Les entrées en playlist sur Ouest Track en mars 2021

Ouest Track Radio - mars 2021

Push That Way

JAM Duo (Cello and Piano) perform the Formula One Theme by Brian Tyler.  Arranged here for Cello and Piano.

Wedding Musicians in the UK, JAM Duo are a Cello and Piano Duo who can provide day time music for your wedding which includes, Ceremony, Drinks Reception and Wedding Breakfast as well as the First Dance.

Find our more by visiting our website at www.jamduo.com

Formula One Theme (Brian Tyler) - Cello & Piano

Order 'I Could See The Smoke' EP on Cassette Tape / Digital here: https://seabuckthorn.bandcamp.com/album/i-could-see-the-smoke

"Returnee" is taken from Seabuckthorn's upcoming EP 'I Could See The Smoke', coming out October 2016 on Lost Tribe Sound.  Seabuckthorn is UK experimental guitarist Andy Cartwright. 

Mastered by William Ryan Fritch

I Could See The Smoke

Returnee

Buy EP

Seabuckthorn - Returnee (from I Could See The Smoke EP)

To all - Track 12 of the album Dett by Kevin Verwijmeren. 
Available via Bandcamp and other record stores. 
Pre-order 01/10/2018
Release    23/10/2018

Dett

To All

Los Retros - It's Got To Be You

Time is Local

We like We & Jacob Kirkegaard - Clotho

Taken from the upcoming album 'Bij Wat Ook Moog' Gebeuren', forthcoming on Fluid Audio...

www.fluidaudio.bigcartel.com/mailing-list

Bij Wat Ook Moog' Gebeuren

Gareth Davis / Rutger Zuydervelt / Leo Fabriek - Bij Wat Ook Moog' Gebeuren II

Signals is an absolutely beautiful new collaborative effort between the much beloved Finnish electronic artist Lau Nau, and the brilliant Swedish composer and pianist Matti Bye. These 8 gently melancholic and deeply sensitive tracks are a perfect antidote to the stressful times that we all find ourselves in. Let these soothing sounds from the light filled days and nights of the far north soften your cares during these all too dark days.

Matti Bye & Lau Nau

Lau Nau & Matti Bye  "Signals"... Cloud Circles

Those who have been following my musings through the years surely have already read these words before. It is slightly awkward to employ my self-built platform as a tool to plug and self-promote. But self-promote I must, because how else will I inform you all, my friends, of my creations, that in part I’ve made for you to share with. Such is the case with my only second-ever collaboration, this time with a musician whom I now call a friend. James Murray and I met many years ago, virtually at first, and then in person, when I moved to London from New York. We’ve shared many musical moments [and even played together at an impromptu jamming session one late evening at his home], until one day, one thing led to another, and we’ve put out a short but sweet release [see “Living Treasure“]. And yet, Suññatā is something else entirely. Composed in complete partnership with this amazing artist, Suññatā follows a path of introspection to find a space where the self completely ceases to exist. This meditation in sound follows an arch designed to take you deeper into the nature of being until, at the end of this journey, you melt into nothingness. It may be a frightful experience at first, but it is also truly liberating and sublime. Today, I’d like to premiere the final piece on this same-titled album, which is out tomorrow, on the ever-glowing label that is Home Normal.

"Suññatā is the experience of encountering the non-self, of a sound and its reflection meeting in empty space, found here in the remarkable combined resonance of emotive piano and uniquely reactive sound design."

The album was beautifully mastered by Ian Hawgood on his miraculous analog gear and is available on a compact disc and as a digital release on all of your favorite streaming platforms. Preview a few more tracks and pre-order your copy via the label’s Bandcamp.

Suññatā

TRACK PREMIERE : James Murray & Mike Lazarev - Suññata

Anin

Inhalation

from 'Miscellany' [CD|LP|DIGITAL]
Denovali Records · den348
available on all formats at http://denovali.com/origamibiro

After an almost 6 year hiatus, and the break up of the audio-visual trio it had evolved into, Origamibiro returns with Miscellany, a body of work amassed during the years since the release of 2014’s Odham’s Standard.

Though the group never officially disbanded, a number of life-changing events meant it simply became impossible to continue together. As such, the project organically reverted back to the solo pursuits of composer Tom Hill. Fellow multi-instrumentalist Andy Tytherleigh, however, remains a strong collaborator.

Miscellany comprises a varied mixture of work, ranging from electroacoustic to orchestral chamber music. Drawing upon much of the found-sound style for which Origamibiro became known, the DIY approach to sampling and composing continues to play a central role in the process.

Exploration into the tangible nature of everyday objects and textures - both in and outside of the home - is a theme relished in much of Origamibiro’s work. Forest brambles and plastic toy Easter eggs are examined in surgical detail alongside the debris of demolished piano parts, to be repurposed into whatever sonic potential they offer up.

However, new additions to the instrumental palette - viola da gamba, piano, zither, singing bowl, glockenspiel, drum machines and gongs - contribute to an even broader timbre.

Miscellany will be released on Denovali, March 2021.

Miscellany

Origamibiro - Hashimoto

from 'Acoustic II' [CD|LP|DIGITAL]
Denovali Records · den347
available on all formats at http://denovali.com/theeyeoftime

THE EYE OF TIME is the Solo-Project of the French musician Marc Euvrie. Euvrie's musical development is deeply connected with the French diy scene though he has been classically trained as well. He started to play piano being 9 years old, composed his first pieces with 15 and studied cello at the conservatoire after finishing school. Being influenced by Claude Debussy, Philip Glass, Eric Chopin, J.S. Bach, Michael Nyman just as Godspeed You Black Emperor, A Silver Mt. Zion or Portishead Marc Euvrie began to translate his personal reflection of our complex world into music.

Acoustic II is Marc's sixth album and the second one only based on Piano & Cello works. Marc about the development of the album:

"Playing Piano and Cello has taken a more important place into creation the last years. After Acoustic (2014) I felt a need to do more acoustic songs.

In the mean time, a dream I've always had came true. In summer 2018 I travelled across Europe for 2 weeks, with an acoustic upright piano and a cello to play outdoor shows that most of the time took place in natural areas.

The audience and feedbacks were so wonderful - so it gave me the energy to compose more songs as well as a really new experience of cello drone set, made with cello loops and beats made by tapping on the cello. It took me a whole year after composing to make everything done and recorded. The recording finally happened at the Library of Cherbourg, my hometown, where I grew up, with a very high quality grand piano.

The work of creation and composing was way more exhausting and hard than the electronic one, due to the difficulty of the composition. Some of the tracks had to be written before practicing.
Since I've always been self educated with the piano, it was a huge challenge for myself to reach the goal that I was expecting. It gave me the experience and the energy to continue as well as my fans were really helpful by giving me an amazing endless support, to help me understand that I have to keep going on, when I had hardtimes of doubt on this and sometimes wanted to really let it go. The struggle to keep it to the goal was a very big deal because of the doubts and the financial issues, but I'm glad and proud that I made it, and that Denovali was enthusiast enough to make "Acoustic II" happen."

Acoustic II

The Eye of Time - Not from this world

The full, raw audio from a recent live stream improvisation by Andy from Digitonal.

Regular Friday night sessions on twitch.tv/andydigitonal.  In which Andy hooks all his boxes up and sees what happens.

The tracks are quite long as they develop slowly, much in the manner of how I write a lot of music actually. Sometimes they are messy and experimental, sometimes they form into tunes. This one is one of the more tuneful ones so I thought I'd make it publicly available for once.

More stream highlights can be found on the Twitch channel along with video footage of how it's done and a full kit list.

The Eye of Time - Not from this world

Denovali

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