I think one of the things I appreciate in your music is the space you leave. This piece really showcases that. 

Mind's Eye

"花果てて"

花果てた
果てたはてた
果ててしもうた

The flowers withered.
withered, withered.
The flowers have withered.

art work: Gerd Altmann via Pixabay

花果てて

from scratch done in two hours. it's about spontaneity: programmed drums, arp, piano - vocals, flute, percussion, each improvisation in one go. original track- afro inpired .... Enjoy my flow :-)

visitor

Taken from new 2022 EP: Vega, and available from February across all major platforms including Soundcloud, Spotify and Apple Music.

Vega is a purely instrumental project incorporating dirty instrumentation and low-fi electronic elements. The listing includes a varied mix of styles and influences compressed into 5 punchy 3 minute tracks.

If you like my music, it would be great if you could leave a comment / like or follow me on my channel.

Thanks for your support!

Hammerhead

I couldn't tell by the way you move

I could only tell by the way you smile

I could never tell how much you love me

I could only pray you that you would stay

For a while

♪

Everything we shared was so special

Everyplace wed go they'd want to be

Everything we did was a treasure

And forever to me a treasure you'll be

I couldn't tell by the way you move

I could only tell by the way you smile

I could never know how much you love me

I could only pray that you would stay for a while

BytheWayyouSmile

Scricklisher

Controlled Descent

New Demo

Fragment Of Spring Memory

Created with Arturia Minifrek, samples and loops as well as field recordings of a gutter (played by Ludger), recorded with smartphone, Mixed and mastered with Cubase 10.5

the bell

Listen To All My Music On All Platforms!

FOLLOW FOR MORE!!!

For any enquiries:
Email: shemarx30@gmail.com
Instagram: @shemar_x__

Escape The Matrix

BBT - DLAF (BBT House'o'Luv)

I started playing around with digital music creation in my early twenties, but I have always been haunted by a quote from Theo Parrish who said that he is "not comfortable with convenience replacing artistry", meaning that you need to put effort into learning and mastering the skills in order to bring something good. I studied computer science and have a passion for logics and programming and somehow my lack of any musical background has kept me from publishing any of my works.

Many years later I got inspired by an interview with Thomas Fehlmann where he explained how the focus in his work is not on the result so much but on the process itself. How the process is a "source of expression" and something he just feels he has to do. This resonated with me and I realised that it's ok to be an autodidact in music and it's ok to make music just for the sake of making music. I make music for me and if you, dear listener, like it along the way I'm very happy about that.

I am inspired by nature, natural processes and the interaction we have with them. Organic asymmetric fractal patterns that are rooted in logic but unpredictable as they express. How a particular stormy night can affect the shape and growth of a plant for years to come.

I use Bitwig Studio to create my tracks.

(I don't always respond with "thanks" to each comment but I read and appreciate all. If you have a question or really need a reply send me a message)

(With a few artists we run a little group on discord to discuss ideas and what not. The link is below if you're interested in joining)

Controlled Descent

Derk Bell

Recent comments

ꉔꏂꋪ꒤꒒ꏂꋬꋊ ꋬꇙꉔꏂꋊ꓄

timhopkinsound

Related tracks