The fourth track of the upcoming FLA soundtrack album "AirMech"

Carbon Games has signed Front Line Assembly to create an original album for AirMech. "For AirMech, the first thing I thought of was trying to get music that sounded like Front Line Assembly, so then I figured I should at least try and contact the band on the off chance they would be interested in talking with us," says James Green, Game Director at Carbon Games. "I was thrilled when the news came back that they would be interested in working on a game project again."

Front Line Assembly is one of the pioneering bands in the electronic industrial world and continues to be guided by founder Bill Leeb. The AirMech album has been under development since late 2011 in parallel with the progression of the game. Selections of the music will be deconstructed for use as dynamic music, which reacts to conditions during battle. The trademark structure of FLA's music made this collaboration an exciting opportunity for both teams. This album is entirely instrumental, and stands as a compelling FLA album on its own.

Tracklisting:
01. AirMech / 02. Arise / 03. Pulse Charge / 04. Prep for Combat / 05. System Anomaly / 06. Mech Killer / 07. Everything That Was Before / 08. Lose / 09. Burning Skyline / 10. Stealth Mech / 11. Death Level / 12. Prime Empiricism

The album is to be released as limited edition in Europe on November 16 via Dependent.

More info about the CD album: http://www.dependent.de
More info about the game: http://carbongames.com
Pre-order the compact disc: http://www.dependent.de/shop/Album/Front-Line-Assembly---AirMech--Limited-Edition-.htm


Front Line Assembly - 04 - Prep for Combat - preview

Not your run-of-the-mill working-class Eastern European non-binary DJ. The producer, vocalist, but also visual and digital artist strives for innovative sound design and visceral body response, despite (or maybe coupled with) raw emotion that permeates their musical output. They’re a proud member of the Ciężki Brokat crew (with whom they run the annual Warsaw Pride official afterparty), co-creator of Radio Kapitał, Polish ambassador for Keychange and SHAPE Platform 2021 resident.

Their own music has morphed several times throughout the last 15 years – from industrial or purely synthetic timbres, through polyphonic singing with Pleśni to a perplexing fusion of rhythmically and sonically jagged compositions, bass-heavy club tracks on their EPs, 'Gusła (Human Rites)' on Tańce, a limited vinyl release on London-based 51-53 Records, 'Doolska' and the latest, more experimental 'Lamenty' EP.

They presented their music during numerous festivals (Unsound, CTM, Schiev, Up To Date, Tauron Nowa Muzyka, Les Siestes Electroniques, Audioriver) and an assortment of clubs (including the legendary Berghain) in Poland and abroad (Berlin, London, Prague, Oslo, Copenhagen, Ljubljana). They remixed tracks by Kamp and Baasch, recorded mixes for Resident Advisor, DJ Mag, HӦR and CRACK, composed and created impromptu live music for interactive theatre plays: Method of National Constellations, quadraphonic sound for Jawić się, music for a Women’s Strike street theatre Manifesta and original score for Ideologix, a US-written and directed queer opera.

In the club their seventeen-year experience of supporting queer, anti-fascist and underground scenes results in an almost annoyingly disparate selection of the most forward-thinking sound offered by today’s scene. In their series of DJ-sets and club nights they blend unusual rhythmic patterns kicked up a notch with their improvised vocals.