Management :
benji@mutualfriends.com.au
Me : 
fekimusic10@gmail.com

Tech house/House/Disco DJ/Producer out of Seattle,WA.

Booking: nickbertossi@gmail.com
Instagram: instagram.com/nickbertossi

Note: I play various styles, not every mix is circuit nor is every mix house. I try to showcase that in my music because at the end of the day I do considered myself an open format DJ. 


International Remixer and DJ - One Half of International Remixing Duo "Dirty Pop" - Owner of 69ing Chipmunks and Dirty Pop Productions

There are few sounds on the DJ circuit today as fresh and innovative as those of DrewG and his Dirty Pop brand. Based in Houston, but constantly being heard out on the road, this prolific DJ and music producer continues to push dance floors to the limit in clubs both in the U.S. and abroad.

DrewG’s trademark “Dirty Pop” brand and production team (with fellow producer Brian Cua) falls under the distinct umbrella of SoCal House — a blend of house, circuit, and EDM… all accompanied by the hottest vocals from the biggest names in music. The Dirty Pop brand also encompasses the No. 1 traveling dance party in the U.S., as well as the Dirty Pop apparel line.

Sonic boundaries mean nothing to DrewG – he breaks them week in and week out — thriving on the unexpected and never ceasing to surprise. A Dirty Pop live set is infused with relentless energy. Hard kicks and dark electro drops — set to both new vocals and classics — are common trademarks. DrewG flows in and out of tracks flawlessly and fans never see what might be coming.

DrewG’s production work is no stranger to the top of the Billboard Club Charts. Drew and Brian together have procured official remixes for some of the hottest music artists in the world, including Lady Gaga, Whitney Houston, Ke$ha, Britney Spears, Deborah Cox, and Mary J. Blige… just to name a few.

2014 and 2015 were particular banner years for Dirty Pop’s production work. Two of the biggest artists in the world — Beyoncé (“Blow,” “Pretty Hurts,” “Drunk In Love”, “711”, “Love on Top”) and Madonna (“Living For Love,” “Ghosttown”, “Bitch, I’m Madonna!” ) — personally selected DrewG and Brian to be official remixers of their latest hit singles. These productions are currently being used by DJs in clubs around the globe. More commissioned remixes from these artists are already cued up for the rest of 2015. Even Tiësto — one of the biggest DJs on the planet — has used Dirty Pop’s remixes in his live sets.

Amongst the numerous events around the globe that DrewG has played are New York City’s famous Black Party (as the youngest DJ ever to play the event, which he’s now done three times), numerous Cherry weekend events in Washington, DC, a 2008 Presidential Inaugural ball for President Barack Obama, Carnival in Puerto Vallarta, Mexico, Ski Weeks in Aspen, Colorado, Mammoth Lakes [Elevation], the Pink Party in Denver, CO, several of Jason Harrigan’s Mardi Gras events in Sydney, Australia, Dunes Resort events in Saugatuck, Michigan, Ascension weekend at Fire Island Pines, and Sand Blast in Asbury Park, New Jersey.

Dirty Pop is a true extension of DrewG’s artistic self. When challenges are thrown at him, he channels them into his music. A true craftsman, DrewG strives to constantly create. Through beats and melodies, he expresses his perspective on the world through music. 

The next chapter of Drew’s career holds exciting promise. As he continues to tour, he strives to keep his legion of supporters satisfied. After all, with Dirty Pop you never know what you might hear or experience next.

Electric By Nature

Dedicated to Melodic and Progressive House music. Exclusively representing artists such as Nora En Pure, Passenger 10, and Daniel Portman. Releasing emotional house music successfully since 2005.

https://enormoustunes.campsite.bio/

Demos: See Link Below
Licensing: chrisreece@gmx.net
Booking artists: helveticnerdz@gmail.com

i'm a tender and happy and earnest queer, living and loving and creating in Seattle, WA.

I hosted the UKG monthly called GET U OFF at Timbre Room in Seattle which ran until March 2024 :'-). 

I also run the mix series called @diasporic-corean-mixtapes.

book me or send me a nice message at:
ben.aka.hyeonje at proton dot me
or an IG DM

Rich with bold brass and hypnotic percussion, Polyrhythmics' latest album, Caldera, showcases the instrumental eight-piece's impossibly tight grooves and virtuosic musicianship as they tear through a singular blend of funk, soul, psychedelic rock, R&B, progressive jazz, and Afrobeat. Calling to mind everything from Antibalas and the Dap-Kings to The Meters and Fela Kuti, it's without a doubt their strongest work to date, merging the infectious power of their live show with a sleek and nuanced studio sophistication. 

Named for the smoldering crater left after a volcanic eruption, Caldera was written during a band retreat to rural Oregon, where Polyrhythmics embraced truly collaborative songwriting for the first time during a marathon session in the shadow of Mt. Hood (itself an active volcano). The resulting album is a blistering declaration from a band that's progressed beyond the sum of its influences to come fully into its own. From the downtempo, Afrobeat trance of "Stargazer" to the triumphantly anthemic, high-octane pump-up funk of "Marshmallow Man," Caldera is instrumental music at its best: emotional, evocative, mesmerizing. On "Cactus Blossoms," Polyrhythmics craft an eerie, retro gem straight out of a 70's film score, while the trippy effects and wah-wah guitar of "Goldie's Road" suggest a psychedelic journey (or perhaps a bad trip), and the shuffling "Vodka For My Goat" draws on Stax soul while hinting at BB King's merger of the blues and jazz. It's an eclectic collection, tied together by the melding of eight distinct musical voices coming together as a cohesive whole.

The record follows the Seattle band's stellar third album, Octagon, which earned them tour dates around the country along with plenty of critical acclaim. The Stranger dubbed Polyrhythmics a group to watch, hailing their "sophisticated slinkiness and expressive brassiness," while WNCW praised their "modern afro-psycho-beat blend," and the Seattle Times dubbed them "funk maestros." The band was invited to perform live on influential Seattle NPR station KEXP, shared bills with everyone from Snarky Puppy to Booker T, and played massive festival stages including Bumbershoot, High Sierra, and Vancouver International Jazz Fest.

Polyrhythmics are:
Ben Bloom: Guitars, Grant Schroff: Drums, Nathan Spicer: Keys. Lalo Bello: Percussion, Karl Olson: Percussion, Jason Gray: Bass, Scott Morning: Trumpet, Elijah Clark: Trombone, Art Brown: Sax and Flute

Late Night Munchies • Feral One Records • Eklectic Sounds • Nocturne Syndicate  • Dad Bod Records   

10/2024 Top 3 Bass House releases on Beatport

I.S.H is a DJ and music producer based in Seattle, Washington. Ismael has cultivated a local and international audience within the community. 

In an amalgamation of his lived experience. As an artist, I.S.H. was drawn to the acceptance of the electronic music scenes that were inspired by the underground scene in Barcelona, Spain. I.S.H found his personal sound in the hard bass lines and rugged edges of Tech House and Bass House but you’ll also catch him playing a range of Techno and Minimal.

I.SH has also been seen in a variety of venues, block parties and pride events throughout North America doing direct support for artists such as Hot Chip, N2N, Wuki,  Deeper Purpose, Karsten Sollors, Matt Suave, Tony H, Luke Mandala, Colored Craig and more.

I.S.H ranked #4 in Top 100 mixes worldwide for Proton Radio in November 2023.

Empowering a creative and passionate community through innovation. Welcome to the Family!

Derek Flora is following