Derek Sibert__bass/vox
Andrew Srack__guitars
Grayson Z Andrews__drums

Artwork by Evan Azher:
https://www.instagram.com/evan_azher/

Tracked and Mixed by Jeff Wiseman at ZnB Studios:
https://www.instagram.com/znb_records/?hl=en

Mastered by Kevin Drake:
http://www.kdrake.com/

The Cogs Are Alright

Brazilian DJ (Bocada Forte). 

Acting in the hip hop scene since 1988, Cortecertu makes experimental beats. He is a contributor to the website Bocada Forte, the first hip hop website in Brazil, and produces beats for several artists in the alternative scene, including the band Decore.

Flowing like water 
Hard as Rock 
uncontained like fire
light as wind

Quantum leaping from distant realities experiencing constant anomalies of my personal conflictions, and your 3rd person perspectives existences in a broken space vacuum that branches beyond the comprehension of one subgenre of vibrational order.

Artist working with Guitar and Amp simulators and A.I.

Songs from the edge of somewhere.
You don’t know if you’re walking into a protest, a party, or a funeral.
Bluesy, soulful rock’n’roll.
Haunted, deep and raw. 
The kind of raw you can’t fake.

“You don’t sound like anyone else,” said Danny Thompson - legendary bassist for Nick Drake and Joe Strummer - about English producer Conil.

Tchad Blake, sonic architect for Tom Waits and Elvis Costello, agreed: “Strange Part of the Country is an amazing album. I still listen to it.”

Fleetwood Mac’s Peter Green was also a fan, making a rare visit to Conil’s studio to record a mellow take on “Woke Up Around Midnight,” his smoky tribute to the jazz greats.

Conil’s distinct sound has drawn praise from Marc Ribot, Davey Graham, Pino Palladino, and John Leckie - artists and producers known for recognising the real thing when they hear it.

Upon release, Strange Part of the Country made quiet but lasting waves. Q Magazine gave it four stars and a Q Recommends stamp. Blues Matters Magazine put Conil on the cover, calling him “one of the most original artists out there.” In the U.S., “Years Between” climbed to number three on the Alternative Radio Chart.

Raised in England on the Rolling Stones, the Velvet Underground, and Tom Waits, Conil later lived in some of the world’s most musically charged cities - New Orleans, New York, Chicago, Austin and Berlin - chasing sound wherever he went.

That began early. He travelled far, met the Dalai Lama, climbed Kilimanjaro, and crossed the Himalayas - experiences that shaped his perspective and his music.

He is now finishing his long-awaited second album - recorded in New Orleans, Chicago, London and Greece - with Danny Thompson, Tchad Blake and more.

I'm a sound engineer at Woods Studio that mixes and masters songs.  Check out my web page: https://woodsstudionorway.com, I only charge $50 US Dollars per song.  For only mastering, I charge US $25 per song
10 songs I charge $400 
if you are interested. Email me to:
woods.studio.mail@gmail.com

At Woods Studio, we specialize in creating high-quality mixes and masters for your music. We work closely with you to understand your unique style and vision, and tailor our mixes to bring out the best in your tracks. With years of experience and a passion for music, we are dedicated to delivering exceptional results that exceed your expectations. Our team of experienced engineers use only the latest technology and techniques to ensure that your music sounds its best. From EQ and compression to reverb and delay, we have the skills and expertise to craft a mix that perfectly captures the essence of your music. Whether you're a solo artist or a band, we can help take your music to the next level. Contact us today to learn more.

I have attended an audio school and worked several years at a concert hall named Olavshallen https://www.olavshallen.no/arrangere/store-sal I followed Khaliq Glover’s courses and webinars. I've been into sound engineering since 1991 and mixed over 1000's of songs. I have previously mixed for One Time Records and have released a vinyl with Koalra. I also have mixed "Where Do I Go" with Chris TR that was airtimed on the BBC radio

I use Universal Audio, fabfilter, soundtoys, autotune, melodyne, ozone and Plugin Alliance plugins and have a Uad apollo interface .

 I also use outboard gear like the RME Fireface, Universal Audio 2-1176 stereo compressor , An Avalon channelstrip, a space echo RE-201, a Drawmer 1968 mkii, and a Lexicon Pcm92. Also a dual ssl eq 

If you have the session files I would be happy to mix your song. Let me know if you’re interested.

E-mail: woods.studio.mail@gmail.com
Web page: https://woodsstudionorway.com
Youtube page: https://www.youtube.com/@stereosonic5182
Instagram: https://www.instagram.com/woods_studio_mixing/
Facebook page: www.facebook.com/Woods.Studio.Norway/
Donate: https://www.paypal.me/woodsstudio

Welcome to the Lab 💀 
Creator sound designer
40 plus years in live sound reinforcement
getting by with some help from my friends.
some call me Brother, Mark, Big Moochies, Big Daddy, Fat Rat..... all love.

Robert E Flynn III is a software-developer, author and musician from San Antonio, TX. He is living with his beautiful fiancé, Claudia, whose delightful, positive outlook on life has given him the motivation to finish this work. He has two wonderful children, Caitlin and Zachary, who are grown and exploring their own fantastic lives. He has spent his entire life pursuing creative endeavors. Music was his first love and still is, and writing was always part of his life. 
Robert lived in Austin, Texas for many years and was part of the music scene in the city during that time. He was a member of several bands during those days and tremendously enjoyed playing live in many venues in the music rich area. Music is a great example of our creativity, which speaks to the Creation of all things. He also lived in Denver, Colorado for several years when his children were young and then relocated back to San Antonio, Texas to be close to family.
Night of the Living Dead was recorded at Salmon Peak Studio in San Antonio, Texas.  Mark Sinko acted as the recording engineer and also contributed a guitar part on the song.  Robert Flynn’s longest friend, Brian “Red” Moore played bass on the track as well.  Brian is the lead recording engineer at Q Productions in Corpus Christi, Texas. Q Productions is owned by the famous music artist, Selena Quintanilla-Pérez’s father.  Brian also plays bass and sings on most of the tracks I currently have on Soundcloud.  In addition to Brian, other contributors and long time friends are on these recordings also.  Jerry Bazil, from Michigan, plays drums on several tracks. Bobby Lancaster, from Texas, plays drums on several tracks as well.  Also, Joe Mota, from Texas,  plays keyboards on several tracks (Sadly, Joe is no longer with us, but he was a genius in many ways musically and an inspiration to me). 
I play keyboards, guitar, drums and vocals throughout these tracks.

http://itunes.apple.com/album/id1547160428?ls=1&app=itunes
https://music.apple.com/us/artist/robert-flynn/1526505616
https://open.spotify.com/artist/3lx8cQlclBh1slpwByR0Tk?si=wDa3nJWAQ6qL1btF0hp6WQ
https://www.youtube.com/channel/UCKdR_YZQ5AlfByTdQEDtFDg

https://www.facebook.com/robert.flynn.1000/
https://www.instagram.com/reflynniii/
https://twitter.com/reflynniii
https://robertflynn.musicprosite.com/
The Touch: A Supernatural Story - Part 1 is available now on Amazon
Connect with Robert on Facebook or http://roberteflynn.com
https://musician.artistpr.com/p/robert-flynn/

𝙳𝚎𝚛𝚎𝚔 𝚂𝚒𝚋𝚎𝚛𝚝__𝚅𝚘𝚌𝚊𝚕𝚜 / 𝙱𝚊𝚜𝚜
𝙰𝚗𝚍𝚛𝚎𝚠 𝚂𝚛𝚊𝚌𝚔__𝙶𝚞𝚒𝚝𝚊𝚛
𝙶𝚛𝚊𝚢𝚜𝚘𝚗 𝚉 𝙰𝚗𝚍𝚛𝚎𝚠𝚜__𝙳𝚛𝚞𝚖𝚜

𝙲𝚊𝚛𝚎𝚏𝚞𝚕𝚕𝚢 𝚋𝚕𝚎𝚗𝚍𝚒𝚗𝚐 𝚙𝚘𝚜𝚝__, 𝚙𝚛𝚘𝚐__, 𝚊𝚗𝚍 𝚒𝚗𝚍𝚒𝚎__, [𝚐𝚕𝚊𝚣𝚒𝚎𝚛] 𝚒𝚜 𝚊 𝚋𝚊𝚗𝚍 𝚏𝚘𝚌𝚞𝚜𝚎𝚍 𝚘𝚗 𝚎𝚡𝚙𝚎𝚛𝚒𝚖𝚎𝚗𝚝𝚊𝚕 𝚊𝚖𝚊𝚕𝚐𝚊𝚖𝚊𝚝𝚒𝚘𝚗𝚜 𝚠𝚒𝚝𝚑 𝚊 𝚟𝚎𝚒𝚕𝚎𝚍 𝚌𝚞𝚛𝚒𝚘𝚜𝚒𝚝𝚢 𝚏𝚘𝚛 𝚌𝚘𝚗𝚟𝚎𝚗𝚝𝚒𝚘𝚗.  𝚃𝚑𝚛𝚘𝚞𝚐𝚑 𝚑𝚊𝚙𝚙𝚎𝚗𝚜𝚝𝚊𝚗𝚌𝚎 𝚊𝚗𝚍 𝚜𝚑𝚎𝚎𝚛 𝚏𝚘𝚛𝚌𝚎 𝚘𝚏 𝚠𝚒𝚕𝚕, 𝚝𝚑𝚎 𝚝𝚛𝚒𝚘 𝚠𝚊𝚜 𝚌𝚊𝚜𝚝 𝚒𝚗 𝙴𝚞𝚐𝚎𝚗𝚎, 𝙾𝚛𝚎𝚐𝚘𝚗 𝚊𝚗𝚍 𝚜𝚎𝚛𝚟𝚎𝚜 𝚊𝚜 𝚊 𝚟𝚎𝚜𝚜𝚎𝚕 𝚝𝚘 𝚎𝚡𝚙𝚛𝚎𝚜𝚜 𝚒𝚍𝚎𝚊𝚜 𝚝𝚑𝚛𝚘𝚞𝚐𝚑 𝚜𝚘𝚗𝚐𝚜 𝚊𝚜 𝚊𝚍𝚟𝚎𝚗𝚝𝚞𝚛𝚘𝚞𝚜 𝚜𝚑𝚘𝚛𝚝 𝚜𝚝𝚘𝚛𝚒𝚎𝚜.  𝙸𝚗𝚏𝚕𝚞𝚎𝚗𝚌𝚎𝚍 𝚋𝚢 𝚊𝚛𝚝𝚒𝚜𝚝𝚜 𝚕𝚒𝚔𝚎 𝚁𝚡 𝙱𝚊𝚗𝚍𝚒𝚝𝚜, 𝚀𝚞𝚎𝚎𝚗𝚜 𝚘𝚏 𝚝𝚑𝚎 𝚂𝚝𝚘𝚗𝚎 𝙰𝚐𝚎, 𝚊𝚗𝚍 𝙴𝚕𝚕𝚒𝚘𝚝𝚝 𝚂𝚖𝚒𝚝𝚑, [𝚐𝚕𝚊𝚣𝚒𝚎𝚛] 𝚞𝚝𝚒𝚕𝚒𝚣𝚎𝚜 𝚞𝚗𝚘𝚛𝚝𝚑𝚘𝚍𝚘𝚡 𝚑𝚊𝚛𝚖𝚘𝚗𝚢 𝚊𝚗𝚍 𝚓𝚊𝚐𝚐𝚎𝚍 𝚛𝚒𝚏𝚏𝚜 𝚙𝚊𝚒𝚛𝚎𝚍 𝚠𝚒𝚝𝚑 𝚠𝚒𝚜𝚝𝚏𝚞𝚕 𝚖𝚎𝚕𝚘𝚍𝚒𝚌 𝚖𝚘𝚝𝚒𝚏𝚜 𝚝𝚘 𝚌𝚛𝚎𝚊𝚝𝚎 𝚖𝚞𝚜𝚒𝚌 𝚝𝚑𝚊𝚝 𝚒𝚜 𝚋𝚘𝚝𝚑 𝚎𝚡𝚙𝚕𝚘𝚛𝚊𝚝𝚘𝚛𝚢 𝚊𝚗𝚍 𝚊𝚌𝚌𝚎𝚜𝚜𝚒𝚋𝚕𝚎__△▲△

𝙵𝚘𝚛𝚖𝚒𝚗𝚐 𝚒𝚗 𝚕𝚊𝚝𝚎 𝟸𝟶𝟷𝟿, 𝚝𝚑𝚎 𝚙𝚊𝚗𝚍𝚎𝚖𝚒𝚌 𝚏𝚘𝚛𝚌𝚎𝚍 𝚝𝚑𝚎 𝚝𝚛𝚒𝚘 𝚝𝚘 𝚜𝚕𝚘𝚠 𝚍𝚘𝚠𝚗 𝚊𝚗𝚍 𝚙𝚛𝚘𝚌𝚎𝚎𝚍 𝚠𝚒𝚝𝚑 𝚒𝚗𝚝𝚎𝚗𝚝𝚒𝚘𝚗 𝚠𝚑𝚒𝚕𝚎 𝚛𝚎𝚏𝚒𝚗𝚒𝚗𝚐 𝚝𝚑𝚎𝚒𝚛 𝚜𝚘𝚞𝚗𝚍 𝚊𝚗𝚍 𝚟𝚒𝚜𝚒𝚘𝚗. 𝙸𝚗 𝟸𝟶𝟸𝟷, 𝚝𝚑𝚎 𝚋𝚊𝚗𝚍 𝚛𝚎𝚕𝚎𝚊𝚜𝚎𝚍 𝚟𝚒𝚍𝚎𝚘 𝚌𝚘𝚗𝚝𝚎𝚗𝚝 𝚊𝚗𝚍 𝚝𝚑𝚎𝚒𝚛 𝚍𝚎𝚋𝚞𝚝 𝙴𝙿. 𝚃𝚑𝚎𝚒𝚛 𝚏𝚒𝚛𝚜𝚝 𝚏𝚞𝚕𝚕-𝚕𝚎𝚗𝚐𝚝𝚑 𝙻𝙿 “𝚙𝚑𝚘𝚋𝚒𝚊𝚜” 𝚛𝚎𝚕𝚎𝚊𝚜𝚎𝚜 𝟻.𝟷𝟼.𝟸𝟻__△▲△