Absolutely love the extended harmony. Some of the additions are surprisingly dissonant, they work though.

Classical Music to Study By

0:00 Letter
4:20 Fly
10:07 Four Dimensions
17:41 A Sense of Symmetry
21:39 Elements
27:25 Cold Wind
36:09 Low Mist
44:18 L'Origine Nascosta
48:33 Experience 
53:44 Elegy for the Arctic
58:56 Nuvole Bianche
1:05:19 The Path of the Fossils

One Hour of Ludovico Einaudi

كيف أنسي -ساكس: سمير سرور

موسيقى فيلم ديل السمكة - عمار الشريعي - شعر صلاح جاهين - القاء عمرو واكد

The Thrid of the Three Impressions for a Piano

Impression for a Piano Nr.3

راجح داود - عصافير النيل

September full moon

A contemporary version Erik Satie's timeless Gymnopédie No.1 - Brought to you by Remixdj.

Satie Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Satie iTunes
https://music.apple.com/gb/album/erik-satie-the-essential-collection/918615441

Best of Satie
https://play.google.com/store/music/album?id=Bditbkfgfdqvxx7hansrl6qhy4y

Satie Compilation
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Erik Satie Album
https://www.deezer.com/us/album/7540311

Best of Satie Playlist
https://www.youtube.com/watch?v=mk2SNcpTNbs&t=68s

Erik Satie The Essential Collection

Gymnopédie

🎥 VIDEO

Gymnopédie No.1 - Satie

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

The Rain Was Ending, And Light 
(by Laurence Binyon)

The rain was ending, and light
Lifting the leaden skies.
It shone upon ceiling and floor
And dazzled a child's eyes.

Pale after fever, a captive
Apart from his schoolfellows,
He stood at the high room's window
With face to the pane pressed close,

And beheld an immense glory
Flooding with fire the drops
Spilled on miraculous leaves
Of the fresh green lime-tree tops.

Washed gravel glittered red
To a wall, and beyond it nine
Tall limes in the old inn yard
Rose over the tall inn sign.

And voices arose from beneath
Of boys from school set free,
Racing and chasing each other
With laughter and games and glee.

To the boy at the high room-window,
Gazing alone and apart,
There came a wish without reason,
A thought that shone through his heart.

I'll choose this moment and keep it,
He said to himself, for a vow,
To remember for ever and ever
As if it were always now.

The Rain Was Ending, And Light

East hastings -Godspeed You Black Emperor

Rondo for a Sleeping City

Hi I'm Derek, and I sometimes write instrumental music. Say hi on Instagram! @asymmetricmeter

Rondo for a Sleeping City

Derek Zhao

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