cement (2015–17), for piano, 2 perc, and ensemble

Taken from the 12" E.P., 'The Flood'. Out on Peripheral Minimal Records November 7th 2017.

Buy here;

http://www.peripheralminimal.co.uk
https://peripheralminimal.bandcamp.com

Mitra Mitra "The Flood"

Exhale

Paradise

Memories

Apple Music: https://itunes.apple.com/us/album/saint-cloud/1459034848
Spotify: https://open.spotify.com/album/7sBZvlLcjHqhX7NWCe8chU

Official site: http://itsadmiralfox.com
Facebook: http://fb.me/itsadmiralfox
Instagram: http://instagram.com/itsadmiralfox

"The Heat" is taken from Admiral Fox's debut studio album Saint Cloud, available on all streaming services.

Lyrics:
they creep as softly as they can my home state overrun by police vans the invasion is complete makes sense to me and it’s always the worst trip how i’m the only one seeing this shit right now the other side of a smoky screen can’t get to me it’s been two nights and i want this break to be over i’m so sick and tired of the road colonial houses all in rows i’ve been a thundercloud all summer missing how we’d lie back in front of my ac two creatures thriving in the heat still scared of the old windows at the loneliest house i know it didn’t choose to be built there it didn’t choose to be built still scared of my mother’s voice breaks the silence i never trusted that’s all i’m offered when i arrive the ghosts of people who are still alive and he pushed the tape into the vcr and there was nothing i could say to stop it i saw baby daniel trapped inside the television and there was nothing i could do to help him

The Heat

from 'Disrupt / Construct' [LP|DIGITAL]
Denovali Records · den325
available on all formats at http://denovali.com/n

Disrupt/Construct is a long-form music release featuring two compositions: Disrupt and Construct. Disrupt/Construct is a composed effort between Ricky Graham (Signals Under Tests) and Hellmut Neidhardt (N). Graham collected musical responses to a series of his own guitar improvisations from Neidhardt over the period of a year. Graham then crafted this album at the Elektronmusikstudion EMS in Stockholm, Sweden. Disrupt is a series of buckling themes that function as self-contained, shorter musical compositions. Construct presents a semi-improvised stream-of-consciousness piece that stands in contrast to the disruptive nature of its counterpart and divides into three self-contained musical movements.

Disrupt / Construct

N(57) / Signals Under Tests - Construct I

Welcome to the 63th Ambient Sessions presented by Deep Electronics.
This monthly released podcast brings you the best and the most diversity Ambient music can offer.
It's the first sunday of December and the last Ambient Sessions for 2019 and that means a brand new session!
This months set is a reprise of a set that I released back in the day in 2013. Originally it was released by The Watcher himself but later on also  by DEP. It deserves a proper place in the Ambient Sessions to get listened again. Icesolationism, ice cold ambient with a deep intens and sometimes dark twists makes this set unique.

The planned artist for december had to postprone the mix to a later date due personal issues. Keep you all posted on that.

Bio:

Stumbling upon an LTJ Bukem mix cd as a teenager, a love for drum ?n bass manifested itself early in Watcher (Arjan van Vliet). After showing much promise as a humble bedroom dj, he set out to make club and radio appearances all over Holland alongside some of the scene?s biggest names, establishing himself as a sought-after opening dj and earning him a Dutch Drum ?n Bass Award nomination in 2007.

Tracklist:

01. Aidan Baker - Ice Against My Skin
02. Oöphoi - The Unbearable Sadness Of Memories
03. Kammarheit - Hypnagoga
04. Sleep Research Facility - 72S 149E
05. Northaunt - Night Alone
06. Thomas Köner - Nuuk (Day)
07. Netherworld - North Pole
08. Rapoon - Ice Whispers
09. Svartsinn - Lost In Reveries
10. Lull - Whiteout

Artwork created by Jeroen
Logo design by Fernando Ribeiro (Subchord)

Deep Electronics FB Page:
https://www.facebook.com/DeepElectronicsPodcast/

Ambient Sessions #63 - The Watcher (Reprise)

Welcome to the 256th Chapter of the Deep Electronics Podcast. A weekly released serie that brings you a diversity into the abyss of deep electronic music. This weeks set is a live registration from the performance of naya @ Ssi Noiseroom on the 15-11-2019 Sound museum. 

About the project and artist:
an experimental sound of field recordings, augmented by modern tools of sound design, a poetic form of creative monologue and vibration, permeated with goodness and gratitude to the universe - this is a brief description of the “nomadic soul” project.

the author of the project is a human, whose moral principles are dictated by the heart; a loving soul that hides the ocean, raging inside, behind a modest barely perceptible smile.

Links:

https://www.facebook.com/of.naya

https://soundcloud.com/of_naya?fbclid=IwAR0bjIsRINwRNxpt8_7g9FT5w6ZgCtfggMCB-oAL35Sm5J1fpSQon3Kgnfw

Photo provided by Naya.

Deep Electronics # 256 - naya - (Live Act @ Ssi Noiseroom -Sound Museum 15/11/2019

from https://soundcloud.com/aaasfast 'The Prime Same' [CD|LP|DIGITAL]
Denovali Records · den326
available on all formats at http://denovali.com/asfast

In the last years, Asfast (aka Leon Leder) has established himself between Deconstructed Club Music and Dark Ambient. Originally socialized in the Breakcore scene, which also had a strong Metal impact, Leon Leder merges his diverse influences in order to create a new level of aesthetic entity called „The Prime Same“. He almost skips musical measures while using a slow narrative linked to oddly rough and intrusive rhythm passages. These noteworthy characteristics emphasize the idiosyncratic sound world of Asfast. While „Altar“ (Amen Records, 2018) already revealed moments of mysticism and symbolism, „The Prime Same“ sets out to deepen these impacts by deconstructing genre boundaries. Asfast celebrates a ritual, which faces the conflict of accessibility and confrontation without losing its inherence and particular focus.

Focus in restraint
Ascend and descend
Disembodied rituals through wordless narratives
Something opens and closes in slow motions
The inner becomes the outer, drawing paths and lines that eventually,
somewhere, cross each other again
In the end, these puzzles might solve themselves

In 2019 Asfast released his latest single "Drag Shift" in cooperation with SOAP & SKIN and EVELYN PLASCHG. His new album „The Prime Same" is the first one for denovali.

The Prime Same

Asfast - These Chains All Over

from  https://soundcloud.com/aaasfast 'The Prime Same' [CD|LP|DIGITAL]
Denovali Records · den326
available on all formats at http://denovali.com/asfast

In the last years, Asfast (aka Leon Leder) has established himself between Deconstructed Club Music and Dark Ambient. Originally socialized in the Breakcore scene, which also had a strong Metal impact, Leon Leder merges his diverse influences in order to create a new level of aesthetic entity called „The Prime Same“. He almost skips musical measures while using a slow narrative linked to oddly rough and intrusive rhythm passages. These noteworthy characteristics emphasize the idiosyncratic sound world of Asfast. While „Altar“ (Amen Records, 2018) already revealed moments of mysticism and symbolism, „The Prime Same“ sets out to deepen these impacts by deconstructing genre boundaries. Asfast celebrates a ritual, which faces the conflict of accessibility and confrontation without losing its inherence and particular focus.

Focus in restraint
Ascend and descend
Disembodied rituals through wordless narratives
Something opens and closes in slow motions
The inner becomes the outer, drawing paths and lines that eventually,
somewhere, cross each other again
In the end, these puzzles might solve themselves

In 2019 Asfast released his latest single "Drag Shift" in cooperation with SOAP & SKIN and EVELYN PLASCHG. His new album „The Prime Same" is the first one for denovali.

Asfast - Moon

from 'The Prime Same' [CD|LP|DIGITAL]
Denovali Records · den326
available on all formats at http://denovali.com/asfast

In the last years, Asfast (aka Leon Leder) has established himself between Deconstructed Club Music and Dark Ambient. Originally socialized in the Breakcore scene, which also had a strong Metal impact, Leon Leder merges his diverse influences in order to create a new level of aesthetic entity called „The Prime Same“. He almost skips musical measures while using a slow narrative linked to oddly rough and intrusive rhythm passages. These noteworthy characteristics emphasize the idiosyncratic sound world of Asfast. While „Altar“ (Amen Records, 2018) already revealed moments of mysticism and symbolism, „The Prime Same“ sets out to deepen these impacts by deconstructing genre boundaries. Asfast celebrates a ritual, which faces the conflict of accessibility and confrontation without losing its inherence and particular focus.

Focus in restraint
Ascend and descend
Disembodied rituals through wordless narratives
Something opens and closes in slow motions
The inner becomes the outer, drawing paths and lines that eventually,
somewhere, cross each other again
In the end, these puzzles might solve themselves

In 2019 Asfast released his latest single "Drag Shift" in cooperation with SOAP & SKIN and EVELYN PLASCHG. His new album „The Prime Same" is the first one for denovali.

Asfast - Prime Prison

Stereo Total - Everybody In The Discotheque (I Hate) (Echokrank Version)

from 'Doomjazz Future Corpses!' [CD|2LP|DIGITAL]
Denovali Records · den081
available on all formats at http://denovali.com/mountfuji

Reissue of the first The Mount Fuji Doomjazz Corporation record from 2007. The Mount Fuji Doomjazz Corporation is the much-noticed free-form, drone metal / jazz alter-ego of The Kilimanjaro Darkjazz Ensemble, the band formed by Jason Kohnen and Giedon Kiers.

Starting with free-form soundtracks to silent films such as Murnau's “Nosferatu” and Lang's “Metropolis”, The Kilimanjaro Darkjazz Ensemble gave birth in 2006 to its first eponymous album. The downbeat ambient jazz of this first release was however only one avatar of this coterie, as demonstrated by the birth of The Mount Fuji Doomjazz Corporation. The semi-improvised, dark, heavy, “sludgy” counterpart to the Kilimanjaro Darkjazz Ensemble, the Corporation leaves all borders behind, focusing this time on mesmerizing, doom-ridden drones and melodies, combined with the jazzy grooves and melodies of the cello and saxophones. Recording live in Amsterdam in February 2007, “Doomjazz Future Corpses!” is a self-described “soundscape of barren wastelands, droning into memories of future's past”. If the The Kilimanjaro Darkjazz Ensemble debut was paying homage to The Quay Brothers, this album awakens the third, twisted, twin. A snapshot of the band's free-form sessions, in which there is no solid structure or time frame but a focus on cataclysmic improvisation and feeling, this album stands as a captivating dirge of raw guitar drones, saxophone and trombones emancipated from their classic jazz boundaries and abysmal bass throbs. An highly disorientating yet convincing journey through the deep realms of murky drone jazz / metal, heavy, suffocating and unfettered.