Directed and Composed by IWATA Wataru 
Visual programming by Ryo Kanda
https://vimeo.com/658530813

Two spherical mirrors reflecting the whole world face each other, and the eternally recurring process of reflection is a confrontation of ego and non-ego that continues until the point of convergence. When an individual included in the "whole" tries to recognize the "whole," it is forever unable to grasp the "whole," even if it tries to grasp it accurately, because it is included in the "whole." The work of mutual transformation that occurs when the "I" and the "other" face each other continues endlessly. Using each other as a mirror, we find, circulate, and permeate the image reflected in the mirror. The image reflected in the mirror is a projection of "I" and at the same time it reflects the world around me. In this way, the ego found in the mirror is at the same time the world (non-self) in the outside world, which dissolves into the "whole" through infinite r eflection.

The way in which the vision generated in the spherical mirrors develops into the "world" is this "world" itself, in which the image that arises inside of us develops

Sphere Stereo

07 - Le Chant Des Sirènes - ISRC OK

Here is my Piano Day 2022 contribution. Enjoy!

It is a reflection of infinite AI thoughts. 

The piece is dedicated to my friend David Kreutzer as a birthday gift. We were suppose to meet up in our hometown, Copenhagen. But due to Covid, I needed to stay in Stockholm and wrote this piece instead.

Let me know if you want the score, then I will send it to you as pdf.

Bjørn-Henrik Zink - Infinite (Piano Day 2022)

Follow:

Spotify: open.spotify.com/artist/2pHCm7cvE0ADlPp68tScqW

Apple Music: music.apple.com/us/artist/steven-…theinz/1421925543

SoundCloud: @steven-gutheinz

Instagram: www.instagram.com/stevengutheinz

Bandcamp: stevengutheinz.bandcamp.com

Web: stevengutheinz.com

Share

Piano cover of "Lela" composed by Carlos Nuñez. Performed & recorded by Dominique Charpentier aka The Piano Lover.

Carlos Nuñez - Lela (piano solo)

This track in Spotify/AppleMusic: https://band.link/jq59q

Spotify: https://open.spotify.com/artist/3ZT6CL1pYRz20xt5BEhJpL
Apple Music: https://music.apple.com/us/artist/ashot-danielyan/551761240

Ashot Danielyan in the social media:
» Telegram: https://t.me/ashotdanielyancomposer
» VK: https://vk.com/club219373443
» Instagram: https://instagram.com/ashot_danielyan_composer?igshid=YTQwZjQ0NmI0OA%3D%3D&utm_source=qr
» YouTube: https://www.youtube.com/user/ashotdanielyan
» Facebook: www.facebook.com/ashot.danielyan.composer

All Ashot Danielyan Albums: https://ashotdanielyan.bandcamp.com/

» Ashot Danielyan Royalty Free Music: https://audiojungle.net/user/ashot-danielyan-composer/portfolio

Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

Melancholic Tune #2

Spotify/AppleMusic

Ashot Danielyan - Melancholic Tune #2

shifty 120 bpm 103024 take 2

Draingerous

from 'MYTH I - A Last Dance for the Things we Love' [CD|LP|DIGITAL]
Denovali Records · den262
available on all formats at [http://denovali.com/theeyeoftime]

THE EYE OF TIME is the solo-project of French musician Marc Euvrie. Euvrie's musical development is deeply connected with the French DIY punk and hardcore scene, though he has been classically trained as well. He started to play piano being 9 years old, composed his first pieces with 15 and studied cello at the conservatoire after finishing school. Euvrie was involved in several bands before he began to translate his personal reflection of our complex world into music, which initiated THE EYE OF TIME. His extensive self titled debut has been released in spring 2012 and exposed a dark look on the present, past and future. His last albums were promising a glimpse of hope (“Acoustic”) or pitch-black despair (“ANTI”). With “MYTH I : A last dance for the things we love" THE EYE OF TIME will release the first part of a three record album concept MYTH (MYTH II - A need to survive, MYTH III - The final chapter), which will be a synthesis of all his past works.

MYTH is a word with ambiguous meanings in the dictionary, but all these lead to the same conclusion. The Eye of Time's MYTH trilogy is about the path that humanity took over the ages and about how we could tell this epic story. We could decide to see things on the bright side, or to a have a more dramatical (in the literal sense) look on it. Like if one species is looking at another, and in a different era. MYTH is a feedback to the tragical events of our time, to what people have to endure nowadays in order to survive, as well as the refugees travels, and the resistance against capitalism that is growing all over the world. MYTH is also a particular way to see things, to take sides with history. When we talk about ancient political activists and revolutionaries, resistances to the established order, we make the choice to transform it into a myth, a history full of heroes. But the past is the present. And our present will be the past again. It is on us to take action in order to avoid our inevitable end.

Marc Euvrie recorded “MYTH I : A last dance for the things we love" completely on his own. Being away from home, dealing with family issues, his music served him as deep introspection about himself and the world. An introspection impregnated with minimalistic moments, where piano and cello write the story of loneliness and calm. At the same time evolving dramaturgies emerge, driven by rumbling beats, accompanied by both grim and hopeful melodies; just to be aware that irrationality gives birth to our myths and that myths, in turn, affect our very own existence.

The cover artworks of the MYTH album trilogy display pictures of Emin Özmen, a winner of the world press photo award. His work is focused on the situation in Kurdistan, Syria, Turkey and the "refugees". His work has been published by Time magazine, The New York Times, BBC, Guardian, among others.

MYTH I : A last dance for the things we love

The Eye of Time - Dreams are dead, but will be reborn with grounds, stones and ancient spells

Return

Overlander

Exclusive audio taken from the upcoming album 'View from Above'...

Christopher Colaço and Philipp Schaeper have known each other since moving from their Southern German hometowns to Berlin. Together they studied Jazz piano/drums at the Berlin University of Arts and immediately dived into the vibrant Jazz scene.

Playing and working together shaped their musical common sense. In 2013 Christopher and Philipp had the opportunity to score their first movie (Oh Boy! – A Coffee in Berlin) and formed an old school sounding Jazz band with friends. After winning the German Academy Award for best original score, they continued to develop their collaborative project as a duo writing and scoring music.

At the same time they are working on their own music and started collaborating with classical musicians from the Mahler Chamber Orchestra in 2018, which lead to their first debut album. The record 'View From Above' consists of 7 tracks, creating atmospheric soundscapes that mingle between film-music, classical minimalism, ambient and electronic music.

'View From Above' provides a portrait of Christopher and Philipp's journey over the past few years and was recorded in Berlin at Bonello Studios. The renown mixing artist Francesco Donadello gave the record its final touch and it will be released on May 10th worldwide.

www.colaco-schaeper.com