I was flying through empty space
Free and wild, making so much noise

But nothing was making sense, although I thought I saw it all
Time was stretching thin, felt myself fading away

Then your gravity pulled me in, with so much space to fill
Never moved this way before, I couldn't let you carry on

sitting there in the dark, with a black cloud around your heart
so heavy you couldn't stand, so we took each others hands

Find out how much I can take, try turning up that heat
My light shines brightest against the dark
When I'm up against that wall
I can't stand up but I can't fall
And I'm about to lose it all
When the clouds begin to change
and the Light shines through again

It's Musical Gravity!

You and I will become something new
When you give yourself to me
And I give myself to you
There'll be no end to the love we receive
When it's only you, alone with me
In our Galaxy

Musical Gravity

Higher-Order Function

A combustible track 🔥 to ignite your sensibilities...

Thanks for listening.

Dry Heat

More in the Morning...Time to get in bed & Crash! DEMO instrumental

Sarin Subway(REPRISE ..Mix 8.1 )

Hackney

4 track improvisation on the old yellow Korg Mini-Kaossilator - Dynamic Phrase Synthesizer

AeolianMood

I've Been Down

This is the Vocalite's journey to the stars.

After the first two parts, this track brings the short sci-fi saga 
about this enigmatic race to a close for now. If you're interested, 
there may be more tracks featuring them.

But, back to the Story:

In a distant nebula of sound, the Vocalites were born. They were not bodies, but voices — pure streams of tone and color drifting through the cosmos. Each Vocalite carried a unique resonance: some bright and crystalline, others deep and warm like starlight filtered through dust. Together they shaped a single track, a living composition woven out of their shared energy and their shared purpose.

This track was about shaping the Vocalite’s energies and pursuing a common goal.
They wanted to build a bridge of harmony that could be heard across galaxies, a beacon for every lost signal and lonely echo in the void.

The universe was not silent. From the dark between stars, galactic dissonances emerged — harsh, fractured tones that sliced through the music. They twisted harmonies, bent notes out of tune, scattered the Vocalites into distant corners of the track. For a moment, it seemed the song would dissolve into chaos.

The Vocalites were not afraid. Undeterred, they listened for each other in the static. A single tone rose — a soft, solitary note calling out into the noise. Another answered. Then another. Little by little, the scattered voices found each other again, their frequencies aligning like stars returning to a constellation.

They gathered energy with every reunion. Each Vocalite stepped forward with its solo voice — clear, fearless, and unmistakably its own. One by one, their solos cut through the dissonance, not by destroying it, but by reshaping it. The harsh tones bent, softened, and eventually folded into the greater harmony.

Thanks  for your inspiration and support.
 O ZERO

48x0 Journey To The Stars

48x0 Journey to The Stars (Vocalite Part III)

Autoroute 666

"SHADOWS" is a restrained, mood-driven track that focuses more on feeling than on dramatic storytelling. The production is dark and minimal, built around a steady beat, deep low-end, and subtle synth layers that slowly evolve rather than constantly changing.
The track creates a sense of distance and introspection. Nothing feels over-pushed: elements come in gradually, leaving space and silence to do part of the work. The title reflects the overall tone of the song: quiet, slightly tense and reflective, without needing to be spelled out.
Instead of aiming for a big drop or a catchy hook, SHADOWS stays controlled and consistent, which makes it easy to sink into. It feels designed for late-night listening, headphones on, where the atmosphere matters more than immediacy.
Overall, it’s a low-key, honest track that relies on balance, texture, and mood rather than obvious effects or excess.

FALLING LIGHTS

SHADOWS

I started playing around with digital music creation in my early twenties, but I have always been haunted by a quote from Theo Parrish who said that he is "not comfortable with convenience replacing artistry", meaning that you need to put effort into learning and mastering the skills in order to bring something good. I studied computer science and have a passion for logics and programming and somehow my lack of any musical background has kept me from publishing any of my works.

Many years later I got inspired by an interview with Thomas Fehlmann where he explained how the focus in his work is not on the result so much but on the process itself. How the process is a "source of expression" and something he just feels he has to do. This resonated with me and I realised that it's ok to be an autodidact in music and it's ok to make music just for the sake of making music. I make music for me and if you, dear listener, like it along the way I'm very happy about that.

I am inspired by nature, natural processes and the interaction we have with them. Organic asymmetric fractal patterns that are rooted in logic but unpredictable as they express. How a particular stormy night can affect the shape and growth of a plant for years to come.

I use Bitwig Studio to create my tracks.

(I don't always respond with "thanks" to each comment but I read and appreciate all. If you have a question or really need a reply send me a message)

(With a few artists we run a little group on discord to discuss ideas and what not. The link is below if you're interested in joining)

Higher-Order Function

Derk Bell